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Concert Band - Level 2 - Digital Download SKU: A0.522188 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship. Score and parts. 190 pages. Colin Kirkpatrick Publications #6403623. Published by Colin Kirkpatrick Publications (A0.522188). This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The publication consists of a four-staff score in concert pitch together with fifteen separate parts in various transpositions plus a simplified optional keyboard part. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumental tone color by omitting groups of instruments. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities.The complete set includes: Part 1 in B flat, E flat and C; Part 2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in B flat, E flat and C. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because invariably the parts lie too low for flute or oboe. For elementary players, a Part 1 in C (low) is included at concert (score) pitch. Parts 3 and 4 in C are in the bass clef. The arrangements could be played by virtually any combination of conventional wind band instruments. Using the optional keyboard part they could also be used as solos, duets or trios. The scores and all the parts are contained in a single 190-page PDF file. Please note that these arrangements are not necessarily compatible with other Kirkpatrick arrangements published by Glyn Joseph Editions. The collection incuers the following favorite carols: Angels We Have Heard On High (Gloria); Lo, How a Rose E’er blooming (Es ist ein Ros entsprungen); O Come, O Come Emmanuel (Veni Emmanuel); The First Noel; Ding Dong! Merrily on High (Bransle de l’Officiel); O Come All Ye Faithful (Adeste Fidelis); Hark! The Herald Angels Sing (Mendelssohn); Go Tell It on the Mountain; O Little Town of Bethlehem (St. Louis); O Holy Night (Cantique de Noël); Silent Night (Stille Nacht); Away in a Manger (Mueller); Joy to the World (Antioch); O Christmas Tree (Tannenbaum); We Three Kings (Kings of Orient); I Heard the Bells on Christmas Day (Waltham); What Child is This? (Greensleeves); God Rest You Merry, Gentlemen; Good King Wenceslas (Tempus Adest Floridum) and We Wish You a Merry Christmas.
America's Favorite Christmas Carols arranged for Wind Instruments
Orchestre d'harmonie

$19.99 17.16 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.855032 Composed by Katherine Hankey(1834-1911) William G. Fischer(1835-1912. Arranged by Joseph Pugh. Sacred. Score and parts. 32 pages. Joseph Pugh #6072607. Published by Joseph Pugh (A0.855032).  (Annabelle) Catherine Hankey  was the daughter of a wealthy banker and was associated with the Clapham sect of William Wilberforce, a group of prominent evangelical Anglicans from the Clapham area. She wrote the lyrics.   In his youth, William G. Fischer developed an interest in music while attending singing schools. His career included working in the book bindery of J. B. Lippencott Publishing Company, teaching music at Girard College, and co-owning a piano business and music store–all in Philadelphia. and he wrote the music of this Hymn arranged for the Symphonic Orchestra by Joseph Pugh.
I Love To Tell The Story (Orchestra)
Orchestre d'harmonie

$29.99 25.74 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1284633 Composed by Various. Arranged by Helmut Kogler. 19th Century,Advent,Christian,Christmas,Traditional. 100 pages. Pentharmonics #875808. Published by Pentharmonics (A0.1284633). Christmas Carols - Grade 3 - Total duration: approx. 8:10 minThe Silent Trilogy is a compilation of three traditional European Advent and Christmas carols arranged for various quintet ensembles (brass-, saxophone- and horn-quintet) and finally also for wind band. The trilogy consists of the songs Alle Jahre wieder, Es wird scho 'glei' dumpa and Stille Nacht. The colorful arrangements represent harmonic variations around the ever-present melody of the original songs.Alle Jahre wieder (Every year again, Audio-Demo from the beginning) is a well-known Christmas carol from the German-speaking area. The melody comes from Friedrich Silcher, the text was written by Wilhelm Hey in 1837.Es wird scho 'glei' dumpa (It will be dark soon, Audio-Demo from 2:15) is an Austrian nativity scene song based on the melody of a traditional Marian song. The text was written by Anton Reidinger in relation to a historical nativity play in Bad Ischl and published around 1884.Stille Nacht (Silent Night, Audio-Demo from 4:55) is one of the most famous Christmas carols. It was performed for the first time on December 24, 1818 with the melody by Franz Xaver Gruber and the text by Joseph Mohr in Salzburg. Since then, the song has been translated into countless languages and sung all over the world.The PDF contains the Score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the arranger: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
Stille Trilogie
Orchestre d'harmonie

$89.99 77.24 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1145793 Composed by Giacomo Puccini. Arranged by Juan José Peláez Vilanova. 20th Century,Classical,Contest,Festival,Opera,Romantic Period. Score and parts. 43 pages. John Joseph #745992. Published by John Joseph (A0.1145793). Giacommo Puccini, represents the union of Italian and German opera traditions, greatly influenced by Verdi, of whom he is considered his successor, and also by Wagner, Bizet, and Debussy. The main feature of his style was the eclecticism, the incorporation and assimilation of various languages and resources in his profession. Many of the musical concepts, as well as the connection between music and the stage, were the harbinger of what would rule in film music a few decades later. Puccini tooks from the French opera, under the influence of Bizet and Massenet, the taste for the exotic and historical location of his operas. In the case of Turandot, set in ancient China, the opera tells the story of the cruel princess Turandot who, in revenge for a sullied ancestor, beheads her suitors if three riddles are not answered. An unknown prince –Calaf– postulates by answering her three enigmas and challenging her to be the one to find out her name. Turandot orders that no one sleep in Peking until the name of the prince is known, Calaf, who has issued the challenge that if his name is not discovered, princess Turandot must marry him. At the beginning of the third act, the prince sings the aria –Nessun Dorma– convinced that the princess's efforts to discover his name will be in vain. Puccini began the composition in January 1921 and in March 1924 he had already completed the opera up to the final duet. However, a few months later he would pass away, leaving unfinished sketches of the end of Turandot. Franco Alfano was commissioned to finish it, premiering it two years later, in 1926. Currently, it is the fourth most performed Puccini opera worldwide, after the well-known trio La Boheme, Tosca and Madama Butterfly.
Nessun Dorma (for tenor and symphonic band)
Orchestre d'harmonie

$15.00 12.88 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1139276 Composed by Ennio Morricone. Arranged by Juan José Peláez Vilanova. 20th Century,Film/TV. Score and parts. 47 pages. John Joseph #739559. Published by John Joseph (A0.1139276). The weight of Ennio Morriocone in the composition of film music in the second half of the s. XX is indisputable, in terms of innovation and production volume. The particular technique of treating the melodic cells will become a paradigm of his language, along with the use of innovative timbres, which were not common in the orchestral music of the time. The close collaboration with Sergio Leone during the 60s will contribute to consolidating him as a benchmark in the sound of the Western genre. After the success of the so-called Dollar Trilogy, Paramount Pictures asked Leone to repeat the formula before tackling other projects. This one, with a more generous budget, will start filming C'era una volta il West, an eclectic story in which all the characteristic elements of the genre are represented: the railroad, the gunslingers and bandits, the american pioneers, the woman of character indomitable and the enigmatic man in search of revenge. Leone again entrusted the soundtrack to Ennio Morricone, playing this one a fundamental role in the story. The present transcription incorporates the original sounds of the author, such as the harmonica, the electric and classical guitar, the harpsichord or the choir, in the ensemble of the concert band, seeking to achieve a greater sound fidelity with the score. Understanding the difficulty that having these resources can entail, the previous specific parts are of an optional nature, so that the arrangement also works without them, and also if any of the parts is incorporated independently of the rest.
Man With The Harmonica
Orchestre d'harmonie

$49.99 42.91 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Digital Download SKU: IZ.CBS151-S Composed by Britt Burns. Score. 17 pages. Imagine Music - Digital #CBS151-S. Published by Imagine Music - Digital (IZ.CBS151-S). 9 x 12 in inches.March of the Arachnids was composed with the intention of being music for the Halloween season, although it could beperformed at other times in the year. The early sketch was written in 2008, although the work wasn't fully realized until theSpring of 2011. The work is dedicated to my composer friend, Joseph Eidson, whose music largely inspired theorchestration and harmonic material for this piece.Creepy, energetic, dissonant, and playful - these adjectives best describe the work. It begins with the solo timpani thatimmediately sets the sneaking tone for the arachnids that have begun crawling. After a build-up in the woodwinds, thetrumpets introduce the terror with the main arachnid theme. From there, the tune is shared throughout the ensemble, givingnearly every instrument a chance to play the arachnid theme. A contrasting, calmer theme is introduced, simply to give ussome hope and relief that the arachnids will leave. The piece gradually grows more thick and dissonant over time, withwebby textures of woodwinds and muted brass. A short coda with the full ensemble ends the work where the piece reachesits climax.
March of the Arachnids
Orchestre d'harmonie

$8.00 6.87 € Orchestre d'harmonie PDF SheetMusicPlus






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