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Concert Band - Level 3 - Digital Download

SKU: A0.1248560

Composed by Sawyer Isherwood. Contemporary. Score and Parts. 123 pages. Sawyer Isherwood #843049. Published by Sawyer Isherwood (A0.1248560).

Tempest's Approach is a captivating wind ensemble composition that takes listeners on a dramatic journey through the atmospheric turmoil of a storm. The piece masterfully captures the essence of a tempest, skillfully utilizing a range of instruments and musical techniques to create a vivid sonic portrayal.

The composition begins with a slow and tranquil section, symbolizing the calm before the storm. A poignant French horn solo emerges, drawing the audience into a serene soundscape. Meanwhile, other instruments subtly mimic the gentle patter of raindrops and the haunting whispers of the wind, creating an immersive atmosphere.

As the tension builds, a duet between the euphonium and tuba ensues, serving as a transitional bridge into the impending storm. Dissonant brass chords punctuate the composition, mirroring the initial signs of lightning piercing through the darkness. The baritone saxophone then takes center stage, its haunting solo representing the gradual approach of the storm, with each note evoking a sense of anticipation.

In a climactic turn, the percussion section bursts forth, meticulously replicating the tumultuous sounds of a raging storm. Thunderous rolls, crashing cymbals, and cascading snare drum patterns immerse the listeners in the chaotic energy of the tempest. The woodwinds join in with swirling sixteenth notes and trills, amplifying the sense of swirling winds and torrential rain.

A shift to cut time signals a momentary respite, symbolizing the storm's brief slowdown. However, the tranquility is short-lived, as the composition quickly accelerates, portraying the intensification of the tempest. The ensemble conjures a maelstrom of sound, mimicking the violent peak of the storm with powerful rhythms and dynamic swells.

Finally, as the storm gradually subsides, an alto saxophone takes up the melody once delivered by the French horn. Its somber solo, reminiscent of the opening, serves as a reflective moment, encapsulating the aftermath of the tumultuous weather. The composition draws to a close with a sense of calm resolution, leaving the audience in awe of the storm's raw power and beauty.

Tempest's Approach is a captivating and dynamic wind ensemble composition that skillfully combines melodic storytelling, atmospheric effects, and powerful instrumentation to create a sonic narrative that brings the audience into the heart of a storm.

Tempest's Approach
Orchestre d'harmonie

$58.00 55.18 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download

SKU: A0.1025077

Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric Noble (A0.1025077).

Over the past few years I have become obsessed with Norse Mythology, and I mean real Norse Mythology. I say that with
quotes because in my research I realized that a lot of people tell different stories. This is mainly because back when Christianity was growing,
the Christians saw anything that wasn't Christian as pagan, so they got rid of it all. So that is why Greek, Roman, and Norse religions faded into mythologies, and 
all that was left was passed around in folk tales. And also because Marvel tells a very different tale of the mythology than the research I have collected and I want people to know these stories. 


Now moving passed the history lesson and into the music. This is interesting for me because this is the biggest original piece
 that I've ever made. This is going to be a multimovement piece, and this is the 1st movement, Ginnungagap, the endless void. 
This movement describes The Void, and the two lands of Fire(Muspelheim) and Ice(Niflhiem).


Starting with The Void, it describes the blackness, and I use the absence of instruments to give this feeling, but however to give
2 of the other themes to foreshadow it.  It moves into this wild cascading theme for the Niflheim theme to describe the cold cascading environment of the world.


After that it slows into a dark and ominous theme for Muspelheim(Surtr's Destiny). This was an interesting part to make 
because in mythology, Surtr, also referred to as Surt,  is the fabled fire giant who destroys Asgard. No one knows where he
comes from, but from the moment of his creation, he knew of his destiny to destroy Asgard so he spent all of his time 
forging his sword to burrow into Asgard.  I used a break drum to symbolize a hammer hitting an anvil to forge a sword,
a lingering sound of Surtr's destiny.


After this, I brought both themes together to resemble The Clash of the two worlds to create the Norse universe.

The final theme in this first movement is entitled I am Ymir. In myhtology, Ymir is the father of everything. Created from the 
clash, he gave creation to all the gods, humans, giants, elves, and dwarves. This final theme takes Surtr's theme and flips
it to be mo.

Nordic Movement 1: Ginnungagap
Orchestre d'harmonie

$24.99 23.77 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.1153133

Composed by Joseph Hasper. Contemporary,Contest,Festival,Instructional. Score and parts. 54 pages. Joseph Hasper #753374. Published by Joseph Hasper (A0.1153133).

What happens when you put a beautiful princess, a handsome prince, and an evil troll together? Fairy Tale Mystery is the magical story of these characters set in a long ago and faraway place. See if you can follow the story as the band plays! This piece was jointly commissioned and premiered by the following bands: Armstrong Junior High School, under the direction of Rob Reams; Titusville Middle School, under the direction of Patrick Vetter; Mifflin County Middle School, under the direction of Samantha Gates. The title Fairy Tale Mystery is a combination of ideas submitted by students from each of the schools. The cover art was designed by Armstrong Jr. HS student Eliza Major. IF YOU PERFORM THIS PIECE IN PUBLIC Please let me know! I would love to hear from you (and would be super happy to display a copy of your concert program or poster in my office!). I would also be happy to answer any questions you have about the piece, whether it’s about interpretation, notation, or anything else.

Fairy Tale Mystery
Orchestre d'harmonie

$40.00 38.05 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download

SKU: A0.1282254

By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age. Score and Parts. 34 pages. Alberto Caeiro #873559. Published by Alberto Caeiro (A0.1282254).

This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.
The orchestral formation contains:

2 flutes
2 oboes
3 clarinets
1 bass clarinet
2 Saxophones
3 trumpets
2 horns
2 trombones
1 euphonium
1 tuba
4 percussion instruments
1 Solo Voice

The entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind and brass instruments.

The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.

The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.

The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.

However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.

The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.

The Girl I Mean To Be
Orchestre d'harmonie
The Secret Garden Ensemble
$79.99 76.09 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.980052

Composed by Thomas Weelkes. Arranged by Kyle Skrivanek. Classical,Contest,Festival,Instructional,Renaissance. Score and parts. 73 pages. Kyle Skrivanek #2890997. Published by Kyle Skrivanek (A0.980052).

As Vesta Was From Latmos Hill Descending tells the story of the Roman Goddess Vesta descending from a mythical hill and encountering the maiden queen, Oriana, ascending. The English composer and organist Thomas Weelkes composed this madrigal as part of a series of madrigals honoring Queen Elizabeth I known as The Triumphes of Oriana (Queen Elizabeth I was often called Oriana). Weelkes employed the technique of word painting in his composition and I maintained as much as possible in this arrangement for concert band. This arrangement is playable by advanced middle school and high school ensembles.

As Vesta Was From Latmos Hill Descending
Orchestre d'harmonie

$40.00 38.05 € Orchestre d'harmonie PDF SheetMusicPlus


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