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Concert Band - Level 3 - Digital Download SKU: A0.914564 Composed by Christian Morris. Arranged by Hoopla Sheet Music. Christmas,Rock,Standards. Score and parts. 78 pages. Hoopla Sheet Music #5359773. Published by Hoopla Sheet Music (A0.914564). Sick of the same old versions of Christmas classics? Want to stand out from the crowd during holiday season? Here's an arrangement of O Come, O Come Emmanuel with a Rock twist. A great showstopper at any Christmas event!A flexible ensemble arrangement in five parts with additional percussion, piano and guitar. This allows many different ensembles, from small groups to full orchestra or wind-band, to play this piece.Full parts list:Part 1: Flute, oboe, violin, trumpet in Bb.Part 2: Flute, clarinet in Bb, alto saxophone in Eb, violin, trumpet in Bb.Part 3: Clarinet in Bb, alto saxophone in Eb, tenor saxophone in Bb, horn in F, violin, viola.Part 4: Tenor saxophone in Bb, horn in F, euphonium (treble clef) in Bb, trombone, cello.Part 5: Baritone saxophone in Eb, bassoon, baritone (treble clef) in Bb, bass clarinet, tuba, cello, string bass.TimpaniPercussion (1 Player)Drum KitElectric GuitarPianoConductor’s score.More Christmas music from Hoopla Sheet Music:Jingle Bells SalsaEmmanuel RockO Come All Ye Boogie-Woogie FaithfulAway in A Country MangerHark the Funky Angels SingBossa Nova Bleak MidwinterGod Rest Ye Good King Gospel MashupJump Blues Joy to the WorldWe Three Kings (Persian Style)We Wish You a Jazzy ChristmasandWe Wish You a Jazzy Christmas (complete collection of all the above)
Emmanuel Rock (O Come, O Come Emmanuel)
Orchestre d'harmonie

$15.99 13.72 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.914567 Composed by Felix Bartholdy Mendelssohn. Arranged by Christian Morris. Christmas,Jazz. Score and parts. 86 pages. Hoopla Sheet Music #5724949. Published by Hoopla Sheet Music (A0.914567). Sick of the same old versions of Christmas classics? Want to stand out from the crowd during holiday season? Here's an arrangement of O Come All Ye Faithful with a boogie-woogie twist. A great showstopper at any Christmas event!A flexible ensemble arrangement in five parts with additional percussion, piano and guitar. This allows many different ensembles, small and large, to play this piece.Full parts list:Part 1: Flute, oboe, violin, trumpet in Bb.Part 2: Flute, clarinet in Bb, alto saxophone in Eb, violin, trumpet in Bb.Part 3: Clarinet in Bb, alto saxophone in Eb, tenor saxophone in Bb, horn in F, violin, viola.Part 4: Tenor saxophone in Bb, horn in F, euphonium (treble clef) in Bb, trombone, cello.Part 5: Baritone saxophone in Eb, bassoon, baritone (treble clef) in Bb, bass clarinet, tuba, cello, string bass.TimpaniPercussion (3 players)Electric GuitarPianoConductor’s score.More Christmas music from Hoopla Sheet Music:Jingle Bells SalsaEmmanuel RockO Come All Ye Boogie-Woogie FaithfulAway in A Country MangerHark the Funky Angels SingBossa Nova Bleak MidwinterGod Rest Ye Good King Gospel MashupJump Blues Joy to the WorldWe Three Kings (Persian Style)We Wish You a Jazzy ChristmasandWe Wish You a Jazzy Christmas (complete collection of all the above)
O Come All Ye Boogie-Woogie Faithful
Orchestre d'harmonie

$15.99 13.72 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March   Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score).  There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC.  The MP3 was recorded with NotePerformer 3.Grade = 3.5  Duration =.
The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie

$30.00 25.74 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
Trapped
Orchestre d'harmonie
Scott Custer Jr
$25.00 21.45 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1405543 Composed by Lee Morgan. Arranged by John Ivor Holland. 20th Century,Film/TV,Jazz,Soul,Standards. 92 pages. John Ivor Holland #988601. Published by John Ivor Holland (A0.1405543). 'The Sidewinder' is a 1964 album by jazz trumpeter Lee Morgan, recorded in New Jersey, U.S. It was released on the Blue Note label and the title track is perhaps Morgan's all-around best-known composition; it would go on to become a jazz standard and was additionally released as a single, entering the Billboard Hot 100 in January 1965. Morgan recorded the track with tenor saxophonist Joe Henderson, pianist Barry Harris, double bassist Bob Cranshaw and drummer Billy Higgins. The album became Blue Note's best-selling record ever, breaking the previous sales record and saving the label from near bankruptcy. Record producer Michael Cuscuna recalls the unexpected success: the company issued only 4,000 copies upon release. Needless to say, they ran out of stock in three or four days. And 'The Sidewinder' became a runaway smash. The title track was used as the music in a Chrysler television advertisement during the 1965 Baseball World Series, without Morgan's permission; he threatened to sue, Chrysler agreed not to show the advertisement again and settled the case. This arrangement has been adapted from the jazz ensemble version by Mark Taylor, retaining solos for alto sax and trumpet, although an optional cut can be taken if necessary to skip these.
Sidewinder
Orchestre d'harmonie

$59.99 51.48 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1235199 Composed by Helmut Kogler. 21st Century,Classical,Contemporary,Multicultural,Standards,World. 251 pages. Pentharmonics #830735. Published by Pentharmonics (A0.1235199). Symphonic Waltz for Band - Duration about 7:20 min. - Grade 2.5The flywheel is turning fast and steady, hence energy is stored. If its rotation changes, the energy begins to flow. Speeding up absorbs the power, braking leads to a release. Force is needed for momentum, but once the halt is overcome, the wheel is ready to provide. As well the gyroscope performs according to the same effect - standing, turning, keeping balance - like a floating dancing couple on the parquet floor. They soak impetus from 3/4-time of music. Once turning to the right, then turning to the left - and energy restarts to flow. Flowing, streaming, even sweeping somebody away. Totally infused with power we will be finally fulfilled.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.com More music by Helmut Kogler: www.pentharmonics.com
Flywheel
Orchestre d'harmonie

$109.99 94.38 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1458703 Composed by Michael Briggs. Chamber. 38 pages. ASCAP #1037631. Published by ASCAP (A0.1458703). Whistling Woods takes you through that serene feeling of wondering through a forest of rustling leaves and crackling dirt. As the piece begins, it gives the imagination of leaves blowing away from the swaying trees, and as the music continues it enters new sections where you can imagine the act of traveling through the woodland trail. As the music begins to grow and become stronger, the breeze will grow in your mind as you visualize the sun’s rays shining through a gap in the trees before you find you away out of the forest, and away from the mighty sounds of the Whistling Woods.
Whistling Woods
Orchestre d'harmonie

$39.99 34.31 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1198057 Composed by Juan Carlos Calderon Lopez De Arroyabe and Mike Hawker. Arranged by Brendan James Elliget MAGA 537. Pop. Score and parts. 40 pages. BJE Music #797237. Published by BJE Music (A0.1198057). Touch the Wind - Concert Band Version “I woke up this morning and my mind fell away And looking back sadly from tomorrow As I heard an echo from the past softly say Come back, come back, won't you stay? I wanted to reach you, let you know I still care (I still care) And lost in the silence of my sorrow I put a promise in the wind, on the air To fly away to you there Touch the wind Catch my love as it goes sailing Touch the wind and I'll be close to you†Eres tú is a popular Spanish language song written for the Eurovision Song Contest 1973 by Hawker Michael Edwin, and Juan Carlos Calderon Lopez De Arroyabe This song also has an English version titled Touch the Wind. This arrangement is for the Concert Band as an instrumental. Copyright © 1972 UNIVERSAL - ED. MUS. POLYGRAM-DISCORAMA.
Touch The Wind
Orchestre d'harmonie

$50.00 42.9 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
Medioevo By Jannes Jacobs
Orchestre d'harmonie

$15.00 12.87 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.1207451 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Broadway,Contemporary,Disco,Film/TV,Musical/Show,Rock. 3 pages. Amphibia Cultural Legacy #805618. Published by Amphibia Cultural Legacy (A0.1207451). Amphibia Cultural Legacy has released an instrumental cover of the True Quack Pack Theme Song based on the original music from DuckTales 2017. The body is a beautiful remix that features an orchestra and highlights the unique musical qualities of the original song. Listeners are sure to be impressed by how Amphibia Cultural Legacy has managed to capture the essence of the theme song while still putting its spin on it.The True Quack Pack Theme Song is an instantly recognizable tune that fans will love hearing played with such skill and precision. Amphibia Cultural Legacy's version is powerful and subtle, showcasing a deep understanding of creating a truly captivating piece of music. This instrumental cover is perfect for fans who want to experience something new while staying true to their favorite show's roots.The True Quack Pack Theme Song is one of the most memorable tunes from the hit show DuckTales 2017. Amphibia Cultural Legacy has taken this beloved theme song into something extraordinary with its instrumental cover remixed with orchestra. Fans of this iconic tune will be blown away by the new and improved version that takes the original music to a new level.From its inception, the Quack Pack! episode in DuckTales 2017 destiny to become legendary. The unforgettable theme song played a huge role in making this episode such a fan favorite. Now, thanks to Amphibia Cultural Legacy's incredible remix, fans can relive these memories even more beautifully and dynamically. The orchestra adds depth and complexity to a fantastic piece of music, creating a genuinely unmatched listening experience.
True Quack Pack Theme Song - Score Only
Orchestre d'harmonie

$40.00 34.32 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.995848 Composed by Andrew Strawn. 20th Century,Contemporary. Score and parts. 164 pages. Andrew Strawn #4629351. Published by Andrew Strawn (A0.995848). The Mad Adventurer is arguably one of my most monumental works. Comprising of three movements (listed in detail below) it depicts the stress of an Adventurer and his eventual insanity. Composed for Symphonic Band, I hope you enjoy, The Mad Adventurer.  I. Dangerous Waters The Great Adventurer has travelled for many years. He has fought in great battles and discovered beautiful treasures. It is for the immense joy he quests. The adventures continue to become more challenging, yet the Great Adventurer always succeeds.  II. The Tormented Heart Contrary to his fun from quests, the Adventurer now has a family back home, and he worries what would happen to them if he didn't return. His constant absence caused by his desire for adventure is straining the relationship with his family. He loves them but is always away from them. All the while, death looms above and threatens to end the adventures.  III.The Madman The stress and torment of his quests are finally getting to the Adventurer. His emotions are becoming out of control and his mind, irrational. The Adventurer realizes he must return to his family to save his sanity, if not his life. He sets out on one final quest to return home. The trials more mounting than ever before. The once, Great Adventurer is going insane. Until, finally, he crests the hill, and reunites with his family. In the joyful arms of his wife and kids, he is once again, happy.Note: PDF includes a legal-sized score and a letter-sized set of parts.
The Mad Adventurer
Orchestre d'harmonie

$55.00 47.19 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Digital Download SKU: IZ.CBS158-S Composed by Britt Burns. Score. 16 pages. Duration 7 minutes, 35 seconds. Imagine Music - Digital #CBS158-S. Published by Imagine Music - Digital (IZ.CBS158-S). 9 x 12 in inches.Distance was composed in early 2009 (and later revised in 2011) when I was feeling very homesick. The title wasinspired by the big change that comes when one relocates 1,000 miles away from familiar territory to begin a new life.Although this kind of event is very exciting, it also can create pain from the absence of friends and family. The music isintended to sound bittersweet in nature because it's meant to reflect both of these things.I don't usually try to write in a specific form, as I feel that can hurt the natural flow of how the music wants to develop.However, this piece is indeed in anABAform. Almost all of the thematic material in the piece is written in a major key,but with the goal of sounding a little sad. While writing this, I was heavily influenced by the music of Ennio Morriconeand Dan Forrest. There is a short motive used in the B section of the piece that is similar to a motive used in variousfilm themes. Since I associate this motive with Morricone, and because he is one of my all time favorite composers, Idecided to dedicate this piece to him.
Distance
Orchestre d'harmonie

$10.00 8.58 € Orchestre d'harmonie PDF SheetMusicPlus






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