Concert Band - Level 2 - Digital Download SKU: A0.1272817 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 63 pages. Yellow Envelope Publications #865015. Published by Yellow Envelope Publications (A0.1272817). This piece has a bunch of quirky solo and soli opportunities scattered throughout the ensemble (I hope you’ve been practicing your chromatic scales), a chance for trombones to finally dig into some glisses, and here’s your chance to use all those silly sounding instruments in your percussion cabinet! (And I encourage you to add even more chaotic sounds to the mix if you wish)The clarinet, alto saxophone, trumpet, horn, and trombones all have divided parts, while all other winds are single lines. The percussion parts are quite individualized, especially the mallets.InstrumentationFlute, Oboe, Bassoon, 2 Clarinet, Bass Clarinet,2 Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 2 Trumpet, 2 French Horn, 2 Trombone, Euphonium, Treble Clef Euphonium, Tuba10 Percussionists - Timpani, Snare Drum, Bass Drum, Crash Cymbals,Bike Horn, Ratchet, Vibraslap, Flexatone, Whistle (or any other accessories you wish),Glockenspiel, Vibraphone, Xylophone, Marimba

Concert Band - Digital Download SKU: AX.00-PC-0014563_BTX E-flat Baritone Saxophone. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_BTX). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.

Concert Band - Digital Download SKU: AX.00-PC-0014563_BTC1 Baritone T.C.. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_BTC1). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.

Concert Band - Digital Download SKU: AX.00-PC-0014563_TN1 1st Trombone. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_TN1). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.

Concert Band - Digital Download SKU: AX.00-PC-0014563_AX1 E-flat Alto Saxophone. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_AX1). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.

Concert Band - Digital Download SKU: AX.00-PC-0014563_TX1 B-flat Tenor Saxophone. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_TX1). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.

Concert Band - Digital Download SKU: AX.00-PC-0014563_AX2 2nd E-flat Alto Saxophone. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_AX2). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.

Concert Band - Level 5 - Digital Download SKU: A0.1021848 Composed by Franz von Suppe. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 192 pages. Edition Schwalbe #6644221. Published by Edition Schwalbe (A0.1021848). Franz von Suppé was a typical child of the multiethic Austrian-Hungarian monarchy with Italian, Dalmatian and Viennese ancestors. His full name was Francesco Ezechiele Ermenegildo de Suppè. He is regarded as father of the Viennese operetta. As he very often composed on bad quality librettos, most of his operettas nowadays are no more performed on stage. But many of his overtures and melodies are still popular, like this overture to the operetta Ein Morgen, ein Mittag, ein Abend in Wien (Morning, Noon and Night in Vienna), which was first performed in Vienna in February 1844. The original cello solo starting at bar 14was transcribed in this arrangement to the bass clarinet, as it is the only wind instrument in this score covering the range of the cello's solo part. There are also alternatives for clarinet (as in the orchestral score) or flugelhorn combined with euphonium. This transcription was commissioned by Wind Philharmonic Mozarteum Salzburg and first performed conducted by Hansjoerg Angerer at their 2014 New Year's Concert on January 6th in Salzburg, Austria. A live recording of this piece is included on the CD Eine musikalische Reise UMR65, Barcode 9120007612141 available at https://naxosdirekt.de/items/eine-musikalische-reise-557962 . Further details at: https://www.blaeserphilharmonie-mozarteum.at/

Concert Band - Level 3 - Digital Download SKU: A0.746419 Composed by Keith Terrett. 21st Century,Contemporary,Latin,March,Multicultural,World. 44 pages. Keith Terrett #1932357. Published by Keith Terrett (A0.746419). A rollicking Paso Doble for Concert Band, which will be a real audience please during your next performance. This piece features a soft centre, before returning to the Paso Doble for a blazing conclusion! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

Concert Band - Level 5 - Digital Download SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michael Barrera #1042150. Published by Michael Barrera (A0.1463454). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-partsTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust.  The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing.  Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities.  Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains.  The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods.  The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed.  Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work.  Each of these versions were written around the same time, roughly 1859-62.  The orchestral version also has an alternate ending, which is softer and fades away.  This arrangement features both endings. This work was then followed by three more Mephisto Waltzes.  No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only.  Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3)                                              2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.

Concert Band - Level 5 - Digital Download SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael Barrera #1042149. Published by Michael Barrera (A0.1463453). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-scoreTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust.  The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing.  Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities.  Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains.  The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods.  The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed.  Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work.  Each of these versions were written around the same time, roughly 1859-62.  The orchestral version also has an alternate ending, which is softer and fades away.  This arrangement features both endings. This work was then followed by three more Mephisto Waltzes.  No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only.  Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3)                                              2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.

Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,� and a song used by both North and South, “Johnny Comes Marching Home.� ♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter� in 1861 for the Minstrel stage. “Abraham’s Daughter� pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns� “Listen to the Mockingbird� and “Where, Oh Where Has My Little Dog Gone?� ♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.

Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat        (tenor horn, alto sax); Part 3 in F (French horn);  Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat  (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.

Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

Concert Band - Level 3 - Digital Download SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Multicultural,Praise & Worship,Sacred,Traditional,World. 20 pages. Keith Terrett #615015. Published by Keith Terrett (A0.1009356). Nearer, My God, to Thee arranged for Young Concert Band, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.