Concert Band - Grade 2 - Digital Download SKU: B0.PDF-BAND126 Composed by John Newsome. El Sombrero Fiesta is a compelling choice for Grade 2 level band students. Multicultural. Score and Parts. 35 pages. PDF Band Music #PDF-BAND126. Published by PDF Band Music (B0.PDF-BAND126). 8.5 x 11 inches.El Sombrero Fiesta is a delightful middle school composition for concert use. The infectious rhythm parts are sure to make this an audience favorite.

Concert Band - Level 5 - Digital Download SKU: A0.1265607 Composed by Manuel de Falla (1876-1946). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 359 pages. Kasama Music Corporation #858377. Published by Kasama Music Corporation (A0.1265607). [This Publication is in A4 size. Letter size (8/5 x 11) is also available.]The Three-Cornered Hat (El sombrero de tres picos) Suite No.1  Introduction Afternoon Dance of the Miller’s Wife (Fandango) The Corregidor The Miller’s Wife The Grapes Manuel de Falla wrote the two-act ballet, The Three-Cornered Hat (El sombrero de tres picos), by revising his earlier stage work, El corregidor y la molinera. The composer also extracted two concert suites from the ballet. The first suite is a selection from the first half of the ballet and is performed without breaks.This transcription is for concert band with full score (pp. 1–48), piccolo–harp (pp. 49–267), and transposed parts (pp. 268–359).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.

Concert Band - Level 5 - Digital Download SKU: A0.1265621 Composed by Manuel de Falla (1876-1946). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 304 pages. Kasama Music Corporation #858395. Published by Kasama Music Corporation (A0.1265621). [This Publication is in letter size (8/5 x 11). A4 size is also available.]The Three-Cornered Hat (El sombrero de tres picos) Suite No.2     3. Final Dance (Jota)Manuel de Falla wrote the two-act ballet, The Three-Cornered Hat (El sombrero de tres picos), by revising his earlier stage work, El corregidor y la molinera. The composer also extracted two concert suites from the ballet. The second suite consists of three dances from the second half of the ballet.The Finale Dance, a jota, is the finale to the ballet, as well as the last movement of the second suite. It can be programmed independently or as the last movement of the second suite, following The Neighbour’s Dance and The Miller’s Dance (KM 018).This transcription is for concert band with full score (pp. 1–41), piccolo–harp (pp. 43–228), and transposed parts (pp. 229–304).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.

Concert Band - Level 5 - Digital Download SKU: A0.1265614 Composed by Manuel de Falla (1876-1946). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 192 pages. Kasama Music Corporation #858387. Published by Kasama Music Corporation (A0.1265614). [This Publication is in letter size (8/5 x 11). A4 size is also available.]The Three-Cornered Hat (El sombrero de tres picos) Suite No.2 The Neighbour’s Dance (Seguidilla) The Miller’s Dance (Farruca) Manuel de Falla wrote the two-act ballet, The Three-Cornered Hat (El sombrero de tres picos), by revising his earlier stage work, El corregidor y la molinera. The composer also extracted two concert suites from the ballet. The second suite consists of three dances from the second half of the ballet.The Neighbour’s Dance, a seguidilla, and The Miller’s Dance, a farruca, are the first two dances of the second act, as well as the first two movements of the second suite, followed by Final Dance (KM 019). Otherwise, the two characteristic dances can be programmed independently or as a contrasting pair.This transcription is for concert band with full score (pp. 1–31), piccolo–harp (pp. 33–141), and transposed parts (pp. 142–192).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.

Concert Band - Level 5 - Digital Download SKU: A0.1265623 Composed by Manuel de Falla (1876-1946). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 304 pages. Kasama Music Corporation #858397. Published by Kasama Music Corporation (A0.1265623). [This Publication is in A4 size. Letter size (8/5 x 11) is also available.]The Three-Cornered Hat (El sombrero de tres picos) Suite No.2     3. Final Dance (Jota)Manuel de Falla wrote the two-act ballet, The Three-Cornered Hat (El sombrero de tres picos), by revising his earlier stage work, El corregidor y la molinera. The composer also extracted two concert suites from the ballet. The second suite consists of three dances from the second half of the ballet.The Finale Dance, a jota, is the finale to the ballet, as well as the last movement of the second suite. It can be programmed independently or as the last movement of the second suite, following The Neighbour’s Dance and The Miller’s Dance (KM 018).This transcription is for concert band with full score (pp. 1–41), piccolo–harp (pp. 43–228), and transposed parts (pp. 229–304).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.

Concert Band - Level 5 - Digital Download SKU: A0.1265599 Composed by Manuel de Falla (1876-1946). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 359 pages. Kasama Music Corporation #858368. Published by Kasama Music Corporation (A0.1265599). [This Publication is in letter size (8/5 x 11). A4 size is also available.]The Three-Cornered Hat (El sombrero de tres picos) Suite No.1  Introduction Afternoon Dance of the Miller’s Wife (Fandango) The Corregidor The Miller’s Wife The Grapes Manuel de Falla wrote the two-act ballet, The Three-Cornered Hat (El sombrero de tres picos), by revising his earlier stage work, El corregidor y la molinera. The composer also extracted two concert suites from the ballet. The first suite is a selection from the first half of the ballet and is performed without breaks.This transcription is for concert band with full score (pp. 1–48), piccolo–harp (pp. 49–267), and transposed parts (pp. 268–359).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.

Concert Band - Level 5 - Digital Download SKU: A0.1265618 Composed by Manuel de Falla (1876-1946). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 192 pages. Kasama Music Corporation #858392. Published by Kasama Music Corporation (A0.1265618). [This Publication is in A4 size. Letter size (8/5 x 11) is also available.]The Three-Cornered Hat (El sombrero de tres picos) Suite No.2 The Neighbour’s Dance (Seguidilla) The Miller’s Dance (Farruca) Manuel de Falla wrote the two-act ballet, The Three-Cornered Hat (El sombrero de tres picos), by revising his earlier stage work, El corregidor y la molinera. The composer also extracted two concert suites from the ballet. The second suite consists of three dances from the second half of the ballet.The Neighbour’s Dance, a seguidilla, and The Miller’s Dance, a farruca, are the first two dances of the second act, as well as the first two movements of the second suite, followed by Final Dance (KM 019). Otherwise, the two characteristic dances can be programmed independently or as a contrasting pair.This transcription is for concert band with full score (pp. 1–31), piccolo–harp (pp. 33–141), and transposed parts (pp. 142–192).A printed score is available for purchase at www.kasamamusic.com.

Concert Band - Level 4 - Digital Download SKU: A0.1028924 Composed by Julien Boulier. Arranged by Julien Boulier. Broadway,Children,Film/TV,Musical/Show. Score and parts. 8 pages. Julien Boulier music composer #4409997. Published by Julien Boulier music composer (A0.1028924). Modern Classical. This tune is on Nils Frahm Piano Day 2019 Playlist in piano and orchestral version. Il s'agit  ici de la partie piano pour la version partition piano et orchestre  : Jouvence piano orchestré.

Concert Band - Digital Download SKU: A0.866247 Composed by Nicolas Avinée. Contemporary,World. Score and parts. 99 pages. NICOLAS AVINEE #2029873. Published by NICOLAS AVINEE (A0.866247). This work is a wonderful symphonic poem based on the legend of a french country (La Saône) for concert band. Included Tuba sib and Baritone Sib (Bass and trebble key). Fully playable for intermediate level. Set of parts only. Full score is also available.

Concert Band - Digital Download SKU: A0.866244 Composed by Nicolas Avinée. Contemporary,World. Score and parts. 33 pages. NICOLAS AVINEE #2029861. Published by NICOLAS AVINEE (A0.866244). This work is a wonderful symphonic poem based on the legend of a french country (La Saône) for concert band. Included Tuba sib and Baritone Sib (Bass and trebble key). Fully playable for intermediate level. Score only. Set of parts are also available.

Concert Band - Level 3 - Digital Download SKU: A0.962401 Composed by Salvador Rojo Gamón. Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 48 pages. Salvador Rojo-Gamon #4897799. Published by Salvador Rojo-Gamon (A0.962401). AGRADECIMIENTOSAntes de nada dar las gracias a la Unión Musical de Algimia por confiar en mi para componer una composición que conmemore el 30 aniversario.Al peu del Picayo está como casi todas mis composiciones inspiradas en hechos ya sea verídicos o ficticios. En este aspecto tengo que agradecer a Helios Borja Cortijo su gran contribución a mis conocimientos sobre la historia de Algimia. Mis composiciones nunca narran historias, se inspiran en ellas, en los sentimientos que de ellas extraemos, sentimos o transmitimos, Estas historias tan sólo nos facilitan la comprensión de la obra.ANÃ�LISISFormalmente la obra está compuesta en la forma sonata, con algunas licencias respecto a la que podríamos calificar –si es posible- Sonata Escolástica.INTRODUCCIÓN Inicio hasta compás 59.La introducción comienza con el acompañamiento de un clúster de cinco notas octatónicas. A partir del segundo compás va apareciendo –siempre de forma desfigurada- el tema principal de esta composición. Este no aparecerá claramente hasta el compás 62TEMA PRINCIPALCompás 60 hasta 101Alrededor de la tonalidad de LA se construye el tema principal que aparece en los graves de la banda, pasando a los agudos mientras los graves hacen un canon a la 4ª Justa.A nivel comprensivo y tan sólo como recomendación diré que la introducción y el tema principal corresponden históricamente a ALGIMIA MUDEJARTEMA SECUNDARIOCompás 102 a 136Esta parte inspirada en la Ã‰POCA MORISCA de Algimia está formada por diferentes elementos siendo cuatro los más importantes.Al igual que la Introducción el tema segundario está iniciado por un Clúster, en éste caso el Clúster es cromático.El siguiente elemento en aparecer –Corno Inglés- es el propio nombre de Algimia en movimiento contrario, tomando el Abecedario como modelo y partiendo de la nota LALa inquisición está representada por las trompetas y los trombones.Estos elementos están acompañados de la simbología mayormente personal del número once, representado por los cuartos y las once campanadas.En el compás 112 aparece el Elemento Cristiano de este Tema Secundario, este está en modo Dórico, también llamado Protus o Auténtico. Primero aparece en el registro grave de la banda y posteriormente en el registro grave de las maderas.DESARROLLOCompás 137 hasta el 217Basado en el Periodo de la Ã‰POCA CRISTIANA MODERNA elabora los elementos presentados en la exposición con cambios a veces muy significativos.Lo primera sensación es que estamos reexponiendo los materiales, sin embargo, se está creando una falsa reexposición que en este caso nos lleva a SIb dándonos sensación de cadencia rota con un inesperado SIb.Después de un breve comentario del Tema Secundario –Tema cristiano- aparece muy desfigurado el Tema principal en oposición al Tema Cristiano, éste último en modo octatónico.Tema PrincipalTema CristianoA partir del 182 está inspirado en la expulsión de los Moriscos. Después de una breve introducción con elementos del Tema Principal y del tema Cristiano, compases 182 a 189, aparece el Tema Principal en forma de llamamiento a la guerra. Éste se repite tres veces, una pequeña coda de tres compases 214 al 217 da paso a la reexposición.REEXPOSICIÓN

Concert Band - Level 2 - Digital Download SKU: A0.1042877 Composed by Walter Scholtes. Classical,Traditional. Score and parts. 40 pages. SCHOLTES EDITIONS #647609. Published by SCHOLTES EDITIONS (A0.1042877). Suitable to the title, a sombre opening transforms into a sunny tuneful motif of radiant hope. This piece is appropriate for a serious occasion or also for general use. Traditional harmonies and a clear structure make this march very accessible to players and audiences alike. Score and parts: 40 pages.

Concert Band - Level 2 - Digital Download SKU: A0.1043688 Composed by Walter Scholtes. Arranged by Waldemar Scholtes. Classical,Traditional. Score and parts. 31 pages. SCHOLTES EDITIONS #648384. Published by SCHOLTES EDITIONS (A0.1043688). Suitable to the title, a sombre opening transforms into a sunny tuneful motif of radiant hope. This piece is appropriate for a serious occasion or also for general use. Traditional harmonies and a clear structure make this march very accessible to players and audiences alike. Score and parts: 31 pages.

Concert Band - Level 3 - Digital Download SKU: A0.1152527 Composed by Hector Berlioz. Arranged by Guilherme Ribeiro. 20th Century,Classical,March,Opera,Romantic Period. Score and Parts. 103 pages. Gui Ribeiro #752748. Published by Gui Ribeiro (A0.1152527). Symphonie fantastique is a piece of program music that tells the story of an artist gifted with a lively imagination who has poisoned himself with opium in the depths of despair because of hopeless, unrequited love. Berlioz provided his own preface and program notes for each movement of the work. Convinced that his love is spurned, the artist poisons himself with opium. The dose of narcotic, while too weak to cause his death, plunges him into a heavy sleep accompanied by the strangest of visions. He dreams that he has killed his beloved, that he is condemned, led to the scaffold and is witnessing his own execution. The procession advances to the sound of a march that is sometimes sombre and wild, and sometimes brilliant and solemn, in which a dull sound of heavy footsteps follows without transition the loudest outbursts. At the end of the march, the first four bars of the idée fixe reappear like a final thought of love interrupted by the fatal blow. Berlioz claimed to have written the fourth movement in a single night, reconstructing music from an unfinished project, the opera Les francs-juges. The movement begins with timpani sextuplets in thirds, for which he directs: The first quaver of each half-bar is to be played with two drumsticks, and the other five with the right hand drumsticks. The movement proceeds as a march filled with blaring horns and rushing passages, and scurrying figures that later show up in the last movement. NOTES: - The two timpani part can be played by only the 2 pairs of timpani. - Measure 93 and 100: Clarinet 1, 2 and 3 play one octave lower as written.

Concert Band - Level 2 - Digital Download SKU: A0.1308677 Composed by Ernest Farrar. Arranged by John Ivor Holland. 20th Century,Classical,Patriotic. Score and Parts. 54 pages. John Ivor Holland #897917. Published by John Ivor Holland (A0.1308677). Ernest Farrar (1885-1918) was a talented composer, born in London but raised in Yorkshire, who was deprived of a long and storied career by his untimely death during World War I. He enlisted in 1915 and gained a commission as 2nd Lieutenant in February 1918. At the suggestion of Charles Villiers Stanford and Ralph Vaughan Williams, he composed 'Heroic Elegy' (op. 36) in 1918 while in service, and conducted its first performance on 3 July 1918 while on leave. Farrar was summoned to France just over two months later and was tragically killed by machine gunfire at the Battle of Ephey Ronssoy later than month. The simple dedication at the top of the score reads To Soldiers, making his final composition even more poignant. A sombre, but somehow joyful piece that wouldn't be out of place in any military or civic memorial event.