EUROPE
418 articles
USA
0 articles
DIGITAL
117 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
117 partitions trouvées

1 16 31 ....106

Concert Band - Level 4 - Digital Download

SKU: A0.891956

Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).

   CLARINET CONCERT CONCERTINO FOR WIND BAND

I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you!

It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bands
in London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions.

The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s.

When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time!

But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames!

The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now.

About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere.

As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members.

Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc.

Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores.

After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless.

It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar!

I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams.

Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it!

Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!!

This would be an ideal addition to the band repertoire for Clarinet!

"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Orchestre d'harmonie

$49.99 48.01 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.1116337

Composed by Nathaniel Hontz and William Billings. Arranged by Nathaniel Hontz. Christian,Classical,Early Music,Folk,Sacred. Score and Parts. 33 pages. TigerSong LLC #717791. Published by TigerSong LLC (A0.1116337).

William Billings's early American hymn Africa adapted for wind ensemble. It opens with a grand processional in 3/4 stating an original melody. It then moves to a minor inversion of Billings's melody, before resolving to the Africa as a trio between euphonium, trombone, and cornet. It then blossoms into a brass choir before ending with a grand march, in which the processional melody and Africa are played together. An easy piece that sounds great!

Africa (Now Shall My Inward Joys Arise)
Orchestre d'harmonie

$29.99 28.8 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.1008264

Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264).

Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.

After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.

Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion

1917: The Halifax Disaster
Orchestre d'harmonie

$22.99 22.08 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.1502563

By Black Sabbath. By Frank Iommi, John Osbourne, Terence Butler, and William Ward. Arranged by Lorenzo Bocci. Film/TV,Rock. 123 pages. Lorenzo Bocci #1078316. Published by Lorenzo Bocci (A0.1502563).

IRON MAN - Black Sabbath
for Concert Band - Grade 3 - Digital Download -
More Superheroes Music

Composed by John Osbourne, Terence Butler, Frank Iommi, William Ward. Arranged by Lorenzo Bocci. Film/TV/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 5'10''. Published by Lorenzo Bocci.

Instrumentation:
Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Electric Guitar, Keyboard.

Additional Parts:
Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.

Iron Man is a song by English rock band Black Sabbath, released in 1970 from the band's second studio album, Paranoid, and as a single in the US in October 1971. Iron Man was used in the end credits of Iron Man (2008), as well in its video game adaptation and the trailer for the 2010 sequel, Iron Man 2. Iron Man is a 2008 American superhero film based on the Marvel Comics character of the same name. Produced by Marvel Studios and distributed by Paramount Pictures, it is the first film in the Marvel Cinematic Universe (MCU). Directed by Jon Favreau, the film stars Robert Downey Jr. as Tony Stark/Iron Man

Subscribe to my YouTube Channel to stay updated on new releases.

Iron Man Orchestre d'harmonie
Black Sabbath
$89.00 85.48 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.1432706

Composed by Ward Higgs. Arranged by Marcus Martin. 20th Century,March,Patriotic. 34 pages. Cornelius Edition (uk) #1013130. Published by Cornelius Edition (uk) (A0.1432706).

William Ward-Higgs  1866 –  1936 was an English lawyer and songwriter who wrote Sussex by the Sea: The unofficial anthem of that county, a regimental march of the Royal Sussex Regiment, and the official song of Brighton & Hove Albion F.C.

From 1902–08, he lived at Hollywood House in Bersted, West Sussex and wrote Sussex by the Sea when his favourite sister-in-law became engaged to Captain Waithman of the 2nd Battalion, Royal Sussex Regiment.  

This version for Concert Band is in the lower key of Bb which corresponds to the key used in Military Band performances.

Sussex by the sea for Concert Band
Orchestre d'harmonie

$29.99 28.8 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.987647

Composed by Joel P. Corin. Arranged by Philip Orem. 20th Century,Holiday,Patriotic. Score and parts. 13 pages. Freedom Band Press #48457. Published by Freedom Band Press (A0.987647).

The San Fran Pan American March was written in 1913 to celebrate and promote San Francisco’s winning bid to host the 1915 world’s fair. The City was selected in 1911 over chief rival New Orleans by proclamation of President William Howard Taft. On December 12, 1913 the Victor Band recorded the march for the recording company of the same name. Corin was 26 years old when he penned this march and had already established himself as a concert pianist and composer with several musicals and orchestra recordings to his credit.

San Fran Pan American March
Orchestre d'harmonie

$60.00 57.63 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.1049843

By Bruno Mars. By Bruno Mars, Charles Wilson, Devon Gallaspy, Jeff Bhasker, Lonnie Simmons, Mark Ronson, Nicholaus Williams, Philip Lawrence, Robert Wilson, Ronnie Wilson, and Rudolph Taylor. Arranged by Graham Boag. Contemporary,Jazz,Pop. Score and parts. 128 pages. Graham Boag #654233. Published by Graham Boag (A0.1049843).

A Wind Band arrangement of this huge international hit spent 14 consecutive weeks at number one on the US Billboard Hot 100, seven non-consecutive weeks at number one on the UK Singles Chart, and topped the charts in several other countries including Australia, Canada, France, Ireland and New Zealand. It became the second best-selling single of 2015 and one of the best-selling of all-time. The song won two Grammy Awards, including Record of the Year, and the Brit Award for British Single of the Year.

Uptown Funk
Orchestre d'harmonie
Bruno Mars
$49.99 48.01 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.1468623

By Daft Punk Featuring Pharrell Williams. By Guy Manuel Homem Christo, Nile Rodgers, Pharrell, and Thomas Bangalter. Arranged by Simone Orsini. 21st Century,Pop. 104 pages. Simone Orsini #1046874. Published by Simone Orsini (A0.1468623).

GET LUCKY performed by Daft Pank

For Concert Band - Performance Time 4:23 - Digital Download

Composed By Thomas Bangalter, Nile Rodgers, Guy Manuel Homem Christo, Pharrell Williams

Arranged by Simone Orsini

Instrumentation:
Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion (Tamb., Shaker), El. Guitar, keyboard.

Additional Parts:
Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.

Get Lucky is a song written and performed by French electronic music duo Daft Punk featuring American singer Pharrell Williams and American musician Nile Rodgers. Daft Punk released the song as the lead single from their fourth and final studio album, Random Access Memories, on 19 April 2013. Before its release as a single, Get Lucky was featured in television advertisements broadcast during Saturday Night Live, after which Rodgers and Williams announced their involvement in the track. Get Lucky is a house-inspired disco, funk, and pop track with lyrics that, according to Williams, are about the good fortune of connecting with someone, as well as sexual chemistry. Get Lucky has since received acclaim from critics, with a number of them praising Williams's vocals and Rodgers's guitar riffs.

The song reached number one in several countries, including Daft Punk's native France, where the Syndicat National de l'Édition Phonographique (SNEP) certified it diamond. Get Lucky peaked at number two on the US Billboard Hot 100 for five consecutive weeks, giving Daft Punk their first top-10 hit in the United States. In the UK, the single topped the UK Singles Chart for four weeks and was the second best-selling single of 2013 with 1,308,007 copies sold. The song won multiple awards, including Record of the Year and Best Pop Duo/Group Performance at the 56th Annual Grammy Awards. Daft Punk performed it on many television programmes and awards shows, including the 56th Annual Grammy Awards, during which Stevie Wonder joined Rodgers, Williams and Daft Punk onstage to perform the song.

Get Lucky
Orchestre d'harmonie
Daft Punk Featuring Pharrell Williams
$83.00 79.72 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download

SKU: AX.00-PC-0000805_WPTBETC

(wp) E-flat Tuba T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPTBETC).

UPC: 038081278117.

More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.
Movement and Staging.

More Cowbell: (wp) E-flat Tuba T.C.
Orchestre d'harmonie

$3.00 2.88 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download

SKU: AX.00-PC-0000805_WPTN1TC

(wp) 1st B-flat Trombone T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPTN1TC).

UPC: 038081278117.

More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.
Movement and Staging.

More Cowbell: (wp) 1st B-flat Trombone T.C.
Orchestre d'harmonie

$3.00 2.88 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download

SKU: AX.00-PC-0000805_WPTBBBC

(wp) B-flat Tuba B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPTBBBC).

UPC: 038081278117.

More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.
Movement and Staging.

More Cowbell: (wp) B-flat Tuba B.C.
Orchestre d'harmonie

$3.00 2.88 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download

SKU: AX.00-PC-0000805_WPTN1BC

(wp) 1st B-flat Trombone B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPTN1BC).

UPC: 038081278117.

More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.
Movement and Staging.

More Cowbell: (wp) 1st B-flat Trombone B.C.
Orchestre d'harmonie

$3.00 2.88 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download

SKU: AX.00-PC-0000805_WPTBEBC

(wp) E-flat Tuba B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPTBEBC).

UPC: 038081278117.

More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.
Movement and Staging.

More Cowbell: (wp) E-flat Tuba B.C.
Orchestre d'harmonie

$3.00 2.88 € Orchestre d'harmonie PDF SheetMusicPlus


1 16 31 ....106




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale