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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).    CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Orchestre d'harmonie

$49.99 43.21 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.  
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie

$47.95 41.45 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie

$47.95 41.45 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie

$47.95 41.45 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017458_PC1 1st Percussion. Composed by William Palange. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017458_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017458_PC1). UPC: 038081517896.In July, 2013, the wreckage of a commercial schooner named Atlas was discovered in Lake Ontario in nearly 300 feet of water just outside the Port of Oswego, NY. The Atlas was carrying a load of limestone meant for the U.S. government harbor in Oswego on the day of its fateful journey in May, 1839. Only two miles from port, a gale-force wind rocked the ship and its heavy load shifted, causing the vessel to sink and all of its crew members to perish. This piece was written to portray the majesty of Lake Ontario as well as the brave sailors, young and old, who navigated her volatile waters. (4:50) This title is available in SmartMusic.Concert/Contest; Festival.
Atlas: 1st Percussion
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017458_M1 Mallets. Composed by William Palange. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017458_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017458_M1). UPC: 038081517896.In July, 2013, the wreckage of a commercial schooner named Atlas was discovered in Lake Ontario in nearly 300 feet of water just outside the Port of Oswego, NY. The Atlas was carrying a load of limestone meant for the U.S. government harbor in Oswego on the day of its fateful journey in May, 1839. Only two miles from port, a gale-force wind rocked the ship and its heavy load shifted, causing the vessel to sink and all of its crew members to perish. This piece was written to portray the majesty of Lake Ontario as well as the brave sailors, young and old, who navigated her volatile waters. (4:50) This title is available in SmartMusic.Concert/Contest; Festival.
Atlas: Mallets
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017458_BTX E-flat Baritone Saxophone. Composed by William Palange. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017458_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017458_BTX). UPC: 038081517896.In July, 2013, the wreckage of a commercial schooner named Atlas was discovered in Lake Ontario in nearly 300 feet of water just outside the Port of Oswego, NY. The Atlas was carrying a load of limestone meant for the U.S. government harbor in Oswego on the day of its fateful journey in May, 1839. Only two miles from port, a gale-force wind rocked the ship and its heavy load shifted, causing the vessel to sink and all of its crew members to perish. This piece was written to portray the majesty of Lake Ontario as well as the brave sailors, young and old, who navigated her volatile waters. (4:50) This title is available in SmartMusic.Concert/Contest; Festival.
Atlas: E-flat Baritone Saxophone
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017458_TMP Timpani. Composed by William Palange. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017458_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017458_TMP). UPC: 038081517896.In July, 2013, the wreckage of a commercial schooner named Atlas was discovered in Lake Ontario in nearly 300 feet of water just outside the Port of Oswego, NY. The Atlas was carrying a load of limestone meant for the U.S. government harbor in Oswego on the day of its fateful journey in May, 1839. Only two miles from port, a gale-force wind rocked the ship and its heavy load shifted, causing the vessel to sink and all of its crew members to perish. This piece was written to portray the majesty of Lake Ontario as well as the brave sailors, young and old, who navigated her volatile waters. (4:50) This title is available in SmartMusic.Concert/Contest; Festival.
Atlas: Timpani
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017458_O1 Oboe. Composed by William Palange. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017458_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017458_O1). UPC: 038081517896.In July, 2013, the wreckage of a commercial schooner named Atlas was discovered in Lake Ontario in nearly 300 feet of water just outside the Port of Oswego, NY. The Atlas was carrying a load of limestone meant for the U.S. government harbor in Oswego on the day of its fateful journey in May, 1839. Only two miles from port, a gale-force wind rocked the ship and its heavy load shifted, causing the vessel to sink and all of its crew members to perish. This piece was written to portray the majesty of Lake Ontario as well as the brave sailors, young and old, who navigated her volatile waters. (4:50) This title is available in SmartMusic.Concert/Contest; Festival.
Atlas: Oboe
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017458_BBC1 Baritone B.C.. Composed by William Palange. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017458_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017458_BBC1). UPC: 038081517896.In July, 2013, the wreckage of a commercial schooner named Atlas was discovered in Lake Ontario in nearly 300 feet of water just outside the Port of Oswego, NY. The Atlas was carrying a load of limestone meant for the U.S. government harbor in Oswego on the day of its fateful journey in May, 1839. Only two miles from port, a gale-force wind rocked the ship and its heavy load shifted, causing the vessel to sink and all of its crew members to perish. This piece was written to portray the majesty of Lake Ontario as well as the brave sailors, young and old, who navigated her volatile waters. (4:50) This title is available in SmartMusic.Concert/Contest; Festival.
Atlas: Baritone B.C.
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017458_TN2 2nd Trombone. Composed by William Palange. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017458_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017458_TN2). UPC: 038081517896.In July, 2013, the wreckage of a commercial schooner named Atlas was discovered in Lake Ontario in nearly 300 feet of water just outside the Port of Oswego, NY. The Atlas was carrying a load of limestone meant for the U.S. government harbor in Oswego on the day of its fateful journey in May, 1839. Only two miles from port, a gale-force wind rocked the ship and its heavy load shifted, causing the vessel to sink and all of its crew members to perish. This piece was written to portray the majesty of Lake Ontario as well as the brave sailors, young and old, who navigated her volatile waters. (4:50) This title is available in SmartMusic.Concert/Contest; Festival.
Atlas: 2nd Trombone
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017458_PC3 3rd Percussion. Composed by William Palange. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017458_PC3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017458_PC3). UPC: 038081517896.In July, 2013, the wreckage of a commercial schooner named Atlas was discovered in Lake Ontario in nearly 300 feet of water just outside the Port of Oswego, NY. The Atlas was carrying a load of limestone meant for the U.S. government harbor in Oswego on the day of its fateful journey in May, 1839. Only two miles from port, a gale-force wind rocked the ship and its heavy load shifted, causing the vessel to sink and all of its crew members to perish. This piece was written to portray the majesty of Lake Ontario as well as the brave sailors, young and old, who navigated her volatile waters. (4:50) This title is available in SmartMusic.Concert/Contest; Festival.
Atlas: 3rd Percussion
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017458_T1 1st B-flat Trumpet. Composed by William Palange. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017458_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017458_T1). UPC: 038081517896.In July, 2013, the wreckage of a commercial schooner named Atlas was discovered in Lake Ontario in nearly 300 feet of water just outside the Port of Oswego, NY. The Atlas was carrying a load of limestone meant for the U.S. government harbor in Oswego on the day of its fateful journey in May, 1839. Only two miles from port, a gale-force wind rocked the ship and its heavy load shifted, causing the vessel to sink and all of its crew members to perish. This piece was written to portray the majesty of Lake Ontario as well as the brave sailors, young and old, who navigated her volatile waters. (4:50) This title is available in SmartMusic.Concert/Contest; Festival.
Atlas: 1st B-flat Trumpet
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017458_H1 1st F Horn. Composed by William Palange. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017458_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017458_H1). UPC: 038081517896.In July, 2013, the wreckage of a commercial schooner named Atlas was discovered in Lake Ontario in nearly 300 feet of water just outside the Port of Oswego, NY. The Atlas was carrying a load of limestone meant for the U.S. government harbor in Oswego on the day of its fateful journey in May, 1839. Only two miles from port, a gale-force wind rocked the ship and its heavy load shifted, causing the vessel to sink and all of its crew members to perish. This piece was written to portray the majesty of Lake Ontario as well as the brave sailors, young and old, who navigated her volatile waters. (4:50) This title is available in SmartMusic.Concert/Contest; Festival.
Atlas: 1st F Horn
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017458_C2 2nd B-flat Clarinet. Composed by William Palange. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017458_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017458_C2). UPC: 038081517896.In July, 2013, the wreckage of a commercial schooner named Atlas was discovered in Lake Ontario in nearly 300 feet of water just outside the Port of Oswego, NY. The Atlas was carrying a load of limestone meant for the U.S. government harbor in Oswego on the day of its fateful journey in May, 1839. Only two miles from port, a gale-force wind rocked the ship and its heavy load shifted, causing the vessel to sink and all of its crew members to perish. This piece was written to portray the majesty of Lake Ontario as well as the brave sailors, young and old, who navigated her volatile waters. (4:50) This title is available in SmartMusic.Concert/Contest; Festival.
Atlas: 2nd B-flat Clarinet
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus


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