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Concert Band - Level 3 - Digital Download SKU: A0.751037 By John Denver. By John Denver. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 73 pages. BJE Music #6475319. Published by BJE Music (A0.751037). Leaving on a Jet Plane is a song written by John Denver in 1966 and most famously recorded by Peter, Paul, and Mary. The original title of the song was Babe, I Hate to Go, as featured on his 1966 studio album John Denver Sings, but Denver's then producer Milt Okun convinced him to change the title…  This version has been arranged for the Concert Band. Percussion parts include Timpani, Crash Cymbal, and Drum Set, Baritone (Euphonium) TC, and BC. The Audio has been recorded using NotePerformer 3. Grade = 3 Duration = 4 mins.
Leaving On A Jet Plane
Orchestre d'harmonie
John Denver
$49.99 43.35 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1501543 Composed by Percy Aldridge Grainger. Arranged by Brian S. Wilson. 20th Century,Classical. 8 pages. G. Meredith Publications #1077486. Published by G. Meredith Publications (A0.1501543). This orchestration is the end product of my book entitled Orchestrational Archetypes in Percy Grainger's Wind Band Music. In an attempt to understand the enigmatic style of Grainger's wind band music, I made a detailed analysis of his recurring orchestrational practices with regard to melody, countermelody, part writing and contrapuntal dynamics. The conclusion is that the Grainger sound is a function of recurring orchestrational techniques, rather than other compositional elements such as melody or harmony. This information was then used to dish up selected Grainger voice and piano pieces in his own idiosyncratic style.  I also arranged “British Waterside” and “The Cutting of The Hay” (G. Schrimer).  Lord Maxwell’s Goodnight is a reflective, moving piece based on a ballad about Lord Maxwell, who has killed a rival in a long-standing bloody family feud and is leaving for Scotland to avoid prosecution. He bids good-bye to his wife, his lands and his country.  Lord Maxwell’s Goodnight appears as Grainger’s British Folk Music Setting No. 42 for high tenor voice or unison male chorus and 4 strings (violin, viola, 2 cellos) in 1904.  The original is in the key of F major but has been shifted to Db major in this orchestration.  The lyrics of the first verse are: Adieu, madame, my mother dear,But and my sisters three O!Adieu, fair Robert of Orchardstane,My heart is woe for thee, O!Adieu, the lily and the rose,The primrose fair to see, O!Adieu, my ladye, and only joy,For I may not stay with thee, O!.
Lord Maxwell's Goodnight - Score Only
Orchestre d'harmonie

$10.00 8.67 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1501664 Composed by Percy Granger. Arranged by Brian S. Wilson. 20th Century,Classical. 37 pages. G. Meredith Publications #1077544. Published by G. Meredith Publications (A0.1501664). SET OF PARTS.  Score sold separately. This orchestration is the end product of my book entitled Orchestrational Archetypes in Percy Grainger's Wind Band Music. In an attempt to understand the enigmatic style of Grainger's wind band music, I made a detailed analysis of his recurring orchestrational practices with regard to melody, countermelody, part writing and contrapuntal dynamics. The conclusion is that the Grainger sound is a function of recurring orchestrational techniques, rather than other compositional elements such as melody or harmony. This information was then used to dish up selected Grainger voice and piano pieces in his own idiosyncratic style.  I also arranged “British Waterside” and “The Cutting of The Hay” (G. Schrimer).  Lord Maxwell’s Goodnight is a reflective, moving piece based on a ballad about Lord Maxwell, who has killed a rival in a long-standing bloody family feud and is leaving for Scotland to avoid prosecution. He bids good-bye to his wife, his lands and his country.  Lord Maxwell’s Goodnight appears as Grainger’s British Folk Music Setting No. 42 for high tenor voice or unison male chorus and 4 strings (violin, viola, 2 cellos) in 1904.  The original is in the key of F major but has been shifted to Db major in this orchestration.  The lyrics of the first verse are: Adieu, madame, my mother dear,But and my sisters three O!Adieu, fair Robert of Orchardstane,My heart is woe for thee, O!Adieu, the lily and the rose,The primrose fair to see, O!Adieu, my ladye, and only joy,For I may not stay with thee, O!.
Lord Maxwell's Goodnight - Set of Parts
Orchestre d'harmonie

$35.00 30.35 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1248560 Composed by Sawyer Isherwood. Contemporary. Score and Parts. 123 pages. Sawyer Isherwood #843049. Published by Sawyer Isherwood (A0.1248560). Tempest's Approach is a captivating wind ensemble composition that takes listeners on a dramatic journey through the atmospheric turmoil of a storm. The piece masterfully captures the essence of a tempest, skillfully utilizing a range of instruments and musical techniques to create a vivid sonic portrayal.The composition begins with a slow and tranquil section, symbolizing the calm before the storm. A poignant French horn solo emerges, drawing the audience into a serene soundscape. Meanwhile, other instruments subtly mimic the gentle patter of raindrops and the haunting whispers of the wind, creating an immersive atmosphere.As the tension builds, a duet between the euphonium and tuba ensues, serving as a transitional bridge into the impending storm. Dissonant brass chords punctuate the composition, mirroring the initial signs of lightning piercing through the darkness. The baritone saxophone then takes center stage, its haunting solo representing the gradual approach of the storm, with each note evoking a sense of anticipation.In a climactic turn, the percussion section bursts forth, meticulously replicating the tumultuous sounds of a raging storm. Thunderous rolls, crashing cymbals, and cascading snare drum patterns immerse the listeners in the chaotic energy of the tempest. The woodwinds join in with swirling sixteenth notes and trills, amplifying the sense of swirling winds and torrential rain.A shift to cut time signals a momentary respite, symbolizing the storm's brief slowdown. However, the tranquility is short-lived, as the composition quickly accelerates, portraying the intensification of the tempest. The ensemble conjures a maelstrom of sound, mimicking the violent peak of the storm with powerful rhythms and dynamic swells.Finally, as the storm gradually subsides, an alto saxophone takes up the melody once delivered by the French horn. Its somber solo, reminiscent of the opening, serves as a reflective moment, encapsulating the aftermath of the tumultuous weather. The composition draws to a close with a sense of calm resolution, leaving the audience in awe of the storm's raw power and beauty.Tempest's Approach is a captivating and dynamic wind ensemble composition that skillfully combines melodic storytelling, atmospheric effects, and powerful instrumentation to create a sonic narrative that brings the audience into the heart of a storm.
Tempest's Approach
Orchestre d'harmonie

$58.00 50.29 € Orchestre d'harmonie PDF SheetMusicPlus


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