Concert Band - Level 1 - Digital Download SKU: A0.1029425 Arranged by Deanna Hnatiw. Folk. Score and parts. 12 pages. Deanna Hnatiw #4968223. Published by Deanna Hnatiw (A0.1029425). Grade .5 Beginner band music including an optional clarinet 1 part that crosses the break. Range for the rest of the instruments is concert Bb to concert G.  No tenor saxophone or rhythm percussion parts.This piece was arranged for a mixed grade and level band with no rhythmic percussion. It gives each instrument group a chance to play melody. Songs include: Hot Cross Buns, A Tisket A Tasket, London Bridge, Doggie Doggie, Merrily We Roll Along/Mary Had a Little Lamb, and Twinkle Twinkle Little Star.Rehearsal Notes:  Each melody is sectioned by double bar lines and rehearsal marks. You can have the students identify each section of melody and write in the name for it. Bass guitar and baritone/euphonium can play the trombone part. .

Concert Band - Level 5 - Digital Download SKU: A0.1477147 By Ink Spots. By Andy Razaf and Eubie Blake. Arranged by Bryan Kidd. Jazz,Standards. 33 pages. BryanKiddMusic.com #1053617. Published by BryanKiddMusic.com (A0.1477147). “Memories of You”, Part 1 of the “Benny Goodman: Memories of You” medley “Benny Goodman: Memories of You” is Bryan Kidd’s tribute to the big band era’s masterful “King of Swing,” Benny Goodman. This enduring medley, introduced by clarinetist Chief Musician Matt Rutkowski, was commissioned by The United States Navy Band under the direction of Captain William J. Phillips. The premiere performance was on October 22, 1992, at the John F. Kennedy Center for the Performing Arts on the occasion of the United States Navy’s 217th Birthday Concert. For over 30 years it’s been a favorite with Navy Band clarinetists and world-wide audiences alike. This is a professional / advanced arrangement – an experienced jazz rhythm section is required.IMPORTANT: 1. because of licensing requirements, each movement must be purchased as a separate title (as though they are stand-alone titles). Links for each movement:      “Memories of You” click here     “Let’s Dance” click here     “Goodbye” click here     “Moonglow” click here     “Sing, Sing, Sing” click here2. “After You’ve Gone” is in the public domain and available at NO CHARGE directly from Bryan Kidd (info@bryankiddmusic.com) with proof of purchase of the rest of the medley.SCORES:A letter-size (8.5x11) score and instrumental parts are included with each set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED).      “Memories of You” Tabloid-size (11x17) score, click here     “Let’s Dance” Tabloid-size (11x17) score, click here     “Goodbye” Tabloid-size (11x17) score, click here      “Moonglow” Tabloid-size (11x17) score, click here     “Sing, Sing, Sing” Tabloid-size (11x17) score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.

Concert band Tuba - Level 3 - Digital Download SKU: HX.119439 Composed by Richard L. Saucedo. Concert. Individual instrument part. 1 pages. Duration 270. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.119439).

Concert band Baritone B.C. - Level 3 - Digital Download SKU: HX.119437 Composed by Richard L. Saucedo. Concert. Individual instrument part. 1 pages. Duration 270. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.119437).

Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody� refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:      I still hear you in the breeze,      See your shadows in the trees;      Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody� Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!

Concert Band - Level 3 - Digital Download SKU: A0.866215 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary. Score and parts. 74 pages. Jeffrey Ouper #2899041. Published by Jeffrey Ouper (A0.866215). NOTE: These are the instrumental parts only. The conductor score (legal size paper) is a separate download.  All instrument parts and vocal piano reduction score is included in this download.This version of Winter's Breath is scored for Symphonic Band and solo voice.  It will make a great addition to your next holiday concert.  The duration of the song is about 6 minutes.About the song:Winter’s Breath is an original Christmas song (original music and lyrics) composed in 2014. The lyrics embrace both a secular and religious message of peace, love, and hope inspired by the beauty of winter snow.  I really wanted to write a more profound Christmas song with an important message embracing a modern view of Christmas since so many songs are commercialized or limited in meaning.Having lived in the Arizona desert since 2007, snow has become a novelty to me, and I was inspired by its beauty and the memories I had of winter growing up in northern Illinois. The chorus that repeats throughout the song presents an irony of winter warming the soul. I found this to be both interesting and also meaningful in that I was describing my new viewpoint of winter snow (seeing more beauty in it than before) and presenting a metaphor for life-one that encourages the listener to see the beauty in something that most northerners despise.The first verse begins with sensory perceptions including seeing, hearing, touching, and smelling various natural qualities of winter. The second verse describes the joy of children playing in the snow and their belief in winter stories. The third verse is directed at worrying adults with a message of hope for the future. The bridge encourages the listener to look past the negativity and differences in other people and look towards Christmas and the new year for a hope renewed. The final verse concludes with the traditional religious view of Christmas tradition.

Concert Band - Level 5 - Digital Download SKU: A0.1477149 By Benny Goodman. By Gordon Jenkins. Arranged by Bryan Kidd. Jazz,Standards. 36 pages. BryanKiddMusic.com #1053751. Published by BryanKiddMusic.com (A0.1477149). “Goodbye”, Part 3 of the “Benny Goodman: Memories of You” medley “Benny Goodman: Memories of You” is Bryan Kidd’s tribute to the big band era’s masterful “King of Swing,” Benny Goodman. This enduring medley, introduced by clarinetist Chief Musician Matt Rutkowski, was commissioned by The United States Navy Band under the direction of Captain William J. Phillips. The premiere performance was on October 22, 1992, at the John F. Kennedy Center for the Performing Arts on the occasion of the United States Navy’s 217th Birthday Concert. For over 30 years it’s been a favorite with Navy Band clarinetists and world-wide audiences alike. This is a professional / advanced arrangement – an experienced jazz rhythm section is required.IMPORTANT: 1. because of licensing requirements, each movement must be purchased as a separate title (as though they are stand-alone titles). Links for each movement:      “Memories of You” click here     “Let’s Dance” click here     “Moonglow” click here     “Sing, Sing, Sing” click here2. “After You’ve Gone” is in the public domain and available at NO CHARGE directly from Bryan Kidd (info@bryankiddmusic.com) with proof of purchase of the rest of the medley.SCORES:A letter-size (8.5x11) score and instrumental parts are included with each set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED).      “Memories of You” Tabloid-size (11x17) score, click here     “Let’s Dance” Tabloid-size (11x17) score, click here     Goodbye Tabloid-size score, click here     “Moonglow” Tabloid-size (11x17) score, click here     “Sing, Sing, Sing” Tabloid-size (11x17) score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia. 

Concert Band - Level 5 - Digital Download SKU: A0.1477148 By Benny Goodman & His Orchestra. By Fanny Baldridge, Gregory Stone, and Joseph Bonime. Arranged by Bryan Kidd. Jazz,Standards. 38 pages. BryanKiddMusic.com #1053744. Published by BryanKiddMusic.com (A0.1477148). “Let's Dance”, Part 2 of the “Benny Goodman: Memories of You” medley “Benny Goodman: Memories of You” is Bryan Kidd’s tribute to the big band era’s masterful “King of Swing,” Benny Goodman. This enduring medley, introduced by clarinetist Chief Musician Matt Rutkowski, was commissioned by The United States Navy Band under the direction of Captain William J. Phillips. The premiere performance was on October 22, 1992, at the John F. Kennedy Center for the Performing Arts on the occasion of the United States Navy’s 217th Birthday Concert. For over 30 years it’s been a favorite with Navy Band clarinetists and world-wide audiences alike. This is a professional / advanced arrangement – an experienced jazz rhythm section is required.IMPORTANT: 1. because of licensing requirements, each movement must be purchased as a separate title (as though they are stand-alone titles). Links for each movement:      “Memories of You” click here        “Goodbye” click here     “Moonglow” click here     “Sing, Sing, Sing” click here2. “After You’ve Gone” is in the public domain and available at NO CHARGE directly from Bryan Kidd (info@bryankiddmusic.com) with proof of purchase of the rest of the medley.SCORES:A letter-size (8.5x11) score and instrumental parts are included with each set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED).      “Memories of You” Tabloid-size (11x17) score, click here     Let's Dance Tabloid-size (11x17) score, click here     “Goodbye” Tabloid-size (11x17) score, click here      “Moonglow” Tabloid-size (11x17) score, click here     “Sing, Sing, Sing” Tabloid-size (11x17) score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia. 

Concert Band - Level 5 - Digital Download SKU: A0.1477151 By Benny Goodman. By Louis Prima. Arranged by Bryan Kidd. Jazz,Standards. 73 pages. BryanKiddMusic.com #1053759. Published by BryanKiddMusic.com (A0.1477151). “Sing, Sing, Sing”, Part 6 of the “Benny Goodman: Memories of You” medley “Benny Goodman: Memories of You” is Bryan Kidd’s tribute to the big band era’s masterful “King of Swing,” Benny Goodman. This enduring medley, introduced by clarinetist Chief Musician Matt Rutkowski, was commissioned by The United States Navy Band under the direction of Captain William J. Phillips. The premiere performance was on October 22, 1992, at the John F. Kennedy Center for the Performing Arts on the occasion of the United States Navy’s 217th Birthday Concert. For over 30 years it’s been a favorite with Navy Band clarinetists and world-wide audiences alike. This is a professional / advanced arrangement – an experienced jazz rhythm section is required.IMPORTANT: 1. because of licensing requirements, each movement must be purchased as a separate title (as though they are stand-alone titles). Links for each movement:      “Memories of You” click here     “Let’s Dance” click here     “Goodbye” click here     “Moonglow” click here2. “After You’ve Gone” is in the public domain and available at NO CHARGE directly from Bryan Kidd (info@bryankiddmusic.com) with proof of purchase of the rest of the medley.SCORES:A letter-size (8.5x11) score and instrumental parts are included with each set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED).      “Memories of You” Tabloid-size (11x17) score, click here     “Let’s Dance” Tabloid-size (11x17) score, click here     “Goodbye” Tabloid-size (11x17) score, click here      “Moonglow” Tabloid-size (11x17) score, click here      Sing, Sing, Sing Tabloid-size (11x17) score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia. 

Concert Band - Level 5 - Digital Download SKU: A0.1477150 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arranged by Bryan Kidd. Jazz,Standards. 37 pages. BryanKiddMusic.com #1053755. Published by BryanKiddMusic.com (A0.1477150). “Moonglow”, Part 5 of the “Benny Goodman: Memories of You” medley “Benny Goodman: Memories of You” is Bryan Kidd’s tribute to the big band era’s masterful “King of Swing,” Benny Goodman. This enduring medley, introduced by clarinetist Chief Musician Matt Rutkowski, was commissioned by The United States Navy Band under the direction of Captain William J. Phillips. The premiere performance was on October 22, 1992, at the John F. Kennedy Center for the Performing Arts on the occasion of the United States Navy’s 217th Birthday Concert. For over 30 years it’s been a favorite with Navy Band clarinetists and world-wide audiences alike. This is a professional / advanced arrangement – an experienced jazz rhythm section is required.IMPORTANT: 1. because of licensing requirements, each movement must be purchased as a separate title (as though they are stand-alone titles). Links for each movement:      “Memories of You” click here     “Let’s Dance” click here     “Goodbye” click here      “Sing, Sing, Sing” click here2. “After You’ve Gone” is in the public domain and available at NO CHARGE directly from Bryan Kidd (info@bryankiddmusic.com) with proof of purchase of the rest of the medley.SCORES:A letter-size (8.5x11) score and instrumental parts are included with each set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED).      “Memories of You” Tabloid-size (11x17) score, click here     “Let’s Dance” Tabloid-size (11x17) score, click here     “Goodbye” Tabloid-size (11x17) score, click here        Moonglow Tabloid-size (11x17) score, click here        “Sing, Sing, Sing” Tabloid-size (11x17) score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.   

Concert Band - Level 2 - Digital Download SKU: A0.818279 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages. Stephen R Dalrymple #4854631. Published by Stephen R Dalrymple (A0.818279). Rocky Mountain Vista ♫ American Folk Song ♫ “Rocky Mountain High� with “Down in the Valley� and “Home on the Range� ♫ arranged for concert band by Stephen R Dalrymple ♫ What would you see if you climbed to the rim of the Rocky Mountains (or the Appalachians)? I arranged 2 American folk songs of unknown authorship, Rocky Mountain and Down in the Valley, plus Home on the Range (by Brewster Higley (lyrics 1874) and Daniel Kelly (melody pre 1905) to portray our western mountains and range land. ♫ [2021 Update: Actually, modern theory says Rocky Mountain came from the Appalachian Mountains and describes the rocky mountains of the Appalachians, not the Rockies. But for many the song evokes memories of the Rocky Mountains. So if you look to the west or the east for high mountains, you're covered.] ♫ Rocky mountain, rocky mountain, rocky mountain high, When you’re on that rocky mountain, hang your head and cry. Loo, loo, loo, loo, Do remember me. Loo, loo, loo, loo, Do remember me. ♫ Down in the valley the valley so low, Hang your head over; hear the wind blow. Hear the wind blow dear; hear the wind blow. Hang your head over; hear the wind blow. ♫ Oh, give me a home where the buffalo roam, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ Home, home on the range, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ How often at night, when the heavens were bright, With the light of the twinkling stars, Have I stood here amazed, and asked as I gazed, If their glory exceeds that of ours! ♫ sequenced by the arranger ♫ arrangement © 2001, 2019 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute/Oboe, Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Alto Clarinet/Alto Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/Bass Clef Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Snare Drum/Bass Drum, Triangle/Cymbal, and Bells. ♫ The YouTube video contains the full recording.

Concert Band - Level 3 - Digital Download SKU: A0.1221249 Composed by Dan Cook. Baroque,Contemporary,Contest,Festival,Instructional. Score and Parts. 89 pages. Pecan Valley Music #817581. Published by Pecan Valley Music (A0.1221249). Grade 3+duration; 4:30I) Sarabande (2:38)II) Fugue (1:53)Flutes 1 & 2, Oboe, Bassoon, Bb Clarinets 1, 2 & 3, Bass Clarinet, Alto Saxes 1 & 2, Tenor Sax, & Baritone SaxBb Trumpets 1, 2 & 3, Horns in F 1 & 2, Trombones 1 & 2, Euphonium, & TubaTimpani, Bells, VibraphoneSnare Drum, Bass Drum, Crash CymbalAntique Sketches was composed with the intention of creating an accessible work for young band using counterpoint. Some of my favorite memories as a student in public school band include performing various arrangements of J.S. Bach. I loved sitting in the trumpet section listening across the ensemble to how the various melodic lines would rapidly fizz around from instrument to instrument.This short, two movement work is designed to foster this listening experience in your students. The first movement consists of a simple binary form, with woodwinds and brass trading off a slow melodic line. The ensemble then combines to allow for the exploration of top to bottom, back to front balance and blend without having to worry about too much technique. There are also moments of modernity in the harmonic structure designed to help anchor the movement to the present.The second movement is a fugue with a long melodic subject and two countersubjects, the point of which is to apply the listening lessons from the first movement to the more technical aspects of the second. Fugue subjects are announced with percussion entrances to focus the listening experience across the ensemble and the audience.

Concert Band B-Flat Trumpet,Drums,Electronic Keyboard,Rhythm Instrument - Digital Download SKU: A0.1177120 By Mary Taylor. By Mary Taylor. Arranged by Mary Taylor. Jazz,Latin,Pop,Singer/Songwriter. Full Performance. Duration 411. Mary A #777125. Published by Mary A (A0.1177120). This is a beautiful song that will make you feel relaxed. The song will take you right to Jamaica. Listen to the words and enjoy. You may even bring back wonderful memories as you listen to the song.

Concert Band - Digital Download SKU: A0.1207451 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Broadway,Contemporary,Disco,Film/TV,Musical/Show,Rock. 3 pages. Amphibia Cultural Legacy #805618. Published by Amphibia Cultural Legacy (A0.1207451). Amphibia Cultural Legacy has released an instrumental cover of the True Quack Pack Theme Song based on the original music from DuckTales 2017. The body is a beautiful remix that features an orchestra and highlights the unique musical qualities of the original song. Listeners are sure to be impressed by how Amphibia Cultural Legacy has managed to capture the essence of the theme song while still putting its spin on it.The True Quack Pack Theme Song is an instantly recognizable tune that fans will love hearing played with such skill and precision. Amphibia Cultural Legacy's version is powerful and subtle, showcasing a deep understanding of creating a truly captivating piece of music. This instrumental cover is perfect for fans who want to experience something new while staying true to their favorite show's roots.The True Quack Pack Theme Song is one of the most memorable tunes from the hit show DuckTales 2017. Amphibia Cultural Legacy has taken this beloved theme song into something extraordinary with its instrumental cover remixed with orchestra. Fans of this iconic tune will be blown away by the new and improved version that takes the original music to a new level.From its inception, the Quack Pack! episode in DuckTales 2017 destiny to become legendary. The unforgettable theme song played a huge role in making this episode such a fan favorite. Now, thanks to Amphibia Cultural Legacy's incredible remix, fans can relive these memories even more beautifully and dynamically. The orchestra adds depth and complexity to a fantastic piece of music, creating a genuinely unmatched listening experience.

Concert Band - Level 3 - Digital Download SKU: A0.946714 Composed by Thiago Osorio. Concert,Instructional,Standards,World. Score and parts. 66 pages. Thiago Osorio Music #6495135. Published by Thiago Osorio Music (A0.946714). ''Sim, eu volto'' (in english: ''Yes, I will be back'') is a song presented here in its instrumental version for concert band. Cururu is one of the genres of Brazilian country music that inspired the creation of this song. This song tells the story of a country person who went to live in the metropolis and reflected that it was all illusion when she was confronted with the violence and ambition typical of the big city, making her miss the simple life in the countryside. The wood stove, the mud on the ground, riding in a cart, milking the cow, eating fruit from the tree, the freedom to walk without worry are memories that lead her to believe that God willing she will one day return to her origins. This instrumental version included three solos that can be replaced by improvisation. The main melody and counterpoints alternate between suits, with the use of voicings characteristic of the style. Without a doubt, it's an excellent opportunity to expand your band's repertoire with authentically Brazilian music.