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Concert Band - Level 2 - Digital Download SKU: A0.1235064 By Herb Alpert & The Tijuana Brass. By Ervan Bud Coleman and Johnny Flamingo. Arranged by Cheryl Woldseth - Bronze:FX. 20th Century,Film/TV,Latin,Pop. Score and Parts. 32 pages. Bronze:FX #830594. Published by Bronze:FX (A0.1235064). This arrangement of Tijuana Taxi is perfect for Level 2 school and community bands, while retaining the fun factor that's true to the original recording.  The saxophones get that infamous taxi horn honk (especially the baritone saxophones), the trumpets get the lead with trombones close behind, and the clarinets double the xylophone (in case you don't have one).Made famous by Herb Alpert & The Tijuana Brass with their 1966 recording, this song became part of pop culture when it was chosen as the theme song to the 1967 James Bond spoof film Casino Royale, and has been recognized by all ages ever since.ScoreFlute/PiccoloOboeBassoonClarinet 1, 2, 3, BassAlto Saxophone 1, 2Tenor SaxophoneBaritone SaxophoneCornet 1, 2F Horn 1, 2Trombone 1, 2Baritone TC, BCTubaString BassXylophoneTimpaniDrum SetAuxiliary Percussion (suspended cymbal, maracas)Performance time:  2 minutes.
Tijuana Taxi
Orchestre d'harmonie
Herb Alpert & The Tijuana Brass
$49.99 42.96 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital (IZ.CBW221). 9 x 12 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.
Accentus
Orchestre d'harmonie

$50.00 42.97 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Grade 2 - Digital Download SKU: B0.PDF-BAND-FRA-219 Composed by Traditional. Arranged by Bill Simon. Multicultural. Score and Parts. 29 pages. PDF Band Music #PDF-BAND-FRA-219. Published by PDF Band Music (B0.PDF-BAND-FRA-219). 8.5 x 11 inches.Emerald Isle Melody is based on an Irish folk tune. The most popular version of this tune is the hymn Be Thou My Vision, but it is also the foundation for Lord of All Hopefulness and Make Us True Servants. This arrangement gives the young band a chance to work on phrasing and tone without going to extremes with ranges - clarinets stay below the break and brass are comfortable. Even a young band will be able to project a lot of emotion with this piece giving careful attention to dynamics, tempo and phrasing. .
Emerald Isle Melody
Orchestre d'harmonie

$42.00 36.09 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.527426 Composed by Gioachino Rossini. Arranged by Diego Marani. Classical,Opera,Romantic Period,Standards. Score and parts. 88 pages. Diego Marani #45779. Published by Diego Marani (A0.527426). Largo al factotum (Make way for the factotum) is an aria from The Barber of Seville by Gioachino Rossini, sung at the first entrance of the title character; the repeated Figaros before the final patter section are an icon in popular culture of operatic singing. The term factotum refers to a general servant and comes from the Latin where it literally means do everything. This marvelous Rossini's cavatina is arranged for Baritone Voice and Concert Band.
Largo al Factotum (Figaro) from "Il Barbiere di Siviglia"
Orchestre d'harmonie

$44.99 38.66 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.733059 Composed by James Michael Creider. 20th Century,Contemporary. Score and parts. 49 pages. Ayotte Custom Musical Engravings #2849899. Published by Ayotte Custom Musical Engravings (A0.733059). This piece was written for concert band and organ while the composer was a member of the McKinney Community Band. On May 20, 2012, it was debuted by the McKinney Community Band with Jordan Smith on his church's Schudi Opus 39 pipe organ. The venue was Christ the Servant Lutheran Church in Allen, Texas. Benedictio Nocturnum describes musically the joy experienced with the birth of Jesus Christ on that starry, starry night two thousand years ago.Edited by Marc Oliver
Benedictio Nocturnum
Orchestre d'harmonie

$59.99 51.56 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart.  .
Rhapsody for Concert Band
Orchestre d'harmonie
July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
$20.00 17.19 € Orchestre d'harmonie PDF SheetMusicPlus






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