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Concert Band - Level 4 - Digital Download

SKU: A0.1445916

By Celine Dion. By Ellie Greenwich, Jeff Barry, and Phil Spector. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show,Pop. 87 pages. Music Arrangement Services Inc. #1025747. Published by Music Arrangement Services Inc. (A0.1445916).

Performed by Celine Dion, originally performed by Tina Turner.  This song is also featured in the musical production “Tina: The Tina Turner Musical”.  

This Concert Band Scores accompanies the SSA/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion.  

This song is about love getting deeper and stronger.  The song refers to a rag doll, loving, growing love, stronger love, deeper love, higher love, love compared to a river deep and mountain high, a puppy, being faithful, a flowing river, stronger love, bigger love, sweeter love, flowers, Tina, a schoolboy..  This arrangement is designed for high school or college show choir, concert choir or community choir.  

SSA/Piano Score also available.  Performance time is approximately 3:55.

River Deep - Mountain High
Orchestre d'harmonie
Celine Dion
$49.99 46.93 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.1490215

Composed by Jamie Houston. Arranged by Jeffrey Bowen. Contest,Festival,Film/TV,Pop. 56 pages. Music Arrangement Services Inc. #1067055. Published by Music Arrangement Services Inc. (A0.1490215).

From the Walt Disney Pictures “High School Musical 3: Senior Year”.  

This Concert Band Scores accompanies the SSA/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion.  

This song is about the struggles of finding your personal path as you enter adulthood.  The song refers to a door closed, echoes, trust your heart, being unsure, voices in your head, pushing, driving, fighting, upside down world, wanting your own thing, gonna scream, being confused, kicking down walls, finding yourself, searching, finding the right road, clock’s running down, working it out.  This arrangement is designed for high school or college show choir, concert choir or community choir.  

SSA/Piano Score also available.  Performance time is approximately 3:35.

Scream
Orchestre d'harmonie

$49.99 46.93 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Grade 4 - Digital Download

SKU: IZ.CBS172

Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172).

9 x 12 in inches.

This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.

Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.

Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.

Elegy-Field of Blood
Orchestre d'harmonie

$80.00 75.11 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Grade 4 - Digital Download

SKU: IZ.CBS172-S

Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S).

9 x 12 in inches.

This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.

Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.

Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.

Elegy-Field of Blood
Orchestre d'harmonie

$12.00 11.27 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.976730

Composed by Robert Myers. Contemporary,Folk. Score and parts. 147 pages. WheatMyer Music #6022347. Published by WheatMyer Music (A0.976730).

Prepare for a dramatic musical journey along one of America’s most beautiful thoroughfares, the Beartooth Highway. Eastern Ascent takes a white-knuckled climb from the lush forest floor of Rock Creek Canyon up steep switchbacks past sheer 2,000 foot drops to the highway’s summit amid the alpine tundra at 10, 947 feet of elevation. The music's tension matches the roadway's rising elevation in incremental shifts from calm sonorities to raucously intense dissonances. Brief roadside respites appear as islands of quiet lyricism. The band unites in jubilant exultation as it depicts the extraordinary other worldliness and wildness viewed at the highway’s peak. Listen for hints of the motive from the classic hymn tune HAMBURG in the respites and in the climax. Eastern Ascent is set for large scale concert band or wind ensemble and is suitable for advanced high school and higher players.

Purchase price includes full score and set of parts.






Eastern Ascent
Orchestre d'harmonie

$125.00 117.36 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Grade 1 - Digital Download

SKU: B0.PDF-BAND319

Composed by Tom Tucker. Sinfonia No. 3 is a compelling choice for Grade 1 level band students. Multicultural. Score and Parts. 75 pages. PDF Band Music #PDF-BAND319. Published by PDF Band Music (B0.PDF-BAND319).

8.5 x 11 inches.

Sinfonia No. 3 is a unique and sparkling work for young bands (Grade 1) which gives a nod to more advanced suites for band. The 3 movement suite opens with Air and is a homage to traditional AABA song form. The 2nd movement Ballade features a haunting melody first heard in the clarinets and alto saxophone and, while not technically difficult, the movement offers the potential for much musical expression. The 3rd movement March is a processional-like movement which brings the entire suite to a sprited conclusion. Sinfonia No. 3 presents a diverse collection of sound colors and genres and each movement can be performed seperately. The clarinet parts do not cross the break and the high note for trumpet is D. Make Sinfonia No. 3 an must have selection for every middle school band.

Sinfonia No. 3
Orchestre d'harmonie

$37.20 34.93 € Orchestre d'harmonie PDF SheetMusicPlus


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