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Concert Band - Level 3 - Digital Download SKU: A0.1091257 Composed by Allen Story, Anna Gordy Gaye, and George Gordy. Arranged by Ryan Putt. Christmas,Contemporary,Holiday. Score and parts. 50 pages. Brasswood Publishing, LLC #695423. Published by Brasswood Publishing, LLC (A0.1091257). What Christmas Means to Me is a fun, up-tempo R&B groove. This classic Christmas tune was famously performed by Stevie Wonder. This arrangement was inspired by the John Legend cover and the original. It features a soloistic Vibes part that will showcase your best mallet player. The alto sax is showcased with the melody throughout most of the chart. No matter the size of your group, this Christmas classic is sure to delight an audience of any age. Written for a full wind ensemble, this chart is at home in any venue. Many of the parts are single parts, and the doubling is done to facilitate performance by any number of differing instrumentations. The opening build is marked in the tuba part to add players every 4 bars. It is recommended that the tuba part be split across the section to allow individual players to get a rest. There is an optional bass part to supplement the tuba, bari sax, and bass clarinet if one is available. The optional bass clef marimba part also doubles the bass line throughout.
What Christmas Means To Me
Orchestre d'harmonie

$55.00 51.43 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
Orchestre d'harmonie

$29.99 28.04 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.786848 Composed by Antonio Vivaldi, William S. Hays. Arranged by Beka Wilson. Baroque,Christian,Sacred. Score and parts. 44 pages. Beka Wilson #6624827. Published by Beka Wilson (A0.786848). A cheerful, uplifting arrangement of an old favorite in the setting of Vivaldi's Spring from The Seasons. This flex piece is perfect for a smaller ensemble or orchestra, or one with an untraditional assortment of instruments. It could be played as written in cut time or in 4/4 for a slightly slower pace.Time: Approximately 3 minutes (at 80 bpm cut time)Level: 3.5 Includes score and parts (flute, oboe, clarinet, bassoon, alto/tenor saxophone, trumpet, horn, trombone, mallet percussion, violin, and cello). If there is an instrument you’d like parts for that isn’t included, feel free to contact me at bekmars10@gmail.com so I can get a custom arrangement put up on Sheet Music Plus for you.
The Lily of the Valley--flex band/orchestra
Orchestre d'harmonie

$40.00 37.4 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
Concerto for Concert Band (2011) full score
Orchestre d'harmonie

$9.99 9.34 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1025077 Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric Noble (A0.1025077). Over the past few years I have become obsessed with Norse Mythology, and I mean real Norse Mythology. I say that withquotes because in my research I realized that a lot of people tell different stories. This is mainly because back when Christianity was growing,the Christians saw anything that wasn't Christian as pagan, so they got rid of it all. So that is why Greek, Roman, and Norse religions faded into mythologies, and all that was left was passed around in folk tales. And also because Marvel tells a very different tale of the mythology than the research I have collected and I want people to know these stories. Now moving passed the history lesson and into the music. This is interesting for me because this is the biggest original piece that I've ever made. This is going to be a multimovement piece, and this is the 1st movement, Ginnungagap, the endless void. This movement describes The Void, and the two lands of Fire(Muspelheim) and Ice(Niflhiem).Starting with The Void, it describes the blackness, and I use the absence of instruments to give this feeling, but however to give2 of the other themes to foreshadow it.  It moves into this wild cascading theme for the Niflheim theme to describe the cold cascading environment of the world.After that it slows into a dark and ominous theme for Muspelheim(Surtr's Destiny). This was an interesting part to make because in mythology, Surtr, also referred to as Surt,  is the fabled fire giant who destroys Asgard. No one knows where hecomes from, but from the moment of his creation, he knew of his destiny to destroy Asgard so he spent all of his time forging his sword to burrow into Asgard.  I used a break drum to symbolize a hammer hitting an anvil to forge a sword, a lingering sound of Surtr's destiny.After this, I brought both themes together to resemble The Clash of the two worlds to create the Norse universe.The final theme in this first movement is entitled I am Ymir. In myhtology, Ymir is the father of everything. Created from the clash, he gave creation to all the gods, humans, giants, elves, and dwarves. This final theme takes Surtr's theme and flipsit to be mo.
Nordic Movement 1: Ginnungagap
Orchestre d'harmonie

$24.99 23.37 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.866212 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary. Score and parts. 29 pages. Jeffrey Ouper #2896541. Published by Jeffrey Ouper (A0.866212). NOTE: This is the conductor's score only.  It is legal size.  The instrumental parts for the piece are a separate download.This version of Winter's Breath is scored for Symphonic Band and solo voice.  It will make a great addition to your next holiday concert.  The duration of the song is about 6 minutes.  About the song:Winter’s Breath is an original Christmas song (original music and lyrics) composed in 2014. The lyrics embrace both a secular and religious message of peace, love, and hope inspired by the beauty of winter snow.  I really wanted to write a more profound Christmas song with an important message embracing a modern view of Christmas since so many songs are commercialized or limited in meaning.Having lived in the Arizona desert since 2007, snow has become a novelty to me, and I was inspired by its beauty and the memories I had of winter growing up in northern Illinois.  The chorus that repeats throughout the song presents an irony of winter warming the soul.  I found this to be both interesting and also meaningful in that I was describing my new viewpoint of winter snow (seeing more beauty in it than before) and presenting a metaphor for life-one that encourages the listener to see the beauty in something that most northerners despise. The first verse begins with sensory perceptions including seeing, hearing, touching, and smelling various natural qualities of winter.  The second verse describes the joy of children playing in the snow and their belief in winter stories.  The third verse is directed at worrying adults with a message of hope for the future.  The bridge encourages the listener to look past the negativity and differences in other people and look towards Christmas and the new year for a hope renewed.  The final verse concludes with the traditional religious view of Christmas tradition. 
Winter's Breath (Symphonic Band & Solo Voice)
Orchestre d'harmonie

$39.95 37.36 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.504018 By The Association. By Ruthann Friedman. Arranged by John R. Daniels. Pop,Rock. Score and parts. 35 pages. John R. Daniels #115992. Published by John R. Daniels (A0.504018). This arrangement of Windy is simple and fun, just like the girl described in the song. It opens with a tuba and woodblock duet and then skips along happily through a couple meter changes and ends delightfully in two parts. In some ways, this is a relatively simple song. In other ways, it’s tricky. At one place, the melody is tossed around, being played by most instruments within 8 measures. Then, it morphs into 6/8 time for just a few delightful measures before going back to 4/4 for the grand wind-up. IMPORTANT NOTE: The Cover Pages and Conductor's Score are 8.5 x 14. They will need to be printed on appropriate sized paper. IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.
Windy
Orchestre d'harmonie
The Association
$49.99 46.75 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.918659 Composed by Clive Longhurst. Arranged by Clive Longhurst. World. Score and parts. 62 pages. Clive Longhurst #5296421. Published by Clive Longhurst (A0.918659). I hope I have captured the journey, from Scottish mainland to the Isle of Skye, by the young Bonny Prince Charles. This piece can be played along side the brass band arrangement I already have on this site.If you purchase this, and require different instrumental parts, please contact me via e-mail: stickwaver1@gmail.com, and I will gladly supply it FOC.My usual apologies for the quality of the audio file. This is work in progress to find a more suitable (preferably free) version.
The Skye Boat Song (for Concert Band)
Orchestre d'harmonie

$15.00 14.03 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
Rhythms of the Spirit
Orchestre d'harmonie

$140.00 130.91 € Orchestre d'harmonie PDF SheetMusicPlus






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