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Concert Band - Level 5 - Digital Download SKU: A0.1485710 Composed by Franz Lehar. Arranged by Albert Schwarzmann. 19th Century,20th Century,Opera,Romantic Period,Singer/Songwriter. 83 pages. Edition Schwalbe #1062781. Published by Edition Schwalbe (A0.1485710). Freunde, das Leben ist lebenswert! (Life Is Worth Living, My Friends) is an aria from Giuditta, the last operetta by Austrian-Hungarian  composer  Franz (Ferenc) Lehár, first performed on 20th January 1934 at Vienna State Opera in Austria. It's the first performance aria of Octavio,  a part for a powerfol tenor singer. The large orchestral score is not easy to balance with the tenor part, perhaps even more tricky with wind orchestra.  The arrangement is kept in the original key of the composition for symphony orchestra. Is was first time performed by Mozarteum Wind Philharmonic Salzburg   conducted by Hansjoerg Angerer on 23rd April 2016 in Salzburg, Austria with native of Thailand tenor Nutthaporn Thammathi at their concert Spring in  Sanzburg and repeated by Salzburg Wind Philharmonic with same conductor and soloist at their Three Kings' Concert on 6th January 2023 in the  Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. Live recordings of both concerts are available at  https://www.salzburg-windphilharmonic.at/de/freunde-das-leben-ist-lebenswert/ and  https://www.salzburg-windphilharmonic.at/de/musikalische-verfuehrung-fruehling-in-salzburg/ or https://www.jpc.de/jpcng/classic/detail/-/art/freunde-das-leben-ist-lebenswert/hnum/11521748 and  https://www.jpc.de/jpcng/classic/detail/-/art/musikalische-verfuehrung/hnum/10428713/?iampartner=303&subid=umr7&ref=partner.jpc.de.
"Freunde, das Leben ist lebenswert!" (Life Is Worth Living, My Friends)
Orchestre d'harmonie

$82.00 71.14 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Grade 4 - Digital Download SKU: IZ.CBS167 Composed by Samuel Livingston. Score and Parts. 99 pages. Imagine Music - Digital #CBS167. Published by Imagine Music - Digital (IZ.CBS167). 9 x 12 in inches.The title of this piece is a musical pun. It refers to a Fourth-of-July celebration, with fireworks, games, and patriotic music. But it also refers to the musical interval of a fourth. All of the themes in the piece are built, in some way, around the interval of a fourth. The composition of the piece actually began as a musical idea - piling up fourths and resolving to a major chord. That idea led to the title of the piece and the decision to make the interval of a fourth a prominent feature of all the themes.To convey the idea of fireworks, I used rising sixteenth-note runs in the high woodwinds, followed by a cymbal crash. That pattern appears at the opening, at the ending, and at one other point in the piece. To convey the idea of games, I used a playful theme stated by a solo trumpet and piccolo and repeated in the woodwinds; the second half of the theme is a counterpoint within sections. The patriotic music is suggested by two different kinds of themes - two anthem-like themes (think of America the Beautiful or God Bless America) and a vigorous march, which is introduced in the middle of the piece and repeated near the end. The piece opens and ends with the idea that led to its creation - piling up fourths and resolving to a major chord - accompanied by the sixteenth-note runs in the high woodwinds and the cymbal crash.
Celebrating the Fourth
Orchestre d'harmonie

$80.00 69.4 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Grade 4 - Digital Download SKU: IZ.CBS167-S Composed by Samuel Livingston. Score. 20 pages. Imagine Music - Digital #CBS167-S. Published by Imagine Music - Digital (IZ.CBS167-S). 9 x 12 in inches.The title of this piece is a musical pun. It refers to a Fourth-of-July celebration, with fireworks, games, and patriotic music. But it also refers to the musical interval of a fourth. All of the themes in the piece are built, in some way, around the interval of a fourth. The composition of the piece actually began as a musical idea - piling up fourths and resolving to a major chord. That idea led to the title of the piece and the decision to make the interval of a fourth a prominent feature of all the themes.To convey the idea of fireworks, I used rising sixteenth-note runs in the high woodwinds, followed by a cymbal crash. That pattern appears at the opening, at the ending, and at one other point in the piece. To convey the idea of games, I used a playful theme stated by a solo trumpet and piccolo and repeated in the woodwinds; the second half of the theme is a counterpoint within sections. The patriotic music is suggested by two different kinds of themes - two anthem-like themes (think of America the Beautiful or God Bless America) and a vigorous march, which is introduced in the middle of the piece and repeated near the end. The piece opens and ends with the idea that led to its creation - piling up fourths and resolving to a major chord - accompanied by the sixteenth-note runs in the high woodwinds and the cymbal crash.
Celebrating the Fourth
Orchestre d'harmonie

$12.00 10.41 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.971613 Composed by Jonathan S. Laflamme. 20th Century,Christmas,Renaissance. Score and parts. 114 pages. Jonathan S. Laflamme #2018099. Published by Jonathan S. Laflamme (A0.971613). HUMILITY by Jonathan S. Laflamme ©2012 The people walking in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned. Isaiah 9:2* Humility seeks to draw attention to the Advent portion of the holiday season. This programmatic composition seeks to create an aural picture of the atmosphere both physically and spiritually in the eastern world B. C. and then try and connect it to Christmas traditions today. Students will really enjoyed rehearsing and performing this piece because of it’s programmatic nature, use of a plethora of percussion as well as some unusual uses of and combinations of instruments. Piccolo flute in the low register, soprano saxophone, open tom drums and oboe to create some Middle Eastern ambiance. Then, in order to create ‘the land of the shadow of death’ some unusual techniques call for whispers through instruments, french horns ringing their hands in and out of the bell, flutes playing on the head joints only, attaching a tenor saxophone mouthpiece to a euphonium and a baritone saxophone mouthpiece to a sousaphone. Add some trumpets and trombones playing only on their lead pipes and double reeds buzzing on just the reed and a haunting canvas to build the chaos of a world without salvation is created. Then, with the calming of the piano to present an extremely stark and hallow arrangement of the 7th century antiphon Veni Immanuel, ‘O Come, O Come Immanuel’ which crescendos to the coming of the savior at measure 128 precipitates the a highly antiphonal arrangement of ‘Joy to World.’ The piece concludes with the same chord it started with-a bright C major! This is done in the beginning to show the intention of a beautiful creation story without death and in the end as kind of a, this is just the beginning, sentiment by way of a half cadence. After all, in regards to this composition, Christmas day is just the beginning of the purpose of the Word made flesh. While this piece has some characteristics of ‘novelty band music’ there are plenty of technical demands that must be met in order to make it a legitimate concert band literature selection. *THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide.
Humility
Orchestre d'harmonie

$50.00 43.38 € Orchestre d'harmonie PDF SheetMusicPlus






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