Concert Band - Level 5 - Digital Download

SKU: A0.1454822

By Kylie Minogue. By Matt Aitken and Mike Stock. Arranged by Rusty Toots. 20th Century,Classical,Comedy,Contemporary,Pop. 73 pages. Russell Ward #1033890. Published by Russell Ward (A0.1454822).

The 2nd instalment from the Stock Aitken and Waterman Re-imagined Suite for Symphonic Winds by Rusty Toots, this lively re-arrangement of Kylie Minogue's I Should Be So Lucky opens with a irreverant nod to Pachelbel's canon and Big Ben's famous Westminster Quarters tune, before taking off in a quirky romp with title tune.  Some colorful additions to the percussion section (chimes, ratchet, woodblocks, triangle) help to create a very playful atmosphere, with xylophone featuring prominently throughout.  Listeners may also recognise another well-known sexy brit-pop tune sneakily introduced by the bassoon at one point.  While technically challenging at times, the playful and irreverant spirit of this movement is sure to please audiences and players alike.

Concert Band - Level 4 - Digital Download

SKU: A0.1115634

Composed by Eddie Pola and George Wyle. Arranged by Thomas Graf. Broadway,Christmas,Film/TV,Jazz,Musical/Show,Pop. Score and parts. 81 pages. Thomas Graf - the-hit-factory.com #717404. Published by Thomas Graf - the-hit-factory.com (A0.1115634).

Christmas - Kylie Minogue - One of the best modern Christmas songs ever; as performed by Kylie Minogue. Have Fun! About this arrangement: Instrumentation: Full Score Flute 1 Flute 2 Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritotone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trumpet 4 in Bb Horn in F Baritone Horn Trombone 1 Trombone 2 Trombone 3 Bass Trombone Tuba Drum Set Piano Vocals Bass Guitar Bass in Eb Bass in Bb Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.

Concert Band - Level 2 - Digital Download

SKU: A0.1325811

Composed by Matt Aitken, Mike Stock, and Peter Waterman. Arranged by John Ivor Holland. 20th Century,Disco,Film/TV,Pop. 46 pages. John Ivor Holland #914002. Published by John Ivor Holland (A0.1325811).

Step Back in Time is a song by Australian singer Kylie Minogue from her third studio album, 'Rhythm of Love' (1990). It was released as the album's second single (following 'Better the Devil You Know') on 22 October 1990, written, arranged, and produced by the powerhouse team of Stock, Aitken and Waterman. Considered one of her best singles, the song charted well across the world - an accompanying music video was directed by visual artist Nick Egan, which paid homage to 1970s culture and figures. Since its release, Step Back in Time has been used in several media including an appearance in the 2013 British comic science fiction film The World's End. Available for concert band for the first time, turn back the clock and relive the glory days of disco, paying tribute to the legendary Kylie along the way.

Concert Band - Level 3 - Digital Download

SKU: A0.1373131

By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arranged by John Ivor Holland. 21st Century,Disco,Film/TV,Pop,Singer/Songwriter. 76 pages. John Ivor Holland #957474. Published by John Ivor Holland (A0.1373131).

Toxic is a song by American singer Britney Spears, released as the second single from her fourth studio album, 'In the Zone' (2003). It was initially offered to Kylie Minogue for her album 'Body Language', by leading songwriter Cathy Dennis, but she turned it down. The song been featured in films such as 'Knocked Up and 'Pitch Perfect 3', and TV series 'Doctor Who' and 'Chuck'. Toxic has become one of Spears' signature songs and has been included in multiple all-time lists of best songs, ranked among Rolling Stone's 500 Greatest Songs of All Time. Starting off majestically, with a clarinet flourish, the familiar sounds of the track kick-in, and there's an epic 'Half-Time' moment towards the end, with a key change! Arranged as part of a project to bring more music by women into the worldwide concert band repertoire.