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Full Orchestra - Level 3 - Digital Download SKU: A0.1008363 Composed by Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-Korsakov. Arranged by Arkady Leytush. Children,Romantic Period. Score and parts. 36 pages. Arkady Leytush #4810761. Published by Arkady Leytush (A0.1008363). The original version of this music was written for piano in 3 hands (teacher and student).  I have orchestrated this for a large symphony orchestra.  Equally important is participation of a child of 4-5 years old as a soloist, who will be playing on the piano the main theme of Tati-Tati at the beginning and at the end.It all started as a musical joke from Borodin in a circle of his friends-composers: Rimsky-Korsakov, Cui and Lyadov. The joke turned into collective work which resulted into 24 variations with the finale paraphrasing Tati-Tati. I usually tell this story to the audience before performing.  24 Variations with Finale is an composition that is oriented for family and children symphonic concerts, when the educational part is of great importance for the  young listeners to understand classical music, the sound and characteristics of individual musical instruments and groups of the orchestra, what development principles are used by each composer, etc.  F. Liszt gave the best assessment to this composition. He pointed out to how the composer’s skills of the above named composers cold transform such insignificant musical theme-joke Tati-Tati into a brilliant and vibrant composition!This is the first part of composition with a full name: Borodin, Cui, Lyadov, Rimsky-Korsakov - PARAPHRASES on an Unchanged Theme Tati-Tati, 24 Variations with Finale and 9 Musical Pieces: Tarantella, Galop, Fugetta B-A-C-H, Waltz, Cortege, Lullaby, Marche Funebre, Requiem, Carillon, orchestrated by Arkady Leytush
Collective composition by Borodin, Cui, Liadov, Rimsky-Korsakov - 24 Variations with Finale on an un
Orchestre

$40.00 34.36 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1380035 By The National Symphony of Ukraine, A. Leytush. By Artsibushev, Wihtol, Liadov, Sokolov, Glazunov, Rimsky-Korsakov. Arranged by Arkady Leytush. 19th Century. Score and parts. 46 pages. Arkady Leytush #964744. Published by Arkady Leytush (A0.1380035). â??Joke Quadrilleâ? is a collective composition by various composers: N.V. Artsibushev, I.I. Wihtol, A.K. Liadov, N.A. Sokolov, A.K. Glazunov, N.A. Rimsky-Korsakov (the names appears in the sequence corresponding to the order of the six figures of the Quadrille). The quadrille was published by M. Beliaev in 1891. The complete manuscript is kept at the M. I. Saltykov-Schedrin State Public Library (M.P. Beliaev archive, No.c/2a-e). Several of the manuscripts are dated. On A.K. Lyadovâ??s manuscript is â??March 9, 1890â?,on N.A. Rimsky-Korsakovâ??s Manuscript is: â??March 9, 1890. St. Petersburg.â?
Artsibushev, Wihtol, Liadov, Sokolov, Glazunov, Rimsky-Korsakov - JOKE QUADRILLE - Score Only
Orchestre
The National Symphony of Ukraine, A Leytush
$40.00 34.36 € Orchestre PDF SheetMusicPlus

Low Brass Ensemble,Strings B-Flat Clarinet,B-Flat Trumpet,Bassoon,Choir,Flute,Horn,Multi-Percussion,Oboe,Tuba - Level 3 - Digital Download SKU: A0.725136 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival. Score and Parts. 86 pages. Paul Barker Music #3480971. Published by Paul Barker Music (A0.725136). Adoramus Te is our new spectacular Finale fused with an intriguing mixture of Latin and English text. This bold new concert piece is scored for SAB Choir and Full Orchestra, Piano and Percussion and will have your audience on their feet by the end of your performance! Memorable and dramatic melodic lines, driving rhythms and roof-raising orchestration make this piece ideal for choirs and orchestras of all sizes and large public performances. Also available for SAB Choir and Piano and as an instrumental for both String and Full Orchestra.Includes Conductor Score, Choral Score and Instrumental Parts. Additional Vocal scores are available from this site and www.paulbarkermusic.com Professional Accompaniment MP3 is available from this site and directly from www.paulbarkermusic.com ​Duration: 2:40 Level: Intermediate/Advanced (UK Grade 6+ & USA 3+) Occasion: Concert - Festivals - Competitions - Concert Finale - Celebration Orchestration: SAB Choir - Full Orchestra - Piano - Percussion (SAB & Piano Version also available)
Adoramus Te (SAB Choir & Orchestra)
Orchestre
Paul Barker Music
$32.95 28.3 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.725135 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 78 pages. Paul Barker Music #3480975. Published by Paul Barker Music (A0.725135). Adoramus Te is our new spectacular Finale fused with an intriguing mixture of Latin and English text. This bold new concert piece is scored for Full Orchestra, Piano and Percussion and will have your audience on their feet by the end of your performance! Memorable and dramatic melodic lines, driving rhythms and roof-raising orchestration make this piece ideal for large public performances. Also available for SAB Choir and Piano, as an instrumental for String Orchestra and as a dramatic full-blown SAB Choir with Full Orchestra version! ​Duration: 2:40 Level: Intermediate/Advanced (UK Grade 6+ & USA 3+) Occasion: Concert - Festivals - Competitions - Concert Finale - Celebration Orchestration: Full Orchestra - Piano - Percussion
Adoramus Te (Full Orchestra)
Orchestre
Paul Barker Music
$29.95 25.72 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.997143 Composed by Enrique Granados. Arranged by Iván Sánchez Iglesias. Romantic Period,Standards,World. Score and parts. 58 pages. Sanchez Music #5045535. Published by Sanchez Music (A0.997143). Saxophone Orchestra arrangement of the piano work by Granados, Valses Poéticos (aprox. 7 minutes) [MIDI rendition]The arrangement is a selection of some of the pieces together with the introduction that I rewrote using the original material by Granados. For the original valses I try to keep the original material, together with new material of my own to make it more suitable for saxophones.The music has a playful character alternated with beautiful and melodical passages Orchestration:2 Sopranos4 Altos2 Tenor2 Baritones1 BassMore information about me and other works can be found on my website: www.ivansanchez.nl
Valses Poéticos for Saxophone Orchestra - Enrique Granados Arr. Iván Sánchez Iglesias
Orchestre

$11.10 9.53 € Orchestre PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.481449 Composed by Herman Finck. Arranged by Kevin Riley. 20th Century,Broadway,Musical/Show. Score and parts. 82 pages. Published by Kevin Riley (A0.481449). Herman Finck (1872–1939) was born in London as Herman von de Vinck, the son of an immigrant Dutch musician. For over twenty years he conducted the orchestra at the Palace Theatre of Varieties, and he was musical director at the Theatre Royal, Drury Lane, in the 1920s during the heyday of big musical successes such as Rose Marie and Show Boat. He composed a great deal of music for musical plays and revues, as well as short orchestral pieces. It was for a skipping-rope routine for the Palace Theatre’s troupe of John Tiller dancers that Finck composed the graceful little In the Shadows (1910), which went on to enjoy international success.
In The Shadows
Orchestre

$50.00 42.94 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.730362 Composed by Adolphe-Charles Adam. Arranged by James Nathaniel Holland. Christmas,Romantic Period. Score and parts. 61 pages. James Nathaniel Holland #2926305. Published by James Nathaniel Holland (A0.730362). The timeless Christmas classic O Holy Night (Cantique de Noel) by French composer Adolphe Adam. Orchestral accompaniment to be used with any James Nathaniel Holland vocal or soloists arrangement in Bb (Medium Low Voice (A to F) and SATB Chorus included in score and parts).  Full Score in concert pitch and all respective instrument parts included.  Soloist in treble clef. Some archaic text changed.Sold separately: Piano vocal score arrangements. Piano vocal score for baritone (bass clef) and Chorus.Usually programmed with Carol (Villagers All This Frosty Morn) for SATB Choir and Orchestra. Also available on this site. http://www.sheetmusicplus.com/title/carol-villagers-all-this-frosty-morn-arranged-for-satb-chorus-an.....  Orchestration:fl12, ob12, eh, clBb12, bsn12, hF12, trBb12, trom12, tuba, timp, hand cym/gckspl, harp(or piano/org), soloist/SATB choir (can be interchanged with any solos or duets), stringsArranger's website:  https://www.facebook.com/jamesnathanielholland/
O Holy Night (Cantique de Noel) Adolphe Adam Orchestral Accompaniment in Bb
Orchestre

$21.95 18.85 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1030571 Composed by Hans Zimmer, Lebo M, and Mark Mancina. Arranged by Brian Strohmetz. Broadway,Film/TV,Multicultural,Musical/Show,World. Score and parts. 71 pages. Brian Strohmetz #633740. Published by Brian Strohmetz (A0.1030571). For Orchestra, Solo Vocalist and Choir Shadowland is a song written by Lebo M., Hans Zimmer and Mark Mancina for the musical The Lion King (1997), a stage adaptation of Disney's 1994 animated film of the same name. Based on the song Lea Halalela (Holy Land), a track featured on Lebo's Lion King-inspired concept album Rhythm of the Pride Lands (1995), Lebo composed the track with Zimmer, while both Lebo and Mancina contributed new lyrics to its melody. Lebo based the song's lyrics on his own experiences having been exiled from South Africa during apartheid, therefore imbuing Shadowland with themes about refugeeism and survival. Originally performed by Trinidadian-American singer and actress Heather Headley as Nala, and South African actress Tsidii Le Loka as Rafiki, roles both performers originated on stage, Shadowland narrates Nala's decision to leave the Pride Lands in search of a more habitable environment upon realizing that her homeland has grown dry and barren in the midst of Scar's reign. Taking place shortly after Nala rejects Scar's romantic advances, director Julie Taymor used the song to develop Nala into a stronger character for the stage adaptation, and identified Shadowland as her favorite among the production's original songs, believing its message and themes to be universal. Musically, Shadowland is a soul power ballad. Sung in both English and African languages, its instrumentation combines African percussion with European orchestration to create a more exotic sound while accompanying pop vocals and African chants; some critics have observed political themes such as feminism, injustice and the ecosystem throughout the song's lyrics. Shadowland has been mostly positively received by music and theatre critics; both Headley and actresses who replaced her in subsequent productions of the musical have been praised for their vocals and performances.
Shadowland
Orchestre

$74.99 64.41 € Orchestre PDF SheetMusicPlus


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