SKU: A0.1501664

SET OF PARTS.  Score sold separately. 

This orchestration is the end product of my book entitled Orchestrational Archetypes in Percy Grainger's Wind Band Music. In an attempt to understand the enigmatic style of Grainger's wind band music, I made a detailed analysis of his recurring orchestrational practices with regard to melody, countermelody, part writing and contrapuntal dynamics. The conclusion is that the Grainger sound is a function of recurring orchestrational techniques, rather than other compositional elements such as melody or harmony. This information was then used to dish up selected Grainger voice and piano pieces in his own idiosyncratic style.  I also arranged “British Waterside” and “The Cutting of The Hay” (G. Schrimer).  

Lord Maxwell’s Goodnight is a reflective, moving piece based on a ballad about Lord Maxwell, who has killed a rival in a long-standing bloody family feud and is leaving for Scotland to avoid prosecution. He bids good-bye to his wife, his lands and his country.  Lord Maxwell’s Goodnight appears as Grainger’s British Folk Music Setting No. 42 for high tenor voice or unison male chorus and 4 strings (violin, viola, 2 cellos) in 1904.  The original is in the key of F major but has been shifted to Db major in this orchestration.  The lyrics of the first verse are:
 
Adieu, madame, my mother dear,
But and my sisters three O!
Adieu, fair Robert of Orchardstane,
My heart is woe for thee, O!
Adieu, the lily and the rose,
The primrose fair to see, O!
Adieu, my ladye, and only joy,
For I may not stay with thee, O!.

SKU: A0.1501543

This orchestration is the end product of my book entitled Orchestrational Archetypes in Percy Grainger's Wind Band Music. In an attempt to understand the enigmatic style of Grainger's wind band music, I made a detailed analysis of his recurring orchestrational practices with regard to melody, countermelody, part writing and contrapuntal dynamics. The conclusion is that the Grainger sound is a function of recurring orchestrational techniques, rather than other compositional elements such as melody or harmony. This information was then used to dish up selected Grainger voice and piano pieces in his own idiosyncratic style.  I also arranged “British Waterside” and “The Cutting of The Hay” (G. Schrimer).  

Lord Maxwell’s Goodnight is a reflective, moving piece based on a ballad about Lord Maxwell, who has killed a rival in a long-standing bloody family feud and is leaving for Scotland to avoid prosecution. He bids good-bye to his wife, his lands and his country.  Lord Maxwell’s Goodnight appears as Grainger’s British Folk Music Setting No. 42 for high tenor voice or unison male chorus and 4 strings (violin, viola, 2 cellos) in 1904.  The original is in the key of F major but has been shifted to Db major in this orchestration.  The lyrics of the first verse are:
 
Adieu, madame, my mother dear,
But and my sisters three O!
Adieu, fair Robert of Orchardstane,
My heart is woe for thee, O!
Adieu, the lily and the rose,
The primrose fair to see, O!
Adieu, my ladye, and only joy,
For I may not stay with thee, O!.

SKU: A0.946720

''Cristal'' is the name of a ''canindé macaw'' (this one on the cover) that lives loose in the city of Cavalcante, in Chapada dos Veadeiros. With other birds, it lives at Helia's bar where they are treated with great affection. 
The feeling of preservation combined with freedom was the inspiration for the composition of this piece that uses two genres as a base, the ijexá and the maxixe. 
The rhythmic characteristics of each of these genres were distributed among the instruments and guided by a cheerful melody. An opportunity to expand the repertoire and immerse in the rhythm and fusion of these two genres, ijexá and maxixe. 
An authorial piece that brings the genuinely Brazilian joy and can be used in contrast to dense pieces, make your band to fly high and free like Cristal Canindé.