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Concert Band - Level 3 - Digital Download SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by Jeremy Goh (A0.1027334). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
Orchestre d'harmonie

$5.99 5.25 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Grade 1 - Digital Download SKU: B0.PDF-BAND354 Composed by Tom Tucker. A compelling choice for Grade 1 level band students. Multicultural. Score and Parts. 53 pages. PDF Band Music #PDF-BAND354. Published by PDF Band Music (B0.PDF-BAND354). 8.5 x 11 inches.Find your ear protection and prepare the speech outlining the importance of playing all styles of music because this is the tune that students will want to play EVERY day ALL year. The title says it all. The piece features a familiar old 60s rock bass pattern with a new melodic line. There are some borrowed well known guitar riffs in the bridge section and a nice bluesy snippet.The Something Old New Borrowed Blue Rock is playable by advanced beginning bands as well as grade 1 bands. Rhythms arelimited to eighth note patterns. The 1st clarinet does cross the break occasionally, but generally ranges are limited to one octave.
The Something Old New Borrowed Blue Rock
Orchestre d'harmonie

$38.70 33.94 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital (IZ.CBW205). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
The Raft of the Medusa
Orchestre d'harmonie

$60.00 52.61 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
The Raft of the Medusa
Orchestre d'harmonie

$12.00 10.52 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1261288 By Carole King. By Carole King. Arranged by John Ivor Holland. 20th Century,Jazz,Pop,Rock,Singer/Songwriter. Score and Parts. 48 pages. John Ivor Holland #854360. Published by John Ivor Holland (A0.1261288). Continuing the mellow vibes of the classic album, 'Tapestry', Carole King followed this up with her next, 'Music' released in December 1971, with many of the tracks, including this one, solely written by her. At one point, both albums were in the top ten simultaneously, with 'Music' becoming number one over Christmas and New Year 1972. Carole King's songs will always be popular and this arrangement adds to the canon of wonderful melodies to entertain and transport your audience back to a more nostalgic time. There are solo spots for trumpet and flute and sections in 5/4, bringing a new rhythmic feel to jazz things up a bit.
Music
Orchestre d'harmonie
Carole King
$49.99 43.84 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1505936 Composed by Carl Maria von Weber. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 203 pages. Edition Schwalbe #1081317. Published by Edition Schwalbe (A0.1505936). Der Freischütz is a German opera with spoken dialogue. It premiered on 18 June 1821 at the Schauspielhaus Berlin and is considered to be the first German  Romantic opera. The overture is in sonata form and may be regarded as a compressed tone poem about the Freischütz story. The arrangement is kept in the  original key of the composition for symphony orchestra and was commissioned and first time performed (without Euphonium and Tuba) by Mozarteum Wind  Philharmonic Salzburg conducted by Hansjoerg Angerer at their New Year's Concert on 6 January 2008 at the Great Hall of the Mozarteum Foundation in  Salzburg, then again at their Three Kings' Concert on 6 January 2018 at the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and  broadcasted live by Austrian television. A further repetition at the same event on 6 January 2024 again with live TV, now under the new name Salzburg Wind  Philharmonic underlines the great appreciation for this arrangement shown by the orchestra and conductor. Live recordings of the 2018 and 2024 concerts  are available at  https://www.salzburg-windphilharmonic.at/de/durch-die-waelder-durch-die-auen/ or https://www.jpc.de/jpcng/classic/detail/-/art/durch-die-waelder-durch-die-auen/hnum/10428715?iampartner=303&subid=umr14&ref=partner.jpc.de and https://www.salzburg-windphilharmonic.at/de/dreikonigskonzert-2024-aus-den-bergen/ .
Der Freischütz (The Freeshooter), Overture
Orchestre d'harmonie

$130.00 114 € Orchestre d'harmonie PDF SheetMusicPlus

Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat        (tenor horn, alto sax); Part 3 in F (French horn);  Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat  (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
Denmark: The Two National Anthems
Orchestre d'harmonie

$8.99 7.88 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1006603 Composed by Johann Strauss Jr. Arranged by Han-Wei Lee. Romantic Period. Score and parts. 23 pages. Han-Wei Lee #23731. Published by Han-Wei Lee (A0.1006603). Written by the waltz king Johann Strauss II, the opera's overture is perfect for whoever is planning a Strauss concert or either a new year celebrating party. The woodwind part might be challenging, but the music itself is just as beautiful as what Strauss had written. This product only contains score, parts will be sold respectively. Recommended instrumentation Piccolo 1 Flute 2 Oboe 2 Basson 2 Eb Clarinet 1 Clarinet I 4 Clarinet II 4 Clarinet III 4 Bass Clarinet 2 Alto Saxophone 2 Tenor Saxophone 1 Baryton Saxophone 1 Cornet I 2 Cornet II 2 Horn I 2 Horn II 2 Trombone I 1 Trombone II 1 Trombone III 1 Euphonium 2 Tuba 2 String Bass 2 Timpani 1 Mallet 1 Percussion 2.
Overture from the opera Der Zigeunerbaron, arraged for Symphonic band (score)
Orchestre d'harmonie

$45.00 39.46 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1006602 Composed by Johann Strauss Jr. Arranged by Han-Wei Lee. Romantic Period. Score and parts. 89 pages. Han-Wei Lee #23735. Published by Han-Wei Lee (A0.1006602). Written by the waltz king Johann Strauss II, the opera's overture is perfect for whoever is planning a Strauss concert or either a new year celebrating party. The woodwind part might be challenging, but the music itself is just as beautiful as what Strauss had written. This product only contains parts, score is sold respectively. Recommended instrumentation: Piccolo 1 Flute 2 Oboe 2 Basson 2 Eb Clarinet 1 Clarinet I 4 Clarinet II 4 Clarinet III 4 Bass Clarinet 2 Alto Saxophone 2 Tenor Saxophone 1 Baryton Saxophone 1 Cornet I 2 Cornet II 2 Horn I 2 Horn II 2 Trombone I 1 Trombone II 1 Trombone III 1 Euphonium 2 Tuba 2 String Bass 2 Timpani 1 Mallet 1 Percussion 2.
Overture from the opera Der Zigeunerbaron, arraged for Symphonic band (parts)
Orchestre d'harmonie

$100.00 87.69 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1021848 Composed by Franz von Suppe. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 192 pages. Edition Schwalbe #6644221. Published by Edition Schwalbe (A0.1021848). Franz von Suppé was a typical child of the multiethic Austrian-Hungarian monarchy with Italian, Dalmatian and Viennese ancestors. His full name was Francesco Ezechiele Ermenegildo de Suppè. He is regarded as father of the Viennese operetta. As he very often composed on bad quality librettos, most of his operettas nowadays are no more performed on stage. But many of his overtures and melodies are still popular, like this overture to the operetta Ein Morgen, ein Mittag, ein Abend in Wien (Morning, Noon and Night in Vienna), which was first performed in Vienna in February 1844. The original cello solo starting at bar 14was transcribed in this arrangement to the bass clarinet, as it is the only wind instrument in this score covering the range of the cello's solo part. There are also alternatives for clarinet (as in the orchestral score) or flugelhorn combined with euphonium. This transcription was commissioned by Wind Philharmonic Mozarteum Salzburg and first performed conducted by Hansjoerg Angerer at their 2014 New Year's Concert on January 6th in Salzburg, Austria. A live recording of this piece is included on the CD Eine musikalische Reise UMR65, Barcode 9120007612141 available at https://naxosdirekt.de/items/eine-musikalische-reise-557962 . Further details at: https://www.blaeserphilharmonie-mozarteum.at/
Ein Morgen, ein Mittag, ein Abend in Wien (Morning, Noon and Night in Vienna), overture by Franz von
Orchestre d'harmonie

$142.40 124.87 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
Trapped
Orchestre d'harmonie
Scott Custer Jr
$25.00 21.92 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.896391 Composed by Pasquale Anfossi (Taggia 1727 - Rome 1797). Arranged by Fabrizio Brezzo. Baroque. Score and parts. 19 pages. Fabrizio Brezzo #4633087. Published by Fabrizio Brezzo (A0.896391). Pasquale Anfossi (5 April 1727 – February 1797) was an Italian opera composer. Born in Taggia, Liguria, he studied with Niccolò Piccinni and Antonio Sacchini, and worked mainly in London, Venice and Rome.He wrote more than 80 operas, both opera seria and opera buffa, although he concentrated on church music, especially oratorios, during his last years. Anfossi died in Rome in 1797.As an operatic composer, Anfossi remained forgotten for a long time, despite his great popularity with his contemporaries, because his works were overshadowed by those of Salieri, Rossini and Mozart. Nevertheless, Johann Wolfgang von Goethe staged Anfossi's farsetta La maga Circe (Circe, the Sorceress) in his role as the theatre director of Weimar. He adapted the libretto with Christian August Vulpius and also made plans for a continuation, which never came to bear.Only in the last 20 years has Anfossi's work been appreciated anew, through diverse productions such as Giuseppe riconosciuto. His work was featured at the 2005 Salzburg Summer Festival.Fabrizio Brezzo, this arranger, lives in Taggia, the town where Anfossi was born.In the second half of this symphony, you can hear the theme that Mozart used, 9 years later, for his Confutatis maledictis of the requiem mass.
Sinfonia Venezia - Pasquale Anfossi (1727 - 1797) - Primo Tempo (First part)
Orchestre d'harmonie

$8.50 7.45 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: IZ.CBW222-S Composed by Gary Gazlay. Score. 23 pages. Imagine Music - Digital #CBW222-S. Published by Imagine Music - Digital (IZ.CBW222-S). 8.5 x 11 inches.A choral setting of Isaiah 61:1-3 for two-part choir. This is the passage from which Jesus reads in the synagogue at Nazareth.The spirit of the Lord God is upon me, because the Lord has anointed me; he has sent me to bring good news to the oppressed, to bind up the brokenhearted, to proclaim liberty to the captives, and release to the prisoners; to proclaim the year of the Lord's favor, and the day of recompense of our God; to comfort all who mourn; to provide for those who mourn in Zion – to give them a garland instead of ashes, the oil of gladness instead of mourning, the mantle of praise instead of a faint spirit. They will be called oaks of righteousness, the planting of the Lord, to display his glory.This anthem was composed and performed in celebration of the installation of The Rev. Jon Lavelle as rector of St. John's-Grace Episcopal Church in Buffalo, New York, on March 3, 2019.
Ambassador Overture
Orchestre d'harmonie

$10.00 8.77 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
1917: The Halifax Disaster
Orchestre d'harmonie

$22.99 20.16 € Orchestre d'harmonie PDF SheetMusicPlus






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