Concert Band - Digital Download SKU: A0.483266 Composed by Charles Frederick Thiele. Arranged by Trevor P. Wagler. Contest,Festival,Patriotic,Traditional. Score and parts. 36 pages. Published by WCB Publications (A0.483266). High Park, by C.F. Thiele was, in its day, one of the most popular marches among Canadian concert bands in the mid-20th Century. This arrangement is presented in a newly-revised version, corrected and updated for the modern (21st-Century) concert band by Trevor P. Wagler. Certain to be a favourite among audiences and band members alike. This selection is part of the Historic Waterloo Band Series. All proceeds support the Waterloo Concert Band.

Concert Band - Level 4 - Digital Download SKU: A0.1414965 By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. 94 pages. Cascia Talbert #996694. Published by Cascia Talbert (A0.1414965). Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.This arrangement is for concert band and choir.

Concert Band - Digital Download SKU: A0.483270 Composed by Charles Frederick Thiele. Arranged by Trevor P. Wagler. Contest,Festival,Patriotic,Traditional. Score and parts. 36 pages. Published by WCB Publications (A0.483270). Majestic Stride, by C.F. Thiele was, in its day, one of the most popular marches among Canadian concert bands in the mid-20th Century. This arrangement is presented in a newly-revised version, corrected and updated for the modern (21st-Century) concert band by Trevor P. Wagler. Certain to be a favourite among audiences and band members alike. This selection is part of the Historic Waterloo Band Series. All proceeds support the Waterloo Concert Band.

Concert Band - Level 3 - Digital Download SKU: A0.1429369 Composed by J.P. Sousa, Alan Scott, Keith Textor, Jacques Offenbach, Charles A. Zimmerman. Arranged by Laura Taylor. Broadway,Historic,March,Musical/Show,Patriotic,Standards. 14 pages. Sound by Laura LLC #1010082. Published by Sound by Laura LLC (A0.1429369). Includes:The Army Goes Rolling Along a.k.a. The Cassions Go Rolling AlongAnchors AweighThe U.S. Air Force Blue as a alternative to Wide Blue Yonder, which is not in the public domain.Marine HymnEach branch's song is a self-contained module that can be repeated on its own, combined with other branches, and moved into any order, and they will fit together perfectly. The entire piece can also loop, or there is an ending written that will work for any branch.

Concert Band - Digital Download SKU: A0.733220 Composed by Samuel Coleridge-Taylor. Arranged by Michael Shaw. Romantic Period. Score and parts. 161 pages. Ayotte Custom Musical Engravings #6341569. Published by Ayotte Custom Musical Engravings (A0.733220). Samuel Coleridge-Taylor was born in Holborn, London on August 15, 1875 and died from pneumonia at the age of 37 in Croy- don, England on September 1, 1912.  At an early age his grandfather began teaching him how to play the violin. His musical ability was obvious and at the age of 15, his extended family arranged for Taylor to study at the Royal College of Music. While at RCM he changed from violin to composition, working under professor Charles Villiers Stanford. His classmates included Ralph Vaughan Williams and Gustav Holst. He was later helped by Edward Elgar in 1898, who described Coleridge-Taylor as far and away the cleverest fellow going amongst the young men.  By 1896, Coleridge-Taylor was earning a reputation as a composer and was also accepted as an excellent conductor. In 1898 at the age of 23 he composed the African Suite. Danse Nègre is the last of the four movements that make up the African Suite, Op. 35 (proceeded by Introduction, A Negro Love Song, and Valse). Coleridge-Taylor saw it as his mission in life to help establish the dignity of the black man. He was greatly influenced by black American poet P. L. Dunbar. He made three successful visits to the United States to great acclaim. In 1904, on his first USA tour he was received by President Theodore Roosevelt at the White House. Above all, though, Samuel Coleridge-Taylor was known as a man of great dignity and patience.