Concert Band - Level 4 - Digital Download SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title – it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope – even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with John’s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality – how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the piece’s latter half, which is a softer reimagining of the Lion character’s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPA’s wind ensemble composition contest.

Concert Band - Level 4 - Digital Download SKU: A0.886122 Composed by Jason McChristian. Contemporary. Score and parts. 137 pages. Jason Gary McChristian #552441. Published by Jason Gary McChristian (A0.886122). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Trickster - ...A NEW TERROR IS ABOUT. TREACHERY AND SEDUCTION ARE ITS SPORT....

Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 52 pages. Musica Nova USA #6075605. Published by Musica Nova USA (A0.917409). Set Free to go Home was composed in the fall of 2019. It was commissioned by Dr. Kristen Tjornehoj, Conductor of the University of Wisconsin at River Falls Symphony Band in remembrance of Kaye Bird, who passed away in 2016 as a resident of River Falls and a member of the community for several years. Kaye Bird was also a resident of Indiana, PA for 37 years and was a well respected teacher in the public schools there. Set Free to go Home was premiered by the Indiana University of Pennsylvania Symphony Band at Fisher Auditorium on February 6, 2020, conducted by Dr. Jason Worzbyt. It is agrade 3 band piece with a duration of five minutes. It is published by Musica Nova USA and availableon sheetmusicplus.com and jwpepper.com.Performance Notes: Set Free to go Home was composed with flexible instrumentation in mind.There are several instruments listed in the score that would enhance the piece (such as harp, oboes,double bass, ect.) but are not necessary to convey a successful performance. For example, if there are not five percussionists available, the piece may be played by less performers with the use of a drumkit, with one person playing two or more parts. This composition can sound very good whether thereare fifteen players or a band with one hundred players.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, includingFirst Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winnerin Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International MusicCompetition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers andmany others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria,and others. His compositions include works published by several publishers in the United States, SouthAmerica and Europe and have been performed extensively throughout the world.He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer atmany colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.

Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â�„4 meters where the eighth notes are basically equal, but in the dance the 3â�„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida

Concert Band - Level 5 - Digital Download SKU: A0.1497182 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 96 pages. Edition Schwalbe #1073603. Published by Edition Schwalbe (A0.1497182). Johann Strauss jr. composed this famous quick polka for the carnival ball of the Hesperus artists' association in Vienna. It premiered there at Dianabad hall  on 16 February 1868. The arrangement is kept in the original key of the composition for symphony orchestra and was commissioned and first time  performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2010 at the  Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria, repeated at the same event 2013 and 2018, the latter two broadcasted live by Austrian  television. Live recordings of all three concerts are available at  https://www.salzburg-windphilharmonic.at/de/le-rendez-voud-de-chasse/ or https://www.jpc.de/jpcng/classic/detail/-/art/le-rendez-vous-de-chasse/hnum/10428700?iampartner=303&subid=umr42&ref=partner.jpc.de and https://www.salzburg-windphilharmonic.at/de/la-chasse-die-jagd/ or https://www.jpc.de/jpcng/classic/detail/-/art/la-chasse-die-jagd-paris-wien/hnum/10428714?iampartner=303&subid=umr62&ref=partner.jpc.de and https://www.salzburg-windphilharmonic.at/de/durch-die-waelder-durch-die-auen/ or https://www.jpc.de/jpcng/classic/detail/-/art/durch-die-waelder-durch-die-auen/hnum/10428715?iampartner=303&subid=umr14&ref=partner.jpc.de .

Concert Band - Level 5 - Digital Download SKU: A0.1497141 Composed by Karel Komzák jr. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 138 pages. Edition Schwalbe #1073563. Published by Edition Schwalbe (A0.1497141). Karel Komzák jr. was born in Prague, studied there violin and became a very successful conductor in the Austrian Empire. From 1883 he  was bandmaster of the Imperial and Royal Infantry Regiment No. 84 in Vienna, the orchestra which was awarded the title of the best  military band in the world at the World Exhibition in Paris in 1889. Komzák even conducted his Baden spa orchestra at the World  Exhibition in Chicago 1904. His Folk Opera Edelweiss premiered in 1892 in Salzburg. The arrangement is one half tone higher than the  original key of the composition for symphony orchestra and was commissioned and first time performed by Mozarteum Wind Philharmonic  Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2018 in the Grosses Festspielhaus (Large Festival  Hall) in Salzburg, Austria and broadcasted live by Austrian television. A live recording of this concert is available at  https://www.salzburg-windphilharmonic.at/de/durch-die-waelder-durch-die-auen/ or https://www.jpc.de/jpcng/classic/detail/-/art/durch-die-waelder-durch-die-auen/hnum/10428715?iampartner=303&subid=umr14&ref= partner.jpc.de .

Concert Band - Level 4 - Digital Download SKU: A0.1497140 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 79 pages. Edition Schwalbe #1073562. Published by Edition Schwalbe (A0.1497140). The Quick Polka Freikugeln (Magic Bullets) was composed on the occasion of the 3rd German Federal Shooting Contest and premiered there on 27 July  1868 at the Vienna Prater. Magic Bullets are never-failing bullets gained by a pact with the devil. The arrangement is kept in the original key of the  composition for symphony orchestra and was commissioned and first time performed by Mozarteum Wind Philharmonic Salzburg conducted by  Hansjoerg Angerer at their Three Kings' Concert on 6 January 2018 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and  broadcasted live by Austrian television. A live recording of this concert is available at  https://www.salzburg-windphilharmonic.at/de/durch-die-waelder-durch-die-auen/ or https://www.jpc.de/jpcng/classic/detail/-/art/durch-die-waelder-durch-die-auen/hnum/10428715?iampartner=303&subid=umr14&ref=partner.jpc.de .

Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat        (tenor horn, alto sax); Part 3 in F (French horn);  Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat  (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.

Concert Band - Level 1 - Digital Download SKU: A0.1402009 Composed by James Smith. Contest,Festival,Instructional. 26 pages. James Smith #985205. Published by James Smith (A0.1402009). Chill out with this selection intended for first-year players, Time Out. Written with the first 4 notes of the A minor blues scale in mind, and using only 6 different notes, younger players will find instant success when learning its catchy bass line and repeated rhythms.Time Out can be performed by a minimal concert ensemble of flutes, clarinets, alto saxophones, trumpets, trombones, and percussion, and uses the A minor blues scale (A, C, D, E♭). I am incredibly excited to offer this selection to you in a effort to diversify concert band music repertoire for younger player that avoids using typical key signatures, but does not veer too far away from standard practices. It is suggested that players practice playing the first few notes of the concert B♭ scale (B♭, C, D, E♭), then swapping out concert B♭ for concert A. Make sure measures 1-3 are accurately learned by the wind players before learning the rest of the piece. In measure 39, there is a glissando, or “fall� that might be seen in jazz music. (The playback does not support accurate sounds for this effect.) Have players find a random high note, then all descend to the low register of their instruments within 4 beats through fingerings, slides, etc.View more of my catalog here at linktr.ee/jamessmithmusic.

Concert band - Grade 1 - Digital Download SKU: IZ.CBW172-S Composed by Judith Katz. Score. 19 pages. Imagine Music - Digital #CBW172-S. Published by Imagine Music - Digital (IZ.CBW172-S). 9 x 12 in inches.My school, in which I taught, had a number of assembly programs, including a yearly Veteran's Daycommemoration, where the band performed. Of course, I had to select a medley of appropriate pieces, but somehow could not assemble compositions that were both short enough and very playable by my group. That left mewith the task of writing my own arrangement of military anthems.I pay tribute to the United States Army, Navy, and Marine Corps. What is conspicuously missing, however, isthe United States Air Force Song. After the assembly, I was also asked, What, no Air Force Song?I tried a version of Military Jamboree with the Air Force Song, but because of the meter, 6/8, I found it tobe a lot more difficult for my students. They could play everything else, except the 6/8 rhythms. So, the musicteacher in me made the difficult decision to remove the United States Air Force Song from the finalarrangement, and thus, making it more playable for a developing band.

Concert band - Grade 1 - Digital Download SKU: IZ.CBW172 Composed by Judith Katz. Score and Parts. 59 pages. Imagine Music - Digital #CBW172. Published by Imagine Music - Digital (IZ.CBW172). 9 x 12 in inches.My school, in which I taught, had a number of assembly programs, including a yearly Veteran's Daycommemoration, where the band performed. Of course, I had to select a medley of appropriate pieces, but somehow could not assemble compositions that were both short enough and very playable by my group. That left mewith the task of writing my own arrangement of military anthems.I pay tribute to the United States Army, Navy, and Marine Corps. What is conspicuously missing, however, isthe United States Air Force Song. After the assembly, I was also asked, What, no Air Force Song?I tried a version of Military Jamboree with the Air Force Song, but because of the meter, 6/8, I found it tobe a lot more difficult for my students. They could play everything else, except the 6/8 rhythms. So, the musicteacher in me made the difficult decision to remove the United States Air Force Song from the finalarrangement, and thus, making it more playable for a developing band.

Concert Band - Level 5 - Digital Download SKU: A0.1505939 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 210 pages. Edition Schwalbe #1081320. Published by Edition Schwalbe (A0.1505939). Die Fledermaus (The Bat) was Johann Strauss' most successful operetta and is still today frequently performed especially on German speaking  stages. Its overture in sonata form became also a popular and challenging concert piece. The operetta premiered, conducted by the composer, on  5 April 1874 in Vienna at Theater an der Wien. The arrangement is one half tone higher than the original key of the composition for symphony  orchestra and was commissioned and first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their  Three Kings' Concert on 6 January 2016 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria, repeated there on 6 January  2020 and broadcasted live by Austrian television, when the arranger had to step in very shortly for the sick chief conductor Hansjoerg Angerer.  A live recording of the 2016 concert is available at  https://www.salzburg-windphilharmonic.at/de/wien-new-york-wiener-gschichten-aus-der-neuen-welt/ or https://www.jpc.de/jpcng/classic/detail/-/art/wien-new-york/hnum/10428731?iampartner=303&subid=umr6&ref=partner.jpc.de .

Concert Band - Level 5 - Digital Download SKU: A0.1497177 Composed by Josef Strauss. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 69 pages. Edition Schwalbe #1073598. Published by Edition Schwalbe (A0.1497177). Die Libelle (The Dragon-fly) is a polka-mazurka by Josef Strauss, who was said to be the most talented of the three Strauss brothers. He was  inspired to this piece during a visit with his wife Caroline at the lake Traunsee, where he observed dragon-flies flying on the water surface. It  premiered on 21 October 1866. The arrangement is kept in the original key of the composition for symphony orchestra and was commissioned  and first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6  January 2018 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. A live  recording of this concert is available at  https://www.salzburg-windphilharmonic.at/de/durch-die-waelder-durch-die-auen/ or https://www.jpc.de/jpcng/classic/detail/-/art/durch-die-waelder-durch-die-auen/hnum/10428715?iampartner=303&subid=umr14&ref=partner.jpc.de .

Concert Band - Level 4 - Digital Download SKU: A0.1489659 Composed by Josef Strauss. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 70 pages. Edition Schwalbe #1066531. Published by Edition Schwalbe (A0.1489659). Ohne Sorgen (Without Cares), a Polka schnell (Quick Polka) by Josef Strauss, younger brother of the famous king of waltz Johann jr., was composed in 1869,while  passing the summer with the Strauss orchestra in Pavlovsk near St. Petersburg, Russia. It was premiered there on 10 September 1869. As a special feature of this piece,  laughing by the musicians is demanded at certain points in the Trio. This is more difficult to execute with a wind band, as wind players can't laugh and play  simultaneously like string players.  The arrangement is kept in the original key of the composition for symphony orchestra. Is was first time performed by Mozarteum Wind Philharmonic Salzburg   conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2015 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria,  repeated on 6 January 2023 by Salzburg Wind Philharmonic and broadcasted both times live by Austrian television. Live recordings of both concerts are available at  https://www.salzburg-windphilharmonic.at/de/wien-trifft-london/ and  https://www.salzburg-windphilharmonic.at/de/freunde-das-leben-ist-lebenswert/ or https://www.jpc.de/jpcng/classic/detail/-/art/freunde-das-leben-ist-lebenswert/hnum/11521748 and  https://www.jpc.de/jpcng/classic/detail/-/art/wien-trifft-london/hnum/10428729?iampartner=303&subid=umr3&ref=partner.jpc.de.

Concert Band - Level 5 - Digital Download SKU: A0.1489668 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 95 pages. Edition Schwalbe #1066540. Published by Edition Schwalbe (A0.1489668). Éljen a Magyar! may be translateted with Long live the Hungarians! and was composed in spirited Hungarian style and premiered on 16 March 1869 in  Budapest by the Strauss orchestra. The arrangement is one whole tone lower than the original key of the composition for symphony orchestra and was  commissioned and first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on  6 January 2016 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria, repeated there on 6 January 2019 and broadcasted live by Austrian  television. A live recording of these concerts are available at  https://www.salzburg-windphilharmonic.at/de/wien-new-york-wiener-gschichten-aus-der-neuen-welt/ or https://www.jpc.de/jpcng/classic/detail/-/art/wien-new-york/hnum/10428731?iampartner=303&subid=umr6&ref=partner.jpc.de https://www.salzburg-windphilharmonic.at/de/klang-der-donaumonarchie/ or https://www.jpc.de/jpcng/classic/detail/-/art/klang-der-donaumonarchie/hnum/10428726?iampartner=303&subid=umr19&ref=partner.jpc.de .