Concert Band - Digital Download SKU: A0.733189 Composed by Georges Bizet (1838-1875). Arranged by Martin Tousignant. Contemporary. Score and parts. 65 pages. Ayotte Custom Musical Engravings #4268429. Published by Ayotte Custom Musical Engravings (A0.733189). Bizet - Farandole from L'Arlesienne Suite No. 2 transcribed for Wind Band by Martin Tousignant.

Concert Band - Digital Download SKU: A0.733187 Composed by Georges Bizet (1838-1875). Arranged by Martin Tousignant. Romantic Period. Score and parts. 152 pages. Ayotte Custom Musical Engravings #4268425. Published by Ayotte Custom Musical Engravings (A0.733187). Bizet - Jeux D'Enfants transcribed for Concert Band by Martin Tousignant - Score and Parts.

Concert Band - Level 3 - Digital Download SKU: A0.1232122 Composed by Helmut Kogler. 21st Century,Classical,Contemporary,Instructional,Standards. 91 pages. Pentharmonics #827801. Published by Pentharmonics (A0.1232122). Fanfare & Theme - Grade 2.5 - Duration 2:30 min.This piece was commissioned by one graduating class of the course in ensemble and wind band conducting at the Upper Austrian Music School. The piece is dedicated to the teacher who instructed the class all the 4 years until their graduation.One of the first exercises in the education of a designated conductor is the so called conducting chain, which is a seamless sequence of seven bars with individual lengths of 1 to 7 quarter notes in ascending order. The conducting chain represents one of the basic skills necessary for conducting an ensemble or wind band. For this reason exactly these conducting chain is incorporated in the middle part of the piece.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com

Concert Band - Level 4 - Digital Download SKU: A0.723093 Composed by Joel Jacklich (ASCAP). Folk,Holiday,Patriotic. Score and parts. 67 pages. Joel Jacklich #2163155. Published by Joel Jacklich (A0.723093). Mount Signal is named for Mt. Signal in the Yuha Desert in Imperial County, California, on the border with Mexico. It is the sight I see looking to the southwest over my backyard garden.  Te piece is constructed as a monothematic march with a fife and drum bridge f(AABA) followed by a monothematic trio with bridge (CCDC) containing an homage to Sousa in the the Trio.

Concert Band - Level 3 - Digital Download SKU: A0.1152401 By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Stevie Wonder, and Syreeta Wright. Arranged by Manuel Guinand. Blues,Funk,Hip-Hop,Pop,R & B. Score and parts. 48 pages. Aumaitre Guinand #752626. Published by Aumaitre Guinand (A0.1152401). Arrangement for Vocals, Trumpet, Saxophone, Trombone, Guitar, Keyboards, Bass, Tambourine and Drums of Stevie Wonder's song Sealed, Signed, Delivered. Original key. Ideal for intermediate players.

Concert Band - Level 1 - Digital Download SKU: A0.826513 Composed by Renato Goulart. Contemporary,Instructional,Standards. Score and parts. 23 pages. Renato Goulart #2079847. Published by Renato Goulart (A0.826513). Written specifically to be performed minutes before a concert, Waiting is a soundscape piece that searches interaction between musicians and the public, working musical sections of different textures through the use of groups of random notes. During the performance, all the musicians walk in different places around the public that arrives to watch the concert. The three signals usually used to signal the start of the concert are replaced by small fanfares played by the trumpets which also serve as reference for the beginning of each section of the piece. The conducting part is left to the musicians and the conductor also participates in performance through small interventions in some groups of performers. The piece can be performed by many groups based on wind instruments, it's a great opportunity for young students to have contact with aspects of contemporary music, including practice of improvisation and memorization. Contrabass and percussion are optional. Full Score, Set of Parts and instructions for perfomance. Grade 2  Youtube performance:https://youtu.be/8OnspF58XCI

Concert Band - Level 3 - Digital Download SKU: A0.1248560 Composed by Sawyer Isherwood. Contemporary. Score and Parts. 123 pages. Sawyer Isherwood #843049. Published by Sawyer Isherwood (A0.1248560). Tempest's Approach is a captivating wind ensemble composition that takes listeners on a dramatic journey through the atmospheric turmoil of a storm. The piece masterfully captures the essence of a tempest, skillfully utilizing a range of instruments and musical techniques to create a vivid sonic portrayal.The composition begins with a slow and tranquil section, symbolizing the calm before the storm. A poignant French horn solo emerges, drawing the audience into a serene soundscape. Meanwhile, other instruments subtly mimic the gentle patter of raindrops and the haunting whispers of the wind, creating an immersive atmosphere.As the tension builds, a duet between the euphonium and tuba ensues, serving as a transitional bridge into the impending storm. Dissonant brass chords punctuate the composition, mirroring the initial signs of lightning piercing through the darkness. The baritone saxophone then takes center stage, its haunting solo representing the gradual approach of the storm, with each note evoking a sense of anticipation.In a climactic turn, the percussion section bursts forth, meticulously replicating the tumultuous sounds of a raging storm. Thunderous rolls, crashing cymbals, and cascading snare drum patterns immerse the listeners in the chaotic energy of the tempest. The woodwinds join in with swirling sixteenth notes and trills, amplifying the sense of swirling winds and torrential rain.A shift to cut time signals a momentary respite, symbolizing the storm's brief slowdown. However, the tranquility is short-lived, as the composition quickly accelerates, portraying the intensification of the tempest. The ensemble conjures a maelstrom of sound, mimicking the violent peak of the storm with powerful rhythms and dynamic swells.Finally, as the storm gradually subsides, an alto saxophone takes up the melody once delivered by the French horn. Its somber solo, reminiscent of the opening, serves as a reflective moment, encapsulating the aftermath of the tumultuous weather. The composition draws to a close with a sense of calm resolution, leaving the audience in awe of the storm's raw power and beauty.Tempest's Approach is a captivating and dynamic wind ensemble composition that skillfully combines melodic storytelling, atmospheric effects, and powerful instrumentation to create a sonic narrative that brings the audience into the heart of a storm.

Concert Band - Level 2 - Digital Download SKU: A0.1492465 Composed by Christina Rossetti and Rebecca Dale. Arranged by John Ivor Holland. 21st Century,Christmas,Holiday,Religious,Sacred. 45 pages. John Ivor Holland #1069142. Published by John Ivor Holland (A0.1492465). British composer Rebecca Dale has emerged from film and television work with music that has found great success on the crossover-oriented Classic FM radio network. She became the first female composer signed to the Decca label, which rarely signs composers of any gender. Dale was born in 1985 and took to composing at a young age, by the time she was ten she had written a musical, and by 15 a piano concerto. Her vocal music has been performed across Europe and the US by groups such as Voces 8 and The Kings Singers. This new setting of Christina Rosetti's poem 'In The Bleak Midwinter' was composed in 2021 and released as a Christmas single by the Church of England - it reached number one in the classical chart and is now available for full concert band, featuring beautiful solo passages throughout and contemporary harmonies to bring something new to your usual holiday concert. Arranged as part of an ongoing project to bring more music by women composers into the worldwide concert band repertoire.

Concert band - Grade 4 - Digital Download SKU: IZ.CBS173 Composed by Arthur J. Michaels. Pathways Series. Score and Parts. 71 pages. Duration 3'45. Imagine Music - Digital #CBS173. Published by Imagine Music - Digital (IZ.CBS173). 9 x 12 in inches.Escapade in Swing is a Grade 4 concert band piece with a duration of about 3:45. Jazz swing style began in the United States in the 1930s. It was America's favorite popular music form from about 1935 to 1945. This piece is a tribute to that style. Escapade in Swing begins in a moderate, laid-back feel with an ample sprinkling of cool. The piece then changes to a much faster Lively, Driving Swing tempo. A four-measure transition separates the coolness of the first part from the heat of the second part.The second part includes 2-measure written solos for clarinet, alto saxophone, tenor saxophone, and euphonium. Some of these solos are cued in other instruments. Directors can use discretion in assigning the solos: Solo passages can be played as written or ad-libbed, and each written solo can be assigned as a section soli.Escapade in Swing provides ample opportunities to teach lessons in jazz style, jazz notation and techniques, maintaining a steady tempo, intonation, soli and ensemble playing, and improvisation. Be sure to begin and maintain (don't rush!) the initial tempo of M.M.=108. Establishing this tempo best ensures pleasing contrast with the faster section, beginning at measure 32.This exciting piece makes an excellent concert closer, and it will be well-received by toe-tapping players and by toetapping audiences.Relight this piece's sizzle with an encore! Strike up a searing finish by taking it from measure 78 with the repeat!

Concert band - Grade 4 - Digital Download SKU: IZ.CBS173-S Composed by Arthur J. Michaels. Pathways Series. Score. 15 pages. Imagine Music - Digital #CBS173-S. Published by Imagine Music - Digital (IZ.CBS173-S). 9 x 12 in inches.Escapade in Swing is a Grade 4 concert band piece with a duration of about 3:45. Jazz swing style began in the United States in the 1930s. It was America's favorite popular music form from about 1935 to 1945. This piece is a tribute to that style. Escapade in Swing begins in a moderate, laid-back feel with an ample sprinkling of cool. The piece then changes to a much faster Lively, Driving Swing tempo. A four-measure transition separates the coolness of the first part from the heat of the second part.The second part includes 2-measure written solos for clarinet, alto saxophone, tenor saxophone, and euphonium. Some of these solos are cued in other instruments. Directors can use discretion in assigning the solos: Solo passages can be played as written or ad-libbed, and each written solo can be assigned as a section soli.Escapade in Swing provides ample opportunities to teach lessons in jazz style, jazz notation and techniques, maintaining a steady tempo, intonation, soli and ensemble playing, and improvisation. Be sure to begin and maintain (don't rush!) the initial tempo of M.M.=108. Establishing this tempo best ensures pleasing contrast with the faster section, beginning at measure 32.This exciting piece makes an excellent concert closer, and it will be well-received by toe-tapping players and by toetapping audiences.Relight this piece's sizzle with an encore! Strike up a searing finish by taking it from measure 78 with the repeat!

Concert Band - Level 1 - Digital Download SKU: A0.819980 Composed by Kathy Hirche. Contemporary,Standards. Score and parts. 54 pages. Kathy Hirche #3676065. Published by Kathy Hirche (A0.819980). These three pieces (The Procession, Waltzing in the Rain and Tim's Dance) are presented here as a suite, but may of course be used individually. The instrumentation is flexible, allowing for various combinations of instruments, including Clarinet Quartet/Quintet/Ensemble, Saxophone Quartet/Quintet/Ensemble and Brass Quartet/Quintet/Ensemble. All Clarinet and Bass Clarinet parts are below the break and all notes for all parts are kept within a comfortable range for Elementary Level performers. The melody is shared between Parts 1, 2, 3 and 4, so that all players of these parts have important parts! The score is shown in concert pitch. Octave displacement occurs in some parts. Part 5 is Optional. Rhythmic values used: semibreve (whole note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter-note), quavers (eighth-notes). Articulations/signs used: staccato, accent, slur, tie, repeat and pause. All three pieces are in Bb major (concert pitch), with no use of accidentals.  Parts in this set: Part 1 (Flute, Oboe, Clarinet, Alto Sax, Trumpet); Part 2 (Clarinet, Alto Sax, Trumpet); Part 3 (Clarinet, Tenor Sax, F Horn); Part 4 (Bassoon, Bass Clarinet, Baritone Sax, Trombone/Euphonium); Part 5 (Clarinet / Bass Clarinet, Tenor Saxophone, F Horn, Tuba); Glockenspiel; Cymbal & Triangle (Player 1) and Tambourine (Player 2); Snare Drum and Bass Drum. Less confident and/or early beginner players could also be included in the ensemble by using Part 5, as this part can be played using only the notes Bb and F (concert pitch).  ISMN 979-0-9009761-2-3  kathysprintmusic.com.    Suite corta/ conjunto de 4/5 partes de vientos y/o metales con percusión opcional. Instrumentacion flexible.  Estas tres piezas  (La Procesión, Vals en la LLuvia y EL Baile de Tim)  están presentes como una suite, pero se pueden usar individualmente. La instrumentacion es flexible, permitiendo asi varias combinaciones de instrumentos, incluyendo un cuarteto/quinteto/conjunto de clarinete, cuarteto/quinteto/conjunto de saxofón, cuarteto/quinteto/conjunto de metales. todas las partes de  clarinete y clarinete metálico están por debajo del descanso y todas las notas para cada parte están mantenidas dentro de un rango confortable para ejecutantes de Nivel Elemental. La melodía se comparte entre las partes 1, 2, 3 y 4 de tal manera que todos los músicos tengan una parte importante. La partitura esta en tono de concierto.Hay algunas partes con desplazamiento de octavas. La parte 5 es opcional. Los valores rítmicos usados son;  semibreve (entera), media con punto, media, cuarto de nota, octavos. Los octavos aparecen en grupos de 2 o de 4. Las articulaciones/signos usados son: staccato, acento, ligaduras, Calderón, repetición, pausa.  Las tres piezas están en Bb mayor (tono concierto) sin uso de accidentales. Partes en este set : Parte I; falta, oboe, clarinete, alto sax, trompeta; Parte II: clarinete, alto sax, trompeta; Parte III: clarinete, saxofón tenor, corno francés; Parte IV: fagot, clarinete bajo, saxofón barítono, trombón/eufonio; Parte V: clarinete/clarinete bajo, saxofón tenor, corno frances, tuba, glockenspiel, triangulo y címbalo (persona1), pandereta (persona 2), caja, bombo.  Aquellos músicos que son principiantes o les falta confianza para tocar, tambien pueden ser incluidos en este ensamble usando la parte 5, ya que esta parte se puede usar solo tocando las notas Bb y F (en tono de concierto).

Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).    CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!

Concert Band - Level 4 - Digital Download SKU: A0.1272959 By Signe Crawford. By Signe Crawford. Arranged by Signe Crawford. Classical,Contemporary,Contest,Festival. Score and Parts. 81 pages. Signe Crawford #865145. Published by Signe Crawford (A0.1272959). Instrumental parts only.  Due to the size of the file, the score and the instrumental parts are being sold separately.  Faia is a suite for concert band in three movements; Fire, The Primordial Ooze, and Gaia.  It's written to take the listener on a journey through Creation, from the fire, through evolution, and finally to peace, as Gaia creates order from chaos.

Concert Band - Level 4 - Digital Download SKU: A0.1272954 By Signe Crawford. By Signe Crawford. Arranged by Signe Crawford. 19th Century,Classical,Contemporary,Contest,Festival. Score and Parts. 32 pages. Signe Crawford #865132. Published by Signe Crawford (A0.1272954). Score only.  Faia is a 13 minute suite for concert band, depicting The Creation as seen through the eyes of the Greeks, whose goddess of creation was Gaia.  The movements are Fire, The Primordial Ooze, and Gaia.  Due to the size of the file, the score had to be separated from the instrumental parts.

Concert Band - Level 3 - Digital Download SKU: A0.1274563 By New Order. By Bernard Sumner, Gillian Gilbert, Peter Hook, Stephen Hague, and Stephen Morris. Arranged by John Ivor Holland. 20th Century,Pop,Rock. Score and Parts. 57 pages. John Ivor Holland #866704. Published by John Ivor Holland (A0.1274563). One of the most popular New Order songs, this bass-thumping classic reached number 4 in the UK and 32 in the US Top 100 upon its original release in 1987 (it was subsequently remixed in 1994). The single was accompanied by a surreal music video by French director Philippe Decouflé, featuring men slapping each other, clownish costumes and a person in dark make-up emerging from an upside-down boxer's bag signing the lyrics in LSF (French sign language). This arrangement includes a quieter section in the middle before launching into a key change and powerful ending - sure to be a crowd-pleaser!