Concert Band - Level 2 - Digital Download SKU: A0.1517374 Composed by Ludwig van Beethoven. Arranged by Lorenzo Bocci. Classical,March,Patriotic,Traditional. 36 pages. Lorenzo Bocci #1091512. Published by Lorenzo Bocci (A0.1517374). ODE TO JOY - From Symphony no. 9for Concert Band - Grade 3 - Digital Download Composed by Ludwig Van Beethoven. Arranged by Lorenzo Bocci. March/Patriotic/Traditonal/Hymn. Concert Band - Blasorchester - Harmonie. Score A4 (21 x 29,7 cm) and card size parts A5 (19,5 x 14,2 cm). Duration 2'12''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute (Piccolo), Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, F Horn 1, 2, Trombone 1, 2, Euphonium, Bass, Glockenspiel, Snare Drum, Cymbals, Bass Drum.Additional Parts:Bb Soprano Saxophone, Eb Cornet, Bb Flugelhorn 1, 2, Eb Horn 1, 2, Bb Trombone 1, 2 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.The melody used to represent the EU is taken from the Ninth Symphony, composed in 1823 by Ludwig van Beethoven, who set to music the Ode to Joy, written by Friedrich von Schiller in 1785. The anthem symbolises not only the European Union, but also Europe in general. The Ode to Joy expresses Schiller's idealistic vision of the development of brotherhood among men, a vision shared by Beethoven. In 1972, the Council of Europe adopted the theme of Beethoven's Ode to Joy as its anthem. In 1985, it was adopted by the heads of state and government of the member countries as the official anthem of the European Union. The anthem has no lyrics and consists only of music. In the universal language of music, this anthem expresses the ideals of freedom, peace and solidarity that Europe pursues.The European anthem is not intended to replace the national anthems of the member countries, but rather to celebrate the values ??they share. The anthem is performed at official ceremonies involving the European Union and in general at all types of events of a European nature.Subscribe to my YouTube Channel to stay updated on new releases.

Concert Band - Level 5 - Digital Download SKU: A0.1248981 Composed by Josh Trentadue. 21st Century,Contemporary,Halloween. Score and Parts. 869 pages. T.U.X. People's Music #843454. Published by T.U.X. People's Music (A0.1248981). Composer Josh Trentadue's Gothic-inspired second symphony tackles the pumpkin spice season in this love letter to the genre of horror fiction. This Halloween-themed work expertly crafts an epic narrative featuring a classic horror monster (pick any one you like!), their murderous quest for pumpkin spice, and the ensuing chaotic hunt for the monster which follows.

Concert Band - Level 5 - Digital Download SKU: A0.1249026 Composed by Antonin Dvorak. Arranged by Bradley S. Hartman. 19th Century,Contest,Festival,Romantic Period,Standards. Score and Parts. 215 pages. T.U.X. People's Music #843500. Published by T.U.X. People's Music (A0.1249026). The struggle between major and minor keys in the first movement of Dvořák's Symphony No. 8 is now brilliantly adapted for wind ensemble by Bradley S. Hartman! Bring your ensemble and audiences an important historical work that's perfect to open or close any concert!

Concert Band - Level 4 - Digital Download SKU: A0.1276064 Composed by Pyotr Tchaikovsky (1840-1893). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 410 pages. Kasama Music Corporation #867819. Published by Kasama Music Corporation (A0.1276064). [This Publication is in letter size (8/5 x 11). A4 size is also available.]The Second Symphony in C minor, Op. 17 by Pyotr Tchaikovsky (1840-1893) is widely known as the “Little Russian� because some Ukrainian folk songs are used in the symphony. The first theme of the finale is the Ukrainian folk song “The Crane� which dominates the movement.This transcription is for concert band with full score (pp. 1–61), piccolo–percussion (pp. 63–301), and transposed parts (pp. 302–410).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.

Composed by Chevalier de Saint-Georges (1745-1799). Arranged by Daniel Bukin. Classical, Contest, Festival, Instructional, Standards. Score and parts. 60 pages. T.U.X. People's Music #655099. Published by T.U.X. People's Music

Composed by Chevalier de Saint-Georges (1745-1799). Arranged by Daniel Bukin. Classical, Contest, Festival, Instructional, Standards. Score and parts. 65 pages. T.U.X. People\'s Music #655114. Published by T.U.X. People\'s Music

Concert Band - Level 4 - Digital Download SKU: A0.1276066 Composed by Pyotr Tchaikovsky (1840-1893). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 410 pages. Kasama Music Corporation #867823. Published by Kasama Music Corporation (A0.1276066). [This Publication is in A4 size. Letter size (8/5 x 11) is also available.]The Second Symphony in C minor, Op. 17 by Pyotr Tchaikovsky (1840-1893) is widely known as the “Little Russian� because some Ukrainian folk songs are used in the symphony. The first theme of the finale is the Ukrainian folk song “The Crane� which dominates the movement.This transcription is for concert band with full score (pp. 1–61), piccolo–percussion (pp. 63–301), and transposed parts (pp. 302–410).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.

Concert Band - Beginning - Digital Download SKU: B0.PDF-BAND-FRA-289 Composed by Jerry Frazier. Multicultural. Score and Parts. 26 pages. PDF Band Music #PDF-BAND-FRA-289. Published by PDF Band Music (B0.PDF-BAND-FRA-289). 8.5 x 11 inches.When your students are ready to graduate to music not in the method books, A Symphony in Six Notes will fill your needs. Geared for a very beginning group the piece literally is in no more than six pitches for each instrument.  Some repeated eighth notes are included and a bit of independent counting is needed.  Students will enjoy the sounds when they master the piece. .

Concert Band - Level 5 - Digital Download SKU: A0.1183110 Composed by Gabrielle Liriano. Classical,Contemporary. Score and parts. 100 pages. Art Haus Music Publishing #782832. Published by Art Haus Music Publishing (A0.1183110). This piece is about the messy path to growth and to becoming a new version of you. It’s about what it means to let go of everything you thought you knew, having it nearly destroy you and your identity before picking up the parts of a shattered, ripped up puzzle and putting something new and more beautiful together. This piece is about growing up and changing. It’s about having dared greatly with ones dreams, going into the jungle, and coming out the other side happy and safe and having proved that one is capable and able to take on the heavy obstacles of life.Instrumentation: Piccolo, Flute 1, Flute 2, Oboe, Bassoon, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Barirone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Trombone 1, Trombone 2, Euphonium, Tuba, Glockenspiel, Percussion: Cymbal, Snare, Bass DrumFormat: Transposed Score in Tabloid (11'' x 17'')Duration: Approx. 6 minutes & 50 seconds.

Concert Band - Level 3 - Digital Download SKU: A0.1432027 Composed by Maxim Berezovsky. Arranged by Cindy Hill and Josh Trentadue. Classical,Contest,Festival. 56 pages. T.U.X. People's Music #1012507. Published by T.U.X. People's Music (A0.1432027). Engaging material for all players in your ensemble makes this well-crafted arrangement an excellent addition for any concert and contest program!

Concert Band - Level 3 - Digital Download SKU: A0.1431969 Composed by Maxim Berezovsky. Arranged by Cindy Hill. Classical,Contest,Festival. 64 pages. T.U.X. People's Music #1012447. Published by T.U.X. People's Music (A0.1431969). Engaging material for all players in your ensemble makes this well-crafted arrangement an excellent addition for any concert and contest program!

Concert Band Concert Band - intermediate - Digital Download SKU: AQ.AMC-WB-030SSC Composed by Kenneth Amis. Music of Black Composers and Artists. Concert Band, optional SATB Choir, optional organ. Study score. 18 pages. Duration 5 minutes. Amis Musical Circle - Digital #AMC-WB-030SSC. Published by Amis Musical Circle - Digital (AQ.AMC-WB-030SSC). 8.5 x 11 inches.Originally written for a wedding celebration, this singable tune has been used for many different festive occasions. Optional an organ and SATB choir to include even more performers. Recorded by the Empire Brass Quintet and performed by groups such as the Detroit Symphony Orchestra, the Forth Worth Symphony Orchestra and the Shanghai Symphony Orchestra.

Wind ensemble/concert band - Digital Download SKU: IZ.CBW209 Composed by Daniel Baldwin. Score and Parts. 157 pages. Imagine Music - Digital #CBW209. Published by Imagine Music - Digital (IZ.CBW209). 9 x 12 in inches.In the fall of 2013, I was approached by Tyler Goodrich White of the Lincoln Symphony who had heard of my interest in composing a holiday piece featuring the surrounding area's Suzuki students, and he gave me the green light with just a couple of stipulations: one, it had to feature the tunes from the Suzuki book, and also needed to be presented in the same order and in the same keys; and two, it needed to be interesting for the audience and the orchestra.The piece began with those sketches of Suzuki tunes. Interspersed were my original orchestral interludes, what I intended to be a combination of beautiful, dramatic, and playful, with hints of recognizable Christmas tunes woven into the background. Festive Expressions was the resulting composition, which can be performed with or without Suzuki Soloists. It was premiered by Lincoln's Symphony Orchestra on December 7, 2013 with Tyler Goodrich White conducting over 100 Suzuki Soloists on stage.The Wind Ensemble arrangement, Satana Autumn, was created for Fred J. Allen and the Stephen F. Austin State University Wind Ensemble; it was intended as a gift in response to a wonderful piece he wrote for me when I was a public school teacher.

Wind ensemble/concert band - Digital Download SKU: IZ.CBW209-S Composed by Daniel Baldwin. Score. 49 pages. Imagine Music - Digital #CBW209-S. Published by Imagine Music - Digital (IZ.CBW209-S). 9 x 12 in inches.In the fall of 2013, I was approached by Tyler Goodrich White of the Lincoln Symphony who had heard of my interest in composing a holiday piece featuring the surrounding area's Suzuki students, and he gave me the green light with just a couple of stipulations: one, it had to feature the tunes from the Suzuki book, and also needed to be presented in the same order and in the same keys; and two, it needed to be interesting for the audience and the orchestra.The piece began with those sketches of Suzuki tunes. Interspersed were my original orchestral interludes, what I intended to be a combination of beautiful, dramatic, and playful, with hints of recognizable Christmas tunes woven into the background. Festive Expressions was the resulting composition, which can be performed with or without Suzuki Soloists. It was premiered by Lincoln's Symphony Orchestra on December 7, 2013 with Tyler Goodrich White conducting over 100 Suzuki Soloists on stage.The Wind Ensemble arrangement, Satana Autumn, was created for Fred J. Allen and the Stephen F. Austin State University Wind Ensemble; it was intended as a gift in response to a wonderful piece he wrote for me when I was a public school teacher.

Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.