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Concert Band - Level 2 - Digital Download

SKU: A0.1292776

Composed by Alan Bergman, Marilyn Bergman, and Michel Legrand. Arranged by John Ivor Holland. 20th Century,Film/TV,Jazz,Pop,Singer/Songwriter. Score and Parts. 72 pages. John Ivor Holland #883342. Published by John Ivor Holland (A0.1292776).

Sweet Gingerbread Man is a song with music by Michel Legrand and lyrics by Alan Bergman and Marilyn Bergman. It was recorded originally for director Leonard Horn's 1970 screen version of Robert T. Westbrook's 'The Magic Garden of Stanley Sweetheart', a film about young people in Greenwich Village, New York. The song for the film was performed by the Mike Curb Congregation, who went on to record other film songs, including I Was Born in Love with You, another Legrand/Alan Bergman/Marilyn Bergman composition, this time for the 1970 film version of 'Wuthering Heights'. Sammy Davis Jr., Jack Jones, the Muppets, Bobby Sherman and Sarah Vaughan have all recorded versions of this charming, gently swinging classic; from it's distinctive opening riff to it's closing jazzy phrases, your audience is sure to love this sweet, summery classic.

Sweet Gingerbread Man
Orchestre d'harmonie

$49.99 47.63 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.750785

Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785).

The Home Coming March (1908) - Concert Band Score and Parts PDF

Music by: ET Paull

Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover.

Why This Piece Of Music Was Named
The Home Coming March

  Explanatory

When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music.

One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.

This arrangement is for Full Concert Band with the original optional piano part ( Not on the score).  There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC.  The MP3 was recorded with NotePerformer 3.

Grade = 3.5  Duration =.

The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie

$30.00 28.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download

SKU: A0.859753

Composed by Antonio Lotti (c.1667-1740). Arranged by Brian Harris. Christian,Classical,Historic,Instructional,Sacred. 38 pages. Bandroom.com Publications #3134913. Published by Bandroom.com Publications (A0.859753).

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Choral work by Antonio Lotti (c.1667-1740); transcribed for band by Brian Harris

The Kyrie is part of the Ordinary of the Roman Catholic Mass. This musical setting of the Kyrie was written for choir by Italian composer Antonio Lotti, who spent his entire career at the famous St. Mark's Basilica in Venice.

The adaptation of choir literature for use by wind players provides an ideal tool for teaching basic musicianship such as intonation, balance, and blend as well as the advanced techniques of phrasing, nuance of line, and accuracy of ensemble articulation. Because the work consists of only 4 voices, players can more readily hear and address individual, section, and ensemble problems.

The score and each part is notated with the specific voice assignment (S = soprano, A = alto, T = tenor, B = bass). This allows the conductor to rehearse like groups by simply asking for all players with the alto line and so forth. Knowing that another instrument is playing the exact same line can encourage them to listen across the band in order to match style/balance with the other players.

You may view the entire score as well as additional part samples and detailed information for this work at my site www.bandroom.com 

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ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director at the public school and college level for over 30 years. His works are available from www.bandroom.com and as digital downloads.

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KYRIE ELEISON (concert band, medium easy, score, parts & license to copy)
Orchestre d'harmonie

$30.00 28.59 € Orchestre d'harmonie PDF SheetMusicPlus






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