Full Orchestra - Level 3 - Digital Download SKU: A0.1193255 By The Beatles. By John Lennon and Paul McCartney. Arranged by Daryl McKenzie. Film/TV,Rock. Score and parts. 84 pages. Daryl McKenzie #792711. Published by Daryl McKenzie (A0.1193255). Arranged in the style of the Beatles for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl, 2Ob, 2Cl, BCl,2Bsn, 5Sax, 4Hn, 3Trpt, 4Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of E (a third lower than the Beatles)Same arrangement in the Key of G plus Big band arrangements: Search HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH

Full Orchestra - Level 3 - Digital Download SKU: A0.718430 Composed by Traditional. Arranged by Daryl McKenzie. Christmas,Holiday,Rock. Score and parts. 100 pages. Daryl McKenzie #6130249. Published by Daryl McKenzie (A0.718430). Got a hard rockin' Guitarist? This favourite Christmas tune arranged in a hard rock version (similar in style to the Relient K version) for solo voice and SATB choir with Pops Orchestra or Big Band. 5 Saxes, 4 Trumpets, 4 Trombones, Piano, Keyboards (Strings), Guitar, Bass Guitar, Drums, Perc, Harp, Vln 1, Vln 2, Vla, Vcl, CB.  Key of APlayable without choir and with reduced instrumentation. Relies heavily on the Guitar part!More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH

Full Orchestra, String Orchestra - Intermediate - Digital Download By The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 41 pages. Published by Arte Nova Music Lab

Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54

Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 4 - Digital Download SKU: A0.995188 Arranged by Richard J. Chiarappa. Broadway,Contemporary,Holiday. Score and parts. 26 pages. Richard J. Chiarappa #4793801. Published by Richard J. Chiarappa (A0.995188).

Full Orchestra - Level 3 - Digital Download SKU: A0.1193258 By The Beatles. By John Lennon and Paul McCartney. Arranged by Daryl McKenzie. Film/TV,Rock. Score and parts. 84 pages. Daryl McKenzie #792714. Published by Daryl McKenzie (A0.1193258). Arranged in the style of the Beatles for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl, 2Ob, 2Cl, BCl,2Bsn, 5Sax, 4Hn, 3Trpt, 4Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of G (original Key)Same arrangement in the Key of E plus Big band arrangements: Search HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH

Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Diehnelt (A0.809057). Striadica: A Symphonic PassageThe every-day, reshaped by contingencies. The time-bound path twists through certainty, bewilderment, and fragile reconstruction. Upon release, recognition arrives.Duration: 8 - 9 mins.I was specifically asked to write a work where everyone had something to play. As is my usual style, I tend to allow the second players and less-prominent instruments a chance to shine, and in general shake up the usual orchestral hierarchy. (The second violins, for example, even get their own solo passage!)The wind parts are much more individualized, where the first part may have a completely different line than the second.A colleague who is a trombone player challenged me to write parts that sing for his instrument; hence the word dolce occurs in the low brass parts. Although the low brass parts are rather simple, they do require finesse and nuance.In general, none of the parts are overly challenging; rather, I hope each player finds the music allows them the opportunity to express themselves both individually and as an ensemble.Instrumentation1 Piccolo2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C3 Trombones (2 Tenor, 1 Bass Trombone)1 TubaTimpani (B / D)Percussion: Wood Blocks, Snare Drum1 HarpStrings------Commissioned by the Lake Forest Civic Orchestra, IL. Premiere performance May, 2018This item contains ONLY THE SCORE. The PDF, when printed double sided will make for an 8 ½ by 11 score with a left margin suitable for comb binding. (Please consider a larger sized comb than usual so pages may be turned quietly!) A full set of hard-copy parts are available directly from Kim Diehnelt. (Kim@KimDiehnelt.com)© 2017 Kim Diehnelt (ASCAP)

Full Orchestra - Level 1 - Digital Download SKU: A0.1269798 By Cliff Richard. By Brian Bennett and Bruce Welch. Arranged by Samantha Jellett. Children,Holiday,Instructional. Score and Parts. 20 pages. Samantha Jellett #862305. Published by Samantha Jellett (A0.1269798). Made famous by Cliff Richard, this arrangement of Bennett and Welch's Summer Holiday will be a favourite with junior ensemble players and great for programming into a summer concert.Parts and approximate difficulty level (ABRSM Grades):Violin 1/Cello 1/Flute 1: Grade 2Oboe/Clarinet 1: Grade 1Violin 2/Flute 2/Clarinet 2: Prelim-Grade 1 (low second finger required for Violin 2)Violin 3/Cello 2: beginner- open strings only (features col legno for fun and interest)Trumpet/Trombone: Prelim-Grade 1Piano: Prelim-Grade 1; features simple repeated patterns and chordsFull instrumentation is not needed for a successful performance; most combinations will work well, with any significant solos being reassigned to another instrument if necessary.Duration: 2'.

By The Carpenters. By Hugh Martin and Ralph Blane. Arranged by Richard Williams. Christmas, Classical, Holiday, Jazz, Romantic Period. Score and parts. 35 pages. Richard Williams #641236. Published by Richard Williams

Full Orchestra - Level 4 - Digital Download SKU: A0.1317614 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Marcus Martin. 20th Century,Broadway,Film/TV,Musical/Show. 84 pages. Cornelius Edition (uk) #906286. Published by Cornelius Edition (uk) (A0.1317614). This is the original overture for the stage version as printed in the vocal score.  It contains 'The Farmer and the Cowman',  'Poor Jud is Dead', 'Many a New Day', 'People will say we're in Love' and the title song 'Oklahoma'. It is scored for 1121. 2210 Harp Strings Guitar and Percussion. This makes an excellent item in a Broadway type concert.

Pop. Orchestra. 7 pages. Duration 1:40. Published by Hal Leonard - Digital Sheet Music (HX.159061). - Orchestra - Pop - Hal Leonard - Digital Sheet Music

Full Orchestra - Level 3 - Digital Download SKU: A0.1313088 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Dina H. L. Slechta. Contemporary,Film/TV,Halloween,Pop,Rock. 104 pages. Dina H. L. Slechta #901915. Published by Dina H. L. Slechta (A0.1313088). This arrangement of Paint It Black, in g minor, makes the style of Netflix Character, Wednesday Addams, accessible to the level of an Intermediate Full Orchestra. The Cello 1 cellists get a chance to shine with a soli section near the beginning.Paint It Black, from the Rolling Stones, was written by Keith Richards and Mick Jagger, and was arranged here in the style of Netflix Character, Wednesday Addams, under arrangeme.com, by Dina H. L. Slechta, for Intermediate Full Orchestra.  The sample recording is courtesy of the Reading Philharmonic Orchestra. Instrumentation 1-Score 1-Flute 1 1-Flute 2 1-Oboe 1-Clarinet in Bb 1 1-Clarinet in Bb 2 1-Bass Clarinet in Bb 1-Bassoon 1 1-Bassoon 2 1-Horn in F 1 1-Horn in F 2 1-Trumpet in Bb 1 1-Trumpet in Bb 2 1-Trombone 1 1-Trombone 2 1-Bass Trombone 1-Tuba 1-Drum Kit 8-Violin 1 8-Violin 2 6-Viola 5-Violoncello 1 5-Violoncello 2 5-Contrabass.