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Concert Band - Level 4 - Digital Download

SKU: A0.1114090

Composed by Gustav Mahler. Arranged by Robert L. Anello. 20th Century,Romantic Period. Score and parts. 29 pages. Robert Anello #716008. Published by Robert Anello (A0.1114090).

Gustav Mahler’s “Veni Creator Spiritus†was a new musical setting for the lyrics of a 9th century Latin hymn, originally sung as a Gregorian chant, as an invocation of the Holy Spirit during the celebration of the Christian Feast of Pentecost. This work would comprise the Part I of the symphony with Part II being a setting of the words from the closing scene of “Faust†by Johann Wolfgang von Goethe. Mahler envisioned the premiere of this new symphony, Number 8, as a massively grand spectacle, with an orchestra not only including strings but a large brass and woodwind section, eight soloists, two full adult choruses, and a children’s choir. The full complement for the premiere was 171 instrumentalists and 858 singers, a total of 1029 musicians, which inspired the promoter to advertise the work as “Symphony of a Thousand.â€

Part I, “Veni Creator Spiritus,†expresses the whole range of human emotions: grand statements expressing the awe of divine majesty alternate with gentle melodic lines of tender love. It combines moments of awesome dramatic tension with the lightness of a fugue. Robert Anello’s arrangement makes this exceptional music accessible to large concert bands while maintaining the essence and flow of Mahler’s original work.

Selections from Mahler’s “Veni Creator Spiritus” for Concert Band (Conductor’s Score)
Orchestre d'harmonie

$9.99 9.06 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download

SKU: A0.733009

Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009).

A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.

A Promise to Stand By:
Orchestre d'harmonie

$19.99 18.12 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download

SKU: A0.1472273

Composed by Richard Strauss. Arranged by Steven Nunes. Opera,Romantic Period. 391 pages. Nagamon Publications #1049975. Published by Nagamon Publications (A0.1472273).

Richard Georg Strauss (11 June 1864 – 8 September 1949) was a German composer and conductor best known for his tone poems and operas. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.

Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai's novel Les amours du chevalier de Faublas and Molière's comedy Monsieur de Pourceaugnac.

In 1945 Strauss allowed an orchestral Rosenkavalier Suite to be published, but apparently was not involved in creating it.  It is likely that conductor Artur Rodzi?ski arranged it, as he conducted the suite's first performance, in October 1944 by the New York Philharmonic.

The suite begins with the opera's orchestral prelude, depicting the Marschallin's and Octavian's night of passion (vividly portrayed by whooping horns and saxophones). Next comes the appearance of Octavian as the Rosenkavalier, depicted in tender music; the sight of him looking so young makes the Marschallin realise that he will soon leave her for a younger woman. There follows the duet between Octavian and Sophie – in which their love for each other becomes ever more obvious, but this is abruptly interrupted by the discordant music associated with Ochs's clumsy arrival. Next the violins tentatively introduce the first waltz, followed by another given out by the solo violin, before the whole orchestra settles into waltz mode. A general pause and a violin solo leads into the nostalgic music where the Marschallin sadly realises she has lost Octavian. Then comes its ecstatic climax. The work closes with a singularly robust waltz, depicting Ochs at his most pompous, and a boisterous coda newly composed for the suite.

The PDF contains the Full Score and a full set of parts.

Rosenkavalier Suite
Orchestre d'harmonie

$75.00 68 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.1497112

Composed by Josef Hellmesberger jr. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 67 pages. Edition Schwalbe #1073533. Published by Edition Schwalbe (A0.1497112).

Josef Hellmesberger jr. was a very important musician personalitiy in Vienna in the late 19th century. Born in the capital of the  Habsburg Empire he became military bandmaster, first violin and concertmaster of the Vienna Court Opera Orchestra and in  succession to Gustav Mahler conductor of the Philharmonic Concerts by Vienna Philharmonic. He created also a series of appealing  compositions in Viennese style. The arrangement of Unter vier Augen (Under Four Eyes) is one half tone higher than the original  key of the composition for symphony orchestra and was commissioned and first time performed by Mozarteum Wind Philharmonic  Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2019 in the Grosses Festspielhaus  (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. A live recording of this concert is available at  https://www.salzburg-windphilharmonic.at/de/klang-der-donaumonarchie/ or https://www.jpc.de/jpcng/classic/detail/-/art/klang-der-donaumonarchie/hnum/10428726?iampartner=303&subid=umr19&ref=partner.jpc.de .

Unter vier Augen (Under Four Eyes), Polka Mazur
Orchestre d'harmonie

$74.00 67.1 € Orchestre d'harmonie PDF SheetMusicPlus






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