Concert Band - Level 3 - Digital Download SKU: A0.1091257 Composed by Allen Story, Anna Gordy Gaye, and George Gordy. Arranged by Ryan Putt. Christmas,Contemporary,Holiday. Score and parts. 50 pages. Brasswood Publishing, LLC #695423. Published by Brasswood Publishing, LLC (A0.1091257). What Christmas Means to Me is a fun, up-tempo R&B groove. This classic Christmas tune was famously performed by Stevie Wonder. This arrangement was inspired by the John Legend cover and the original. It features a soloistic Vibes part that will showcase your best mallet player. The alto sax is showcased with the melody throughout most of the chart. No matter the size of your group, this Christmas classic is sure to delight an audience of any age. Written for a full wind ensemble, this chart is at home in any venue. Many of the parts are single parts, and the doubling is done to facilitate performance by any number of differing instrumentations. The opening build is marked in the tuba part to add players every 4 bars. It is recommended that the tuba part be split across the section to allow individual players to get a rest. There is an optional bass part to supplement the tuba, bari sax, and bass clarinet if one is available. The optional bass clef marimba part also doubles the bass line throughout.

Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).

Concert Band - Level 3 - Digital Download SKU: A0.786848 Composed by Antonio Vivaldi, William S. Hays. Arranged by Beka Wilson. Baroque,Christian,Sacred. Score and parts. 44 pages. Beka Wilson #6624827. Published by Beka Wilson (A0.786848). A cheerful, uplifting arrangement of an old favorite in the setting of Vivaldi's Spring from The Seasons. This flex piece is perfect for a smaller ensemble or orchestra, or one with an untraditional assortment of instruments. It could be played as written in cut time or in 4/4 for a slightly slower pace.Time: Approximately 3 minutes (at 80 bpm cut time)Level: 3.5 Includes score and parts (flute, oboe, clarinet, bassoon, alto/tenor saxophone, trumpet, horn, trombone, mallet percussion, violin, and cello). If there is an instrument you’d like parts for that isn’t included, feel free to contact me at bekmars10@gmail.com so I can get a custom arrangement put up on Sheet Music Plus for you.

Concert Band - Level 3 - Digital Download SKU: A0.746509 Composed by Trad/Ludvig Mathias Lindeman (1812-1887). Arranged by Keith Terrett. 20th Century,Film/TV,Patriotic,World. 30 pages. Keith Terrett #1988951. Published by Keith Terrett (A0.746509). A march dedicated to the Heroes of Telemark entitled ''Heltane frå Telemark (Sabateurs March). The melodies come from vest telemark where I worked from 2001-2006 as Band Director to Kviteseid Hornmusik. The melodies used in this new march entitled 'The Heroes of Telemark' are songs from Norway, Kviteseidsangen and Fjaasesundsangen are from Vest Telemark in Southern Norway, while Mellom bakker og berg is an old melody by Ludvig Mathias Lindeman (1812-1887). Keith Terrett has re-harmonised and orchestrated these fine melodies into an exciting march, in honour of the gallant 'Heroes of Telemark'. A great addition to your march repertoire from the ''Keith Terrett Classic March Collection''. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

Concert Band - Level 5 - Digital Download SKU: A0.1028397 Composed by Hector Berlioz. Arranged by Vincent Fung Kin Yuen. Romantic Period. Score and parts. 150 pages. Vincent Fung Kin Yuen #3558347. Published by Vincent Fung Kin Yuen (A0.1028397). A few years ago, I attended a concert by the National University of Singapore Symphony Orchestra, a group of passionate students, at the National University of Singapore. They performed Berlioz’s Symphonie Fantastique, which has continuously captivated me through the wild, grotesque sounds. Recently, my friend, Joshua suggested that I could write an orchestral transcription for Dream of a Witches’ Sabbath. I have decided to keep the instrumentation to a minimum, where smaller size bands can give it a try without the fear of not owning unusual auxiliary instruments, but still able to maintain the original orchestral sounds.  The original program notes by Berlioz is as follows: He sees himself at a witches' sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts. The beloved melody appears once more, but has now lost its noble and shy character; it is now no more than a vulgar dance tune, trivial and grotesque: it is she who is coming to the sabbath ... Roar of delight at her arrival ... She joins the diabolical orgy ... The funeral knell tolls, burlesque parody of the Dies irae, the dance of the witches. The dance of the witches combined with the Dies irae.  

Concert Band - Level 3 - Digital Download SKU: A0.596584 Composed by Juan María Solare. 20th Century,Contemporary,Graduation,Instructional. Score and parts. 26 pages. Juan Maria Solare #5199887. Published by Juan Maria Solare (A0.596584). Procesión pagana [Pagan Procession], for small wind ensemble, by Juan María Solare. For ten instruments: 2 flutes, oboe, 2 clarinets, bass clarinet, 2 alto saxophones, 2 tenor saxophones. If you need a concrete arrangement of this score for another instrumentation, please contact me.#windensemble #chambermusic #Procession

Concert Band - Level 4 - Digital Download SKU: A0.1164054 Composed by Bruno Tapia. Jazz. Score and parts. 58 pages. Bruno Tapia #764395. Published by Bruno Tapia (A0.1164054). Gato de callejón es mi primera pieza para big band. Fue presentada al primer concurso de composición para bandas estudiantiles CORFOBAE durante el 2022, resultando en un cuarto lugar.Esta obra tiene por referencia las sonoridades de swing usadas en varias bandas sonoras de series clásicas (como lo es Don Gato y su pandilla), y por lo tanto, ampliamente extendido en el inconsciente colectivo. El crear una obra en este estilo responde a la necesidad de formentar la creación en este tipo de lenguajes, y en particular, en big band. Fue la primera vez que usé voicings cerrados en toda regla. Se usan armónicamente un par de vueltas relativamente sencillas. En este caso, me excedí con los grados de dificultad para el concurso (3-4), y me quedó una obra que está más cerca del grado 5 en la escala de música instrumental de Hal Leonard. Gato de Callejón is my first big band piece. It was presented to the first CORFO BAE composition contest for student bands during 2022, resulting on a 4th place.This piece has as reference the swing sonorities used on several OST's of classical series (as Top Cat), and because of that, widely extended on the colective inconscient. Creating a work on this style responds to the necessity of fomenting the musical creation on this kind of languages, and in particular, on big band. This was my first time using closed voicings on rule. There's harmonicly a pair of relatively simple turnarounds.In this case, I exceeded the difficulty grades of the contest (3-4), and I had a work mostly near to the grade 5 on Hal Leonard's Instrumental Music Scale.

Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.

Concert Band - Level 5 - Digital Download SKU: A0.894397 Composed by Zack Richards. 20th Century,Contemporary,Film/TV. Score and parts. 120 pages. Zack Richards #5210677. Published by Zack Richards (A0.894397). Throughout my youth, I was highly influenced by Science Fiction, especially Star Trek: The Next Generation. It inspired me from a creative, musical, and human perspective and was a large factor in most of my current views of the world in which we all live. This work is largely inspired by that show as well as other Star Trek shows and movies. The title is inspired by the idea of space, called the final frontier throughout Star Trek. The first melody pulls many aspects from the The Original Series, including the opening interval of a minor 7th, the rhythmic use of triplets, and the chromatic intervals in the second half of the melody. It sits over quartal harmonies which help create the open spacey sound. The countermelody introduced by the Oboe in measure 13 is inspired intervalically and rhythmically by the 2009 Star Trek reboot movie theme. These 2 melodies are used in various ways from start to finish, sometimes rhythmically diminished, sometimes just as a motif passed from one instrument to another. Every section has a moment to shine like a distant star in this fun sci-fi inspired piece.

Concert Band - Level 1 - Digital Download SKU: A0.770479 By Chick Corea. By Herbie Hancock. Arranged by Ivan Marini. Contemporary,Instructional,Jazz,Pop. Score and parts. 37 pages. Www.dalsegno.eu #5376759. Published by www.dalsegno.eu (A0.770479). One of the most important masterworks in modal Jazz Rock history, now for your Casual Wind Quartet or Ensemble!Easy, enjoyable and flexible arrangement of this classic theme.Setting:Part 1 for: Flute, Oboe, English Horn, Clarinet, Soprano Sax, Alto Sax, Eb Cornet, C Trumpet, Bb Trumpet/Cornet;Part 2 for: English Horn, Bassoon, Clarinet, Alto Sax, Trumpet, Horn, Mellophone, Trombone/Euphonium (TC and BC)Part 3 for: Bassoon, Clarinet, Alto Clarinet, Alto Sax, Tenor Sax, Horn, Mellophone, Trombone/Euphonium (TC and BC)Part 4 for: Bassoon , Bass Clarinet, Baritone Sax, Bass Sax, Bass Trombone, TubaPlayable with almost every quartet: for example just woodwinds (with or without horn), just Double Reeds, any Clarinet quartet, any Saxophone quartet, just brass...Suitable for larger and/or mixed ensembles too!Really useful for instrumental classes, to build a repertoire, for concerts, recitals, even as attractive encore.Fits in almost every program, for smaller or larger venues.Complete set with C score (concert pitch) and 33 transposed and carefully adapted parts.Other transpositions or custom settings available at simply request.Duration: ad lib. (ca. 1 minute for the tune, plus improvisation), 37 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu

Concert Band - Level 3 - Digital Download SKU: A0.1035592 Composed by Edward Elgar. Arranged by Joel Jacklich (A.S.C.A.P.). Romantic Period. Score and parts. 76 pages. Joel Jacklich #640816. Published by Joel Jacklich (A0.1035592). PROGRAM NOTE: Rosemary - That's for remembrance.... In 1882, Sir Edward Elgar jotted down in his musical notebook a piano piece he titled Douce Pensée (Sweet Thought). There it remained until 1913 when he got it out again, revised it slightly, re-titled it Rosemary - That's for remembrance, and published it for the first time. The title comes from Ophelia's Garland Speech in Shakespeare's Hamlet, where she says, There's rosemary, that's for remembrance. Pray you, love, remember. In 1915, the First World War had been raging in Europe for a year, and many British composers and poets had turned to artistic means to mourn those who died in the trenches of across the Channel. Elgar orchestrated the work at that time. In 1925, London publisher W. Paxton published arrangements by C. Jenkins made for brass and reed band and for military band; however, these are now out of print and no longer available. In the fall of 2015, Mitch Sturman, director of the Wilson Junior High School Warrior Band in El Centro, California, asked me to make an arrangement of Rosemary for the Eighth Annual Concert of Premieres, a series Sturman had begun in 2008, commissioning new works by known composers, and commissioning new arrangements of pieces he felt were worthy works in the public domain that were no longer in print and/or were written for ensembles containing instruments no longer part of the standard modern band or orchestra. INSTRUMENTATION: Flute I (4), Flute II (4), Oboe (1), Clarinet I (4), Clarinet II (4), Clarinet III (4), Bass Clarinet (1), Bassoon (1), Alto Saxophone (4), Tenor Saxophone (2), Baritone Saxophone (1); Trumpet I (3), Trumpet II (3), French Horn (2), Baritone Horn T.C. (2), Baritone Horn B.C. (2), Trombone (6), Tuba (2); Timpani [F2, B-flat 2] (1), Snare Drum (1),Triange (1), Suspended Cymbal (1), Bass Drum (1), Glockenspiel (1). Joel Jacklich May 21, 2015 El Centro, California.

Concert Band - Level 2 - Digital Download SKU: A0.818279 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages. Stephen R Dalrymple #4854631. Published by Stephen R Dalrymple (A0.818279). Rocky Mountain Vista ♫ American Folk Song ♫ “Rocky Mountain High� with “Down in the Valley� and “Home on the Range� ♫ arranged for concert band by Stephen R Dalrymple ♫ What would you see if you climbed to the rim of the Rocky Mountains (or the Appalachians)? I arranged 2 American folk songs of unknown authorship, Rocky Mountain and Down in the Valley, plus Home on the Range (by Brewster Higley (lyrics 1874) and Daniel Kelly (melody pre 1905) to portray our western mountains and range land. ♫ [2021 Update: Actually, modern theory says Rocky Mountain came from the Appalachian Mountains and describes the rocky mountains of the Appalachians, not the Rockies. But for many the song evokes memories of the Rocky Mountains. So if you look to the west or the east for high mountains, you're covered.] ♫ Rocky mountain, rocky mountain, rocky mountain high, When you’re on that rocky mountain, hang your head and cry. Loo, loo, loo, loo, Do remember me. Loo, loo, loo, loo, Do remember me. ♫ Down in the valley the valley so low, Hang your head over; hear the wind blow. Hear the wind blow dear; hear the wind blow. Hang your head over; hear the wind blow. ♫ Oh, give me a home where the buffalo roam, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ Home, home on the range, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ How often at night, when the heavens were bright, With the light of the twinkling stars, Have I stood here amazed, and asked as I gazed, If their glory exceeds that of ours! ♫ sequenced by the arranger ♫ arrangement © 2001, 2019 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute/Oboe, Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Alto Clarinet/Alto Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/Bass Clef Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Snare Drum/Bass Drum, Triangle/Cymbal, and Bells. ♫ The YouTube video contains the full recording.

Concert Band - Level 4 - Digital Download SKU: A0.986862 Composed by Ben Pritchard. 20th Century. Score and parts. 20 pages. Benjamin Pritchard #5463. Published by Benjamin Pritchard (A0.986862). Serenity and Dance has many interest for both teachers and student performers. There is a broad range of dynamics, expression, and ensemble balance required. The tight harmonies, changing meter, textures, melodic layering, and intensity are exciting for both conductor and performer. The piece utilizes a variety of percussion instruments (including vocalizations) and every wind/brass line is an important part of the overall performance. I also find that, despite its frequent meter changes, the composition has a catchy melody. Many of the student performers have told me that they’ve gone home after school singing the woodwind melody from the Dance portion (even brass and percussionists!).

Concert Band - Level 1 - Digital Download SKU: A0.1428591 Composed by J. Pierpoint. Arranged by Callie Mae / Brian Harris. Christmas,Holiday,Instructional. 33 pages. HMS Music #1009365. Published by HMS Music (A0.1428591). _____________________________________________________________________________As a middle school band director, I was always happy when all my beginners were able to play Jingle Bells in unison and with a decent sound.. But I also had a number of players who could move faster and play more challenging rhythms and notes than others. What to do? How about a simple arrangement with flexible part assignments?JINGLE THOSE BELLS! is a super-easy setting of Jingle Bells. The work opens with the traditional unison rendition of the melody, as found in almost every beginner band method book ever written. But then, after a brief pause, the melody is repeated, but now faster and with the addition of a bass line and rhythmic accompaniment. The rhythmic accompaniment is provided by several of your best clarinet, sax, and trumpet players who play the Advanced Part. And if you are short on bass voice instruments, you can utilize the optional bass parts for Alto Sax. Super flexible and a bit humorous, it takes a little score study to realize how adaptable this piece is. Guaranteed to work with your beginners! (PS: the printed music shows Callie May, our cat, as arranger. I gave her credit so my wife could play more than one piece by me at her holiday concerts without looking too biased! Consider pairing this work with another one of my super-easy beginner band works - JOY TO THE KING  – also available online here).NOTE: this Digital Download is assembled with the Advanced Clarinet parts appearing as page 1 so you may view it on the web site as you listen to the sound file. When you download/print the full document (33 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. Also included is permission for a band director to make as many copies as needed for their school. This permission is not extended to individuals . . . only to schools.  Now you can let the kids keep their music - and just print (legally!) new parts each year!  (BcP-YB) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at both the public school and college level. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners)Jingle Those Bells! (for beginners)HouseTop March (for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________________________________________.