Acoustic Guitar,Drum Set,Electric Bass Guitar,Piano,Violin - Level 4 - Digital Download SKU: A0.1221991 By The Beatles. By George Harrison and Paul McCartney. Arranged by Peyber Augusto Medina Hidalgo. Classical,Funk,Historic,Multicultural,Rock,World. 12 pages. Peyber Medina #818266. Published by Peyber Medina (A0.1221991). Peyber A. Medina H. has created an exceptional and awe-inspiring arrangement for violin and classic 50's Rock'n Roll Band of In Spite Of All The Danger by The Beatles, originally written for The Quarrymen by Paul McCartney & George Harrison. This multi-talented musician has breathed new life into this classic track, infusing it with a modern energy that is sure to captivate audiences of all ages. Also, this is probably the first arrangement of this classical 50's rock tune made for a violin cover.With intricate instrumentation and dynamic violin performance, this rendition of In Spite Of All The Danger is a true masterpiece. Medina's attention to detail is evident in every note, creating a rich and immersive listening experience that will leave you wanting more.From the soaring violin solos (accompanied by the band) to the infectious rhythm section, every aspect of this arrangement is carefully crafted to perfection. Whether you're a die-hard Beatles fan or simply appreciate great music, you won't want to miss this extraordinary performance.So if you're looking for a truly unforgettable musical experience, look no further than Peyber A. Medina H.'s rendition of In Spite Of All The Danger for Violin & 50's Rock'n Roll Band. With its captivating sound and impeccable execution, this arrangement is sure to take the music world by storm and earn a well-deserved place in music history..

Concert Band - Level 4 - Digital Download SKU: A0.503638 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Rubinho. Pop,Rock. Score and parts. 130 pages. Rubinho #115722. Published by Rubinho (A0.503638). Sweet Child o 'Mine is a song by the American rock band Guns N' Roses . It is part of their debut album, Appetite for Destruction . The song was released in August 1988 as the third single from the album, and topped the Billboard Hot 100 chart , becoming the band's only number one single in the United States. The Billboard the ranked as the fifth best song of 1988. Relaunched in 1989, reached number six on the UK Singles Chart . Guitarist Slash said in 1990, [The song] has turned into a huge hit and now it makes me sick. I mean, I like it, but I hate what it represents. This arrangement is for Symphonic Band , includes: Score, Piccolo, (2) Flutes, Oboe, (3) Clarinets, Alto Clarinet Eb, Bass Clarinet Bb, (2) Alto Saxs, (2) Tenor Saxs, Baritone Sax, (4) Horn in F, (4) Trumpets, (3) Tenor Trombone, Bass Trombone, Eufonio C, Tuba C, Electric Guitar, Piano, Electric Bass, Timpani and Drums.

Concert Band - Digital Download SKU: A0.733220 Composed by Samuel Coleridge-Taylor. Arranged by Michael Shaw. Romantic Period. Score and parts. 161 pages. Ayotte Custom Musical Engravings #6341569. Published by Ayotte Custom Musical Engravings (A0.733220). Samuel Coleridge-Taylor was born in Holborn, London on August 15, 1875 and died from pneumonia at the age of 37 in Croy- don, England on September 1, 1912.  At an early age his grandfather began teaching him how to play the violin. His musical ability was obvious and at the age of 15, his extended family arranged for Taylor to study at the Royal College of Music. While at RCM he changed from violin to composition, working under professor Charles Villiers Stanford. His classmates included Ralph Vaughan Williams and Gustav Holst. He was later helped by Edward Elgar in 1898, who described Coleridge-Taylor as far and away the cleverest fellow going amongst the young men.  By 1896, Coleridge-Taylor was earning a reputation as a composer and was also accepted as an excellent conductor. In 1898 at the age of 23 he composed the African Suite. Danse Nègre is the last of the four movements that make up the African Suite, Op. 35 (proceeded by Introduction, A Negro Love Song, and Valse). Coleridge-Taylor saw it as his mission in life to help establish the dignity of the black man. He was greatly influenced by black American poet P. L. Dunbar. He made three successful visits to the United States to great acclaim. In 1904, on his first USA tour he was received by President Theodore Roosevelt at the White House. Above all, though, Samuel Coleridge-Taylor was known as a man of great dignity and patience.