Composed by Swedish Folk Tune. Arranged by James Gilbert. Contemporary Christian, Sacred, Praise & Worship, General Worship, European. Score, Set of Parts. 44 pages. Published by James Gilbert Music (S0.190457). - Score,Set of Parts - Contemporary Christian,Sacred,Praise & Worship,General Worship,European - James Gilbert Music

Concert Band - Level 3 - Digital Download SKU: A0.931992 Composed by Gustav Holst. Arranged by Steven Klaus. 20th Century. Score and parts. 41 pages. NiceChart #4764589. Published by NiceChart (A0.931992). From the Second Movement of Second Suite in F, Song Without Words is a somber, yet uplifting piece that showcases Holst’s folk influences in his writing. The oboe is featured as a soloist, and cues are available in the clarinet and the soprano saxophone parts in the event you do not have an oboe. This arrangement delicately layers beautiful flowing lines and is great piece to work on expressive playing.Supplemental parts included for Piano, Guitar, Euphonium (T.C.), Clarinet in Bb (Alt. Clarinet in Eb), Glockenspiel and Cymbals.

Concert Band - Level 3 - Digital Download SKU: A0.753191 Composed by Swedish Folk Melody. Arranged by Brenda Portman. Christian,Classical,Religious,Sacred,Traditional. Score and Parts. 31 pages. Brenda Portman #6475229. Published by Brenda Portman (A0.753191). A charming and not too difficult setting of a favorite hymn (known to us today as How Great Thou Art but originally O Store Gud in Swedish), for concert band. Grade 2 - 2.5.Instrumentation: flute, oboe, B-flat clarinet, alto saxophone, horn in F, B-flat trumpet (1 & 2), trombone, baritone (B.C.), piano, glock/bells, snare drum, bass drum, crash cymbal, and suspended cymbal.

Concert Band - Level 2 - Digital Download SKU: A0.1307008 Composed by 15th Century German Carol. Arranged by Christopher Durigg. Christmas,Classical,Contemporary,Renaissance,Romantic Period. Score and Parts. 64 pages. Christopher Durigg #896321. Published by Christopher Durigg (A0.1307008). PRODUCT INFORMATIONNOTE: This edition has narrower instrument ranges and fewer technical requirements more suitable for Grade 2.5 players. A grade 3 edition with wider instrument ranges and more technical requirements is also available. Both editions also include some flexiblilty with instrumentation.PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb006C. DURIGG MUSIC ID FOR THIS PIECE: CDB-006GRADE LEVEL: SOARING BAND SERIES (Grade 2.5)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced performers in a very small band program? Are your performers ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back?My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:Lo, How A Rose E’er Blooming (originally known as Es ist din Ros entsprungen) is a German Christmas Carol and Marian hymn in mixed meter. First sung in the 15th Century and first published int he 16th Century, this hymn is still popular in the 21st Century. In multiple different contexts, the hymn compares the beauty of Christmas to that of a lovely rose. The most common harmonization to this melody was composted by Michael Praetorius in 1609, and the original part-writing contains elements of the Renaissance madrigal. Although this band arrangement is rescored with different part-writing, it pays some homage to the musical traditions employed in the original carol. This theme and variations is a mixture of four different scoring methods: modern Christmas Carol; gently-applied lyrical contemporary; Renaissance imitation; and a bombastic, Romantic orchestral finish. This piece features multiple subtle musical sensibilities and a gentle introduction into the world of mixed meter. I sincerely hope you enjoy this arrangement!

Concert Band - Level 3 - Digital Download SKU: A0.1307004 Composed by 15th Century German Carol. Arranged by Christopher Durigg. Christmas,Classical,Contemporary,Renaissance,Romantic Period. Score and Parts. 64 pages. Christopher Durigg #896315. Published by Christopher Durigg (A0.1307004). PRODUCT INFORMATIONNOTE: This edition has wider instrument ranges and technical requirements more suitable for Grade 3 players. A grade 2.5 edition with narrower instrument ranges and less technical requirements is also available. This edition also includes some flexible range choices to support players at different levels. Both arrangements are somewhat flexible with instrumentation.PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb006g3 C. DURIGG MUSIC ID FOR THIS PIECE: CDB-006G3GRADE LEVEL: CENTRAL BAND SERIES (Grade 3)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced performers in a very small band program? Are your performers ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back?My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:Lo, How A Rose E’er Blooming (originally known as Es ist din Ros entsprungen) is a German Christmas Carol and Marian hymn in mixed meter. First sung in the 15th Century and first published int he 16th Century, this hymn is still popular in the 21st Century. In multiple different contexts, the hymn compares the beauty of Christmas to that of a lovely rose. The most common harmonization to this melody was composted by Michael Praetorius in 1609, and the original part-writing contains elements of the Renaissance madrigal. Although this band arrangement is rescored with different part-writing, it pays some homage to the musical traditions employed in the original carol. This theme and variations is a mixture of four different scoring methods: modern Christmas Carol; gently-applied lyrical contemporary; Renaissance imitation; and a bombastic, Romantic orchestral finish. This piece features multiple subtle musical sensibilities and a gentle introduction into the world of mixed meter. I sincerely hope you enjoy this arrangement!

Concert Band - Level 1 - Digital Download SKU: A0.1153661 Composed by Unknown. Arranged by Mark Danner. Celtic,Folk,Irish,Sacred,Standards,Traditional. Score and parts. 20 pages. Mark Danner #753925. Published by Mark Danner (A0.1153661). This is a highly lyrical and dramatice arrangement of an old irish folk hymn. This is a great piece to showcase your dynamics and harmonics.

Concert Band - Level 4 - Digital Download SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Score and Parts. 40 pages. Jason Howard #857689. Published by Jason Howard (A0.1265062). Thank you for you're interest in my arrangement one of The Greatest Showman's greatest hits! This arrangement of Never Enough is for concert band with an optional vocal soloist.The work starts out with the simple piano arpeggios that really hooked my ear on the original, before leading into an intimate blend of woodwind timbres and flowing percussive melodies for the first verse. Low Brass lead the work into the first chorus, where a Horn solo carries the emotion to the first full ensemble hit that pushes through until the end of the work where sudden silence and soft, warm extended chord punctuates the piece.This piece was written with advanced high school and higher level musicians in mind. Though the pieces isn't incredibly difficult overall, the range asked of some of the performers and the raw emotion that this work represents demands a level of training. The score will likely be better printed on Legal sized paper to help with readability, but the parts are all easily printable on standard 8.5x11 copy paper.Instrumentation:Flute 1 & 2*Oboe*Bb Clarinet 1 & 2Bb Clarinet 3*Bass ClarinetAlto Saxophone 1Alto Saxophone 2Tenor SaxophoneBaritone SaxophoneBb Trumpet 1 & 2Bb Trumpet 3Horn in F 1 & 3*Horn in F 2 & 4*Trombone 1Trombone 2Eupnonium*TubaOptional Solo VoicePianoGlockenspielChimesXylophoneMarimbaConcert Bass DrumSuspended Cymbal*Part includes a solo sectionI hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!

Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise and Worship. Score, Set of Parts. 244 pages. Published by Colin Kirkpatrick Publications

Concert Band - Level 3 - Digital Download SKU: A0.780111 Composed by Graham Boag. Contemporary,Standards. Score and parts. 306 pages. Graham Boag #6462613. Published by Graham Boag (A0.780111). I started writing Shindig Shenanigans in the summer of 2019 and I had a specific mood or feeling of celebration in my mind  when doing so however due to other commissions and work I never finished it,  coming back to it intermittently over the next couple of years.  Between March and June 2021, I made some final edits and finished the piece off.     The piece is a celebration as implied in the title, ‘Shindig’ is a party and ‘Shenanigans’ are silly or high-spirited  behavior and or mischief that people have at that party. I thought it was appropriate now  as we finally start to move out of restrictions that we have seen and experience over the last year and a half.     Shindig Shenanigans is a great concert opener or encore piece to your concert  and gives the players plenty to work with both technical and melodically.                  .

Concert Band - Level 4 - Digital Download SKU: A0.1333015 Composed by Victor Rebullida. 21st Century,Comedy,Holiday,March. 95 pages. Victor Rebullida #919400. Published by Victor Rebullida (A0.1333015). With this composition I wanted to pay tribute to an artist who was famous in his time and fell into oblivion until recent times when his figure has been recovered by various research works.May this work serve as a vindication of the great Marceline.The piece has an optimistic character and in its nearly five minutes of duration I make nods to circus music and the atmosphere of the shows in which Marceline participated.Marceline is the stage name of Marcelino Orbés. He was a Spanish clown, mime, acrobat, comic actor and circus artist, with American nationality since 1922, who is considered the best clown in the world of his time.Marceline was Spanish artist born in 1873 who performed in several European countries. Around 1895 he had success at the London Hippodrome and then enticed by producers Thompson and Dundy to come to the New York Hippodrome, where he arrived with great fanfare in 1905. He was a part of shows at the Hippodrome through 1915, by which time his pantomime routine and falling gags were falling out of favor with the public. He did reappear at the Hippodrome for some later shows in 1920-21 and 1922-23.Attempts to succeed in the restaurant business in New York and Connecticut both failed, and he lost money in real estate ventures. Out of work and out of savings, Marceline was found dead by suicide in his hotel room on November 5, 1927, with photographs of his glory days on the bed.Marceline was long admired by Charlie Chaplin, who worked with Marceline at the London Hippodrome from December 1900 to April 1901, and is one of just a few performers from this period of his life that Chaplin discusses in his autobiography. Chaplin recounts seeing him years later in the United States with a circus, and though expecting to see him be a featured star, was surprised to see him only amongst other clowns.

Concert Band - Level 4 - Digital Download SKU: A0.1333010 Composed by Victor Rebullida. 21st Century,Comedy,Holiday,March. 27 pages. Victor Rebullida #919390. Published by Victor Rebullida (A0.1333010). With this composition I wanted to pay tribute to an artist who was famous in his time and fell into oblivion until recent times when his figure has been recovered by various research works.May this work serve as a vindication of the great Marceline.The piece has an optimistic character and in its nearly five minutes of duration I make nods to circus music and the atmosphere of the shows in which Marceline participated.Marceline is the stage name of Marcelino Orbés. He was a Spanish clown, mime, acrobat, comic actor and circus artist, with American nationality since 1922, who is considered the best clown in the world of his time.Marceline was Spanish artist born in 1873 who performed in several European countries. Around 1895 he had success at the London Hippodrome and then enticed by producers Thompson and Dundy to come to the New York Hippodrome, where he arrived with great fanfare in 1905. He was a part of shows at the Hippodrome through 1915, by which time his pantomime routine and falling gags were falling out of favor with the public. He did reappear at the Hippodrome for some later shows in 1920-21 and 1922-23.Attempts to succeed in the restaurant business in New York and Connecticut both failed, and he lost money in real estate ventures. Out of work and out of savings, Marceline was found dead by suicide in his hotel room on November 5, 1927, with photographs of his glory days on the bed.Marceline was long admired by Charlie Chaplin, who worked with Marceline at the London Hippodrome from December 1900 to April 1901, and is one of just a few performers from this period of his life that Chaplin discusses in his autobiography. Chaplin recounts seeing him years later in the United States with a circus, and though expecting to see him be a featured star, was surprised to see him only amongst other clowns.

Concert Band - Level 5 - Digital Download SKU: A0.1505936 Composed by Carl Maria von Weber. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 203 pages. Edition Schwalbe #1081317. Published by Edition Schwalbe (A0.1505936). Der Freischütz is a German opera with spoken dialogue. It premiered on 18 June 1821 at the Schauspielhaus Berlin and is considered to be the first German  Romantic opera. The overture is in sonata form and may be regarded as a compressed tone poem about the Freischütz story. The arrangement is kept in the  original key of the composition for symphony orchestra and was commissioned and first time performed (without Euphonium and Tuba) by Mozarteum Wind  Philharmonic Salzburg conducted by Hansjoerg Angerer at their New Year's Concert on 6 January 2008 at the Great Hall of the Mozarteum Foundation in  Salzburg, then again at their Three Kings' Concert on 6 January 2018 at the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and  broadcasted live by Austrian television. A further repetition at the same event on 6 January 2024 again with live TV, now under the new name Salzburg Wind  Philharmonic underlines the great appreciation for this arrangement shown by the orchestra and conductor. Live recordings of the 2018 and 2024 concerts  are available at  https://www.salzburg-windphilharmonic.at/de/durch-die-waelder-durch-die-auen/ or https://www.jpc.de/jpcng/classic/detail/-/art/durch-die-waelder-durch-die-auen/hnum/10428715?iampartner=303&subid=umr14&ref=partner.jpc.de and https://www.salzburg-windphilharmonic.at/de/dreikonigskonzert-2024-aus-den-bergen/ .

Concert Band - Level 3 - Digital Download SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #3043809. Published by Wadley Publications (A0.983162). The Privateers is a swashbuckling depiction of an oceangoing pirate adventure, presented in the form of a march.  The piece starts with a brief fanfare, followed immediately by a rousing melody in the style of an old sea-shanty.  Images of sailing upon an endless sea of stars come to mind as a tranquil nocturne is presented, but the peace is shattered as cutlasses and sabers clash in a dogfight sure to end in Davy Jones’ locker!  The music swells to a dramatic conclusion as our mighty galleon surges across a stormy sea.   Instrumentation   The Privateers comes with full sets of both concert/stage and marching/field parts, allowing for great flexibility in your performance venues. Contemporary marching bands and drum & bugle corps utilize specialized field percussion which is typically not used in a concert setting.  With this piece, the use of outdoor percussion (quad toms and a tonal bass drum line) onstage is encouraged, although not required.  A single bass drum line is included which may be used instead of (or in addition to) the tonal bass drum line, and the Quad Toms part may be omitted.    A piano part is included, primarily for optional use indoors as a color instrument for the ensemble.  However, smaller bands in particular may find it useful for filling out the accompaniment line if instrumentation is limited.  Optionally, a very small ensemble of melodic instruments could be used, with the piano acting as a full-fledged accompaniment.   Several optional parts are included, such as Eb and Bb Horn, for ensembles with limited instrumentation.  Also, the two Low Winds parts should be distributed equally across trombone, baritone/euphonium, and tenor sax players.   Double reed parts are not included.  Double these instruments on appropriate parts to suit the needs of your ensemble.   Teaching Points   Meter – The alternation of 6/8 and 4/4 with a constant pulse (rather than a constant 8th note) provides an excellent opportunity to teach your students to shift the subdivision of the beat from triple to duple and back again.   Chromaticism & Accidentals – There is a recurring passage which features the prominent use of secondary dominants, or circle of fifths chord motion.  Students can learn a few less-than-common accidentals and enharmonics, while also getting a larger lesson in music theory.

Concert Band - Level 2 - Digital Download SKU: A0.1279514 Composed by Kara Williams. Classical,Contemporary,Contest,Festival,March. Score and Parts. 69 pages. Kara Williams #870997. Published by Kara Williams (A0.1279514). The third movement from the four movement 'Suite in Sea' written for clarinet and piano by Kara Williams, 'Brew Time March' has been orchestrated for wind ensemble by the composer and has since proven to be a favourite with performers and audiences. We follow a young sailor as they excitedly hear the bugle call to have a break from work (brew time), grab a coffee (brew) and sit on the bow to watch the waves… lost in thoughts, the young sailor unexpectedly hears the sound of work recommencing, and scurries back, making it just in the nick of time… waiting eagerly for next the next call for Brew Time!  Opening with the 'Stand Easy' (break time) bugle call, Brew Time March is full of familiarly-sea-worthy sounds, and is a fun concert march that would be a great addition to any ensemble's library. In the style of a traditional military march, unless otherwise specified, notes should be played slightly detached throughout. Ensure the bass solo has plenty of attitude, and the rhythmic accompanying parts let the melodies breathe. Use a small set of crash cymbals (if parade-style cymbals are not available) - your percussionist will thank you! Also, hit the cymbals together slightly off-centre for zing and dynamic control, and hold the edges of the cymbals against the body to choke the ring where indicated. Keep this march a very steady two-feel throughout; however, feel free to completely stress the upper woodwinds out by going as fast as musically possible where marked at the end :-) Brew Time March runs for around 2:45 and is scored for full wind ensemble; however, it will work without one, some, or all the following parts: piccolo, 4th clarinet, baritone sax, bass clarinet, bassoon, horns in F, and bass trombone.