EUROPE
434 articles
USA
0 articles
DIGITAL
62 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
62 partitions trouvées

1 16 31 ....61

Concert Band - Level 1 - Digital Download

SKU: A0.569824

Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824).

The Mixed Abilities School Ensemble Series

** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837**

Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.

The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.

Each piece has five different parts which are split into four ability levels as follows:

A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.

This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:

Part 1 – melody / countermelody (alternates with Part 2)

Part 2 – melody / countermelody (alternates with Part 1)

Part 3 – accompaniment (synchronises with Part 4)

Part 4 –accompaniment (synchronises with Part 3)

Part 5 – bass line (independent)

Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:

Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.

An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.

Example: A quintet might be selected as follows:

1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)

The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.

Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.

IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4.

Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup.

Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package!

Printing and Copying

The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.

'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups Orchestre d'harmonie

$14.99 14.16 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 1 - Digital Download

SKU: A0.563350

Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphson #3561245. Published by Austin Ralphson (A0.563350).

The Mixed Abilities School Ensemble Series

** For the complete pack of pieces in this series, get a great bulk saving at https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-extra-value-bundle-of-music-for-school-groups-digital-sheet-music/20768644?ac=1&aff_id=559837 **

Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.

The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.

Each piece has five different parts which are split into four ability levels as follows:

A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.

This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:

Part 1 – melody / countermelody (alternates with Part 2)

Part 2 – melody / countermelody (alternates with Part 1)

Part 3 – accompaniment (synchronises with Part 4)

Part 4 –accompaniment (synchronises with Part 3)

Part 5 – bass line (independent)

Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:

Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.

An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.

Example: A quintet might be selected as follows:

1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)

The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.

Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.

CRAZY LATIN! is the second piece in this series, and has additional parts for Latin percussion commonly found in the classroom. Suggested percussion rhythms are also provided with phrases by which students can remember the rhythms. You are obviously free to alter these in any way, or add additional instruments however.

Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D.

Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package!

Printing and Copying

The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.

Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles Orchestre d'harmonie

$14.99 14.16 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.784346

Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346).

1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments

If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!

The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!

I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.

As with those initial exercises, you can vary these as much as you’d like.

·     Choose a tempo.

·     Choose a dynamic.

·     Choose an articulation/style.

One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.

Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.

If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.

The variations are endless!

If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.

All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!

Enjoy!

Donut Etudes vol. 3: Don’t Step in the Holes! – Band
Orchestre d'harmonie

$45.00 42.52 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.814719

Composed by Richard E Brown. Arranged by Dacker Music. Contemporary,Standards,World. Score and parts. 123 pages. Dacker Music #2967641. Published by Dacker Music (A0.814719).

Virtually every band composition based on Korean source material ever written has used the same song, Arirang, which is by far the best-known Korean folk song around the world. Because this haunting melody has been beautifully set for band before, it seems time to make use of some fresh Korean folk songs, of which many equally fine examples can be found. This suite consists of settings for band of three of these lesser-known (to the outside world at least) Korean folk songs.

1. Sae Taryung (Bird Song)
2. Toraji Taryung (Bellflower Song)
3. Nil Li Ria (Witch Song)

The price includes a license to make as many copies of each part as necessary.

Grade 3+     -     Duration 5:00




Korean Suite
Orchestre d'harmonie

$55.00 51.97 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 1 - Digital Download

SKU: A0.1288190

Composed by John McAllister. 21st Century,Folk,Instructional,Multicultural,Video Game,World. Score and Parts. 25 pages. John McAllister #879195. Published by John McAllister (A0.1288190).

Amazon Explorers is a captivating and evocative composition designed for young bands, taking young musicians and audiences on a thrilling journey deep into the heart of the Amazon rainforest. With a lightly programmatic approach, the piece artfully incorporates a rich array of wooden percussion instruments, including maracas, claves, and hand drums, to emulate the soundscape of the jungle. Mallet parts should be played on available wooden instruments like xylophone or marimba.

The piece utilizes modal melodies and harmonies to create a unique texture for the beginning band. Examples include non-scalar patterns and open fifths at times. This can be beneficial to change things up for the young performer when learning various note patterns. There are no written dynamics, but add them in if the group is ready! 

This piece directly correlates with the Foundation Warm-Up Series, specifically set two. The series is designed to follow most beginning band methods. The early sets focus primarily on airflow, common patterns, and reinforcing concepts presented in the method books. As the series develops, the sets become more like a traditional band warm-up, including long tones, flexibility exercises, articulation, scale patterns, and a chorale.

Amazon Explorers - for beginning band
Orchestre d'harmonie

$30.00 28.35 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Grade 2 - Digital Download

SKU: IZ.CBW196

Composed by Judith Katz. Score and Parts. 58 pages. Imagine Music - Digital #CBW196. Published by Imagine Music - Digital (IZ.CBW196).

9 x 12 in inches.

As an ardent fan of film, I have found myself increasingly attracted to full-fledged scores for cinema. No matter if it's an arrangement of a specific piece, or an original composition, I find myself wanting to view a movie merely for the score.

When I was growing up, Westerns were a ubiquitous genre in Hollywood. In addition, New York City had a number of television stations that offered them as well. What all of these films and television programs had in common was, that they always had a strong, catchy and folksy theme. Prime examples were the themes to Bonanza, Wyatt Earp, Wanted Dead or Alive, etc.

I wrote The Opening of The West with the goal of having some catchy, folksy and iconic themes that people would remember. I would like to think that this could eventually become an iconic western score.

The Opening of the West
Orchestre d'harmonie

$70.00 66.14 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Grade 1 - Digital Download

SKU: IZ.CBW184

Composed by Daniel Jones. Score and Parts. 62 pages. Imagine Music - Digital #CBW184. Published by Imagine Music - Digital (IZ.CBW184).

9 x 12 in inches.

Dorian Blues provides for a wealth of fun, yet educational musical moments for young musicians. Directors will have the opportunity to discuss modes, blues scales, and medieval plainchant. The piece mixes quasi-Dorian and blues scales and is grounded around the pitch concert D; therefore, the piece is largely in d-minor, a highly accessible key for emerging musicians. Students will have the opportunity to perform a variety of articulations, rhythms, accidentals and tempi. In addition, the numerous texture and mood changes will challenge the musicianship skills of the performers. The syncopated rhythms and quarter-note triplets will also provide for excellent teachable moments.

The use of medieval modes in jazz certainly isn't a new concept as artists like Miles Davis utilized Dorian in So What, and John Coltrane as well in Impressions. Traditionally, modes have been found in instrumental music for centuries as seen in Sibelius' 6th Symphony, and more recently employed in wind band examples for students such as Elliot del Borgo's Dorian Rhapsody. Dorian Blues, however, is perhaps the first piece for young band that combines medieval chant on D Dorian with jazz-like rhythms and blue-notes.

Dorian Blues
Orchestre d'harmonie

$50.00 47.25 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Grade 2 - Digital Download

SKU: IZ.CBW196-S

Composed by Judith Katz. Score. 14 pages. Imagine Music - Digital #CBW196-S. Published by Imagine Music - Digital (IZ.CBW196-S).

9 x 12 in inches.

As an ardent fan of film, I have found myself increasingly attracted to full-fledged scores for cinema. No matter if it's an arrangement of a specific piece, or an original composition, I find myself wanting to view a movie merely for the score.

When I was growing up, Westerns were a ubiquitous genre in Hollywood. In addition, New York City had a number of television stations that offered them as well. What all of these films and television programs had in common was, that they always had a strong, catchy and folksy theme. Prime examples were the themes to Bonanza, Wyatt Earp, Wanted Dead or Alive, etc.

I wrote The Opening of The West with the goal of having some catchy, folksy and iconic themes that people would remember. I would like to think that this could eventually become an iconic western score.

The Opening of the West
Orchestre d'harmonie

$12.00 11.34 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Grade 1 - Digital Download

SKU: IZ.CBW184-S

Composed by Daniel Jones. Score. 14 pages. Imagine Music - Digital #CBW184-S. Published by Imagine Music - Digital (IZ.CBW184-S).

9 x 12 in inches.

Dorian Blues provides for a wealth of fun, yet educational musical moments for young musicians. Directors will have the opportunity to discuss modes, blues scales, and medieval plainchant. The piece mixes quasi-Dorian and blues scales and is grounded around the pitch concert D; therefore, the piece is largely in d-minor, a highly accessible key for emerging musicians. Students will have the opportunity to perform a variety of articulations, rhythms, accidentals and tempi. In addition, the numerous texture and mood changes will challenge the musicianship skills of the performers. The syncopated rhythms and quarter-note triplets will also provide for excellent teachable moments.

The use of medieval modes in jazz certainly isn't a new concept as artists like Miles Davis utilized Dorian in So What, and John Coltrane as well in Impressions. Traditionally, modes have been found in instrumental music for centuries as seen in Sibelius' 6th Symphony, and more recently employed in wind band examples for students such as Elliot del Borgo's Dorian Rhapsody. Dorian Blues, however, is perhaps the first piece for young band that combines medieval chant on D Dorian with jazz-like rhythms and blue-notes.

Dorian Blues
Orchestre d'harmonie

$10.00 9.45 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download

SKU: A0.1489669

Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 135 pages. Edition Schwalbe #1066541. Published by Edition Schwalbe (A0.1489669).

The Csárdás is a typical Hungarian dance basing on folk music. But also art music has some famous examples, one of them is this csárdás from the comic  opera Ritter Pásmán (Knight Pásmán) by Johann Strauss jr. Its premiere was on 1 January 1892 at the Vienna Court opera. The arrangement is one half  tone lower than the original key of the composition for symphony orchestra and was commissioned and first time performed by Wind Philharmonic  Mozarteum Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2019 and broadcasted live by Austrian  television. A live recording of this concert is available at  https://www.salzburg-windphilharmonic.at/de/klang-der-donaumonarchie/ or https://www.jpc.de/jpcng/classic/detail/-/art/klang-der-donaumonarchie/hnum/10428726?iampartner=303&subid=umr19&ref=partner.jpc.de .

Csárdás from the Comic Opera "Ritter Pásmán"
Orchestre d'harmonie

$98.00 92.6 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download

SKU: AX.00-PC-0001517_WP5BBBC

(wp) 5 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp5BbBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP5BBBC).

UPC: 038081330044.

The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.

Aria Della Battaglia: (wp) 5 in Bb Bass Clef
Orchestre d'harmonie

$3.00 2.83 € Orchestre d'harmonie PDF SheetMusicPlus

Wind band - intermediate - Digital Download

SKU: S9.Q40353

Composed by Ottmar Gerster. Arranged by Norbert Studnitzky. This edition: set of parts. Schott Harmony Series. Downloadable, Set of parts. Duration 12 minutes. Schott Music - Digital #Q40353. Published by Schott Music - Digital (S9.Q40353).

These four entertaining movements originated in the Thirties. They are an example of popular original compositions of high quality. The work was originally written for small orchestra. Norbert Studnitzky has arranged this series of dances for wind band and at the same time also retained longer chamber music pasages as in the original work.Thus here we have a work for wind band which on the one hand is suitable for developing a musical sense of humour in a playful way and which can also be performed on stage with a group of folk dancers. Ottmar Gerster studied in Frankfurt/main and then taught composition an several colleges of music in Leipzig. his music aims to be accesible to all listeners, even when he uses advanced composition techniques.

(2 Flöten, 1 Oboe ad lib., 1 Fagott ad lib., 1 Klarinette in Es ad lib., 3 Klarinetten in B, 2 Alt-Saxofone in Es, 1 Tenor-Saxofon in B, 3 Hörner in F, 3 Trompeten in B, 3 Posaunen, 2 Flügelhörner in B, 3 Tenorhörner in B, 1 Bariton, 2 Tuben, Pauken, Schlagzeug: kleine Trommel, große Trommel, Triangel, Becken).

Upper-Hessian Country Dances
Orchestre d'harmonie

$119.99 113.38 € Orchestre d'harmonie PDF SheetMusicPlus


1 16 31 ....61




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale