Concert Band - Level 3 - Digital Download SKU: A0.1423779 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Simone Orsini. 21st Century,Pop. 79 pages. Simone Orsini #1005018. Published by Simone Orsini (A0.1423779). A SKY FULL OF STARS performed by ColdplayFor Concert Band - Performance Time 4:02 - Digital DownloadComposed by T. Bergling, J. Buckland, W. Champion, C. Martin,G. BerrymanArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion (Tamb., Shaker), El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.A Sky Full of Stars is a song by the British rock band Coldplay. It was released in May 2014 as the second single from their sixth album, Ghost Stories (2014). An exclusive digital EP version of it, with the B-sides All Your Friends, Ghost Story and O (Reprise), came out in the following weeks, being considered the band's eleventh extended play.The band co-wrote and co-produced the song with Avicii and received production assistance from Paul Epworth, Daniel Green and Rik Simpson. It was recorded at the Bakery and the Beehive in North London, England. Upon its release, A Sky Full of Stars garnered mostly positive reviews from music critics and charted inside the top 10 in over 16 countries such as Australia, Canada, Ireland, Japan, Mexico, New Zealand, the United Kingdom and United States.A music video for the song was directed by Mat Whitecross and was released on 19 June 2014. The single peaked at number one in Italy, Israel, Luxembourg, Portugal, Lebanon, and the Walloon region of Belgium. It also topped the Billboard Hot Dance Club Songs chart. It was nominated for Best Pop Duo/Group Performance at the 57th Grammy Awards.

Concert Band - Level 3 - Digital Download SKU: A0.1438260 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Simone Orsini. 21st Century,Pop. 87 pages. Simone Orsini #1018311. Published by Simone Orsini (A0.1438260). DANCE THE NIGHT performed by Duo LipaFor Concert Band - Performance Time 4:02 - Digital DownloadComposed By Mark Ronson, Andrew Wyatt Blakemore, Dua Lipa, Caroline AilinArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion 1 (Tamb., Shaker), Percussion 2 (Wind Chimes, Hand Clap), El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.Dance the Night is a song by English-Albanian singer Dua Lipa from Barbie the Album, the soundtrack of the film Barbie (2023). Lipa and Caroline Ailin wrote it with its producers Andrew Wyatt and Mark Ronson, and the Picard Brothers also contributed production. Atlantic and Warner Records released it as the soundtrack's lead single on 25 May 2023. A pop and disco song that features cello, violin, viola, guitar and bass in its instrumentation, Dance the Night is about dancing throughout the night despite enduring sadness. Its release was accompanied by a music video, which features a cameo appearance of Barbie writer and director Greta Gerwig. Dua Lipa performed Dance the Night at the 66th Grammy Awards.Dance the Night reached number one on the UK Singles Chart, becoming Dua Lipa's fourth number-one single in the country. In the United States, the song peaked at number six on the Billboard Hot 100, becoming the singer's fifth top-ten single in the country. Elsewhere, Dance the Night reached number-one in Ireland, Belgium, Bulgaria, Croatia, Israel, Luxembourg, and the Commonwealth of Independent States, while it peaked within the top-ten in Australia, Austria, Canada, Denmark, France, Germany, the Netherlands, New Zealand, and Switzerland. The song also peaked at number three on the Billboard Global 200. It was nominated for Song of the Year and Best Song Written for Visual Media at the 66th Annual Grammy Awards and for Best Original Song at the 81st Golden Globe Awards.

Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation� is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.� Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.