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Concert Band - Digital Download SKU: A0.1490058 By Christopher Frost. By Christopher Frost. Arranged by Christopher Frost. Classical,Comedy,Contemporary,Contest,Festival,Jazz. 75 pages. Christopher Frost #1066926. Published by Christopher Frost (A0.1490058). Debussy's classic piano piece Clair de Lune reimagined and reharmonised like you have never heard before in an upbeat swing arrangement for concert wind band. Great fun for the band to play and certain to get audiences' feet tapping encouraging a return visit for your next concert. Wind Band Grade 4-5.Recordings of Christopher Frost's Concert Wind Band compositions can be found on his YouTube channel playlist:Concert Wind Bandwww.chrisfrostmusic.comchris@chrisfrostmusic.com.
Clair de Lune (concert band)
Orchestre d'harmonie
Christopher Frost
$63.81 55.11 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.1492311 By Christopher Frost. By Christopher Frost. Arranged by Christopher Frost. Contemporary,Contest,Festival,Holiday,Latin,Multicultural,World. 127 pages. Christopher Frost #1068977. Published by Christopher Frost (A0.1492311). Pra Caramba! is a samba written for Concert Wind Band. Pra caramba is a Portuguese/Brazilian informal phrase used at the end of a sentence to add extreme emphasis to its meaning; it is a nonesense phrase is isolation.Example: Brasília é quente pra caramba! = Brasília is damn hot!This energetic, carnival style piece works best with full percussion although there is an optional cut for when numbers are low. Wind Band Grade 4-5.Recordings of Christopher Frost's Concert Wind Band compositions can be found on his YouTube channel playlist:Concert Wind Bandwww.chrisfrostmusic.comchris@chrisfrostmusic.com.
Pra Caramba! (concert band)
Orchestre d'harmonie
Christopher Frost
$63.81 55.11 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.1490053 By Christopher Frost. By Christopher Frost. Arranged by Christopher Frost. Classical,Comedy,Contemporary,Contest,Festival,Jazz. 108 pages. Christopher Frost #1066919. Published by Christopher Frost (A0.1490053). Figaro’s Revelry - The morning after the night before ... is a light-hearted swing arrangement for concert wind band based on Mozart's The Marriage of Figaro Overture.The music depicts the morning after the night before reflecting on the wedding party's drunken revelry. It starts subtone, as if waking early in the morning with, perhaps, a hangover. It goes on to reminisce about the rest of the evening's tomfoolery, drunken swaying and general shenanigans.Recordings of Christopher Frost's Concert Wind Band compositions can be found on his YouTube channel playlist:Concert Wind Bandwww.chrisfrostmusic.comchris@chrisfrostmusic.com.
Figaro’s Revelry - The morning after the night before ... based on The Marriage of Figaro Overture
Orchestre d'harmonie
Christopher Frost
$63.81 55.11 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).    CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Orchestre d'harmonie

$49.99 43.17 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
Orchestre d'harmonie

$25.00 21.59 € Orchestre d'harmonie PDF SheetMusicPlus






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