Full Orchestra - Level 5 - Digital Download SKU: A0.910921 Composed by Mrs. Sud / Ibu Sud. Arranged by Zellev. Concert,Contemporary,Folk. Score and parts. 8 pages. Zellev Music #6326583. Published by Zellev Music (A0.910921). Tanah Airku is an Indonesian national song composed by Ibu Sud and sung by Rita Effendy . This song describes the natural beauty of Indonesia . this particular piece has been rearranged with Keroncong style (pronounced ‘kronchong’).  {is the name of a small ukulele-like instrument and an Indonesian musical style. The word keroncong comes from the chrong-chrong-chrong sound made by strumming the instrument and from the kron and chong sound that occurs when a pair of these instruments interlocks}A keroncong ensemble consists of an orchestra and a vocalist. The core orchestra consists of flute, violin, two ukuleles, cello, double bass and guitar. The vocalist sings the melody with slow sustained notes, often in vibrato style;

Orchestra - Digital Download SKU: H1.C6109ODP Arranged by Joel Raney. Piano Accompaniment with Optional Orchestra. Christmas, Sacred. Set of Instrumental Parts. 117 pages. Hope Publishing - Digital #C6109ODP. Published by Hope Publishing - Digital (H1.C6109ODP). Luke 2.Original anthem with Away in the Manger With a delightful Latin American feel, original music is paired with the familiar words by Josiah G. Holland There's a Song in the Air. A strain of Away in a Manger is dropped in to round out the story of the manger in Bethlehem. This upbeat Christmas anthem from Joel's best-selling cantata, Joy! (code no. 8721) can be accompanied by piano, orchestration or rhythm. Rhythm parts: Conductor's Score, Percussion, Piano, Synth, Guitar/Bass, Drums & String Reduction for Keyboard. Orchestration: Conductor's Score, Flute, Oboe (or Soprano Sax or Clarinet), Clarinet, 2 Trumpets (or Alto Sax), Alto Sax, Tenor Sax, 2 Trombones or Tenor Sax or Baritone T. C. , Percussion, Piano, Synth, Guitar/Bass, Drums, Violins 1 & 2, Viola, Cello/Bassoon and String Reduction for Keyboard.

Full Orchestra - Level 5 - Digital Download SKU: A0.712951 Composed by Doug Clyde. 20th Century,Contemporary. Score and parts. 65 pages. ALBEDO MUSIC #4269949. Published by ALBEDO MUSIC (A0.712951). Concerto for Clarinet, Chair, and Orchestra. Movement III. Moderato. Third Movement only. Composed by Doug Clyde of ALBEDO MUSIC from Thanksgiving 2018 to Christmas 2018. Full Score & Parts. Contents: Movement III. Moderato. Instrumentation: Flute, Oboe, Solo Clarinet in Bb and Chair (metal chair, wooden chair, or plastic chair), Bassoon, Horn in F, Trumpet in Bb, Tenor Trombone, Tuba, Percussion (Castanets, Shaker or Maracas, Snare Drum, Bass Drum, Crash Cymbal), Violin I, Violin II, Viola, Cello, Contrabass. Performance Duration 6:15. AMSM112. © 2018 by Doug Clyde of ALBEDO MUSIC.

Full Orchestra - Level 5 - Digital Download SKU: A0.712950 Composed by Doug Clyde. 20th Century,Contemporary. Score and parts. 150 pages. ALBEDO MUSIC #4269943. Published by ALBEDO MUSIC (A0.712950). Concerto for Clarinet, Chair, and Orchestra. All Three Movements. Composed by Doug Clyde of ALBEDO MUSIC from Thanksgiving 2018 to Christmas 2018. Full Score & Parts. In Three Movements. Contents: Movement I. Allegro, Movement II. Andante, Movement III. Moderato. Instrumentation: Flute, Oboe, Solo Clarinet in Bb and Chair (metal chair, wooden chair, or plastic chair), Bassoon, Horn in F, Trumpet in Bb, Tenor Trombone, Tuba, Drum Set (Hi-Hat, Tom-Toms, Crash Cymbal, Bass Drum, Snare Drum), Percussion (Castanets, Shaker or Maracas, Snare Drum, Bass Drum, Crash Cymbal), Violin I, Violin II, Viola, Cello, Contrabass. Performance Duration 15:50. Movement I. 5:05, Movement II. 4:30, Movement III. 6:15. AMSM110111112. © 2018 by Doug Clyde of ALBEDO MUSIC.

Full Orchestra - Level 5 - Digital Download SKU: A0.712948 Composed by Doug Clyde. 20th Century,Contemporary. Score and parts. 53 pages. ALBEDO MUSIC #4269945. Published by ALBEDO MUSIC (A0.712948). Concerto for Clarinet, Chair, and Orchestra. Movement I. Allegro. First Movement only. Composed by Doug Clyde of ALBEDO MUSIC from Thanksgiving 2018 to Christmas 2018. Full Score & Parts. Contents: Movement I. Allegro. Instrumentation: Flute, Oboe, Solo Clarinet in Bb and Chair (metal chair, wooden chair, or plastic chair), Bassoon, Horn in F, Trumpet in Bb, Tenor Trombone, Tuba, Drum Set (Hi-Hat, Tom-Toms, Crash Cymbal, Bass Drum), Violin I, Violin II, Viola, Cello, Contrabass. Performance Duration 5:05. AMSM110. © 2018 by Doug Clyde of ALBEDO MUSIC.

Full Orchestra - Level 5 - Digital Download SKU: A0.712817 Composed by Doug Clyde. 20th Century,Contemporary. Score and parts. 36 pages. ALBEDO MUSIC #4269947. Published by ALBEDO MUSIC (A0.712817). Concerto for Clarinet, Chair, and Orchestra. Movement II. Andante. Second Movement only. Composed by Doug Clyde of ALBEDO MUSIC from Thanksgiving 2018 to Christmas 2018. Full Score & Parts. Contents: Movement II. Andante. Instrumentation: Solo Clarinet in Bb and Chair (metal chair, wooden chair, or plastic chair), Drum Set (Tom-Toms), Violin I, Violin II, Viola, Cello, Contrabass. Performance Duration 4:30. AMSM111. © 2018 by Doug Clyde of ALBEDO MUSIC.

Full Orchestra - Level 3 - Digital Download SKU: A0.1019990 Composed by Rob J Kennedy. Contemporary. Score and parts. 7 pages. Rob J Kennedy #6207259. Published by Rob J Kennedy (A0.1019990). Aires the Ram - for full orchestra is part 1 of my 12 part suite titled The 12 Signs of the Zodiac.Discover the meaning of the12 Signs of the Zodiac that play an active roll in your life through music.

Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (Secretaría de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).

Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (Secretaría de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.

Full Orchestra - Level 3 - Digital Download SKU: A0.851547 Composed by Franz Schubert. Arranged by Brett Thompson. Romantic Period. Score and parts. 32 pages. Brett Thompson #3503535. Published by Brett Thompson (A0.851547). Marche Militaire no 1 is one of Schubert’s best known melodies. It was originally published in 1826 as a piano duet and has since been arranged in numerous ways. This (level 2) arrangement is suited for a school orchestra and includes an alto saxophone and third trumpet alternative for the French Horn Part.

Full Orchestra - Level 4 - Digital Download SKU: A0.816660 Composed by Franz Schubert. Arranged by Ron Whiddon. Contemporary. Score and parts. 20 pages. Ron Whiddon #4765037. Published by Ron Whiddon (A0.816660). Marche Militaire was composed by Franz Schubert for two pianos.  This arrangement is for full orchestra.  The dynamic markings have not been altered.  The brass fanfare at the introduction and interlude should be performed forte and staccato.

Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 3 - Digital Download SKU: A0.1374077 Composed by Harry Gregson-Williams and John Powell. Arranged by Mat Davis. Film/TV. 31 pages. Mat Davis #958649. Published by Mat Davis (A0.1374077). An arrangement of the classic Fairytale opening from Shrek (2001), transcribed and arranged for full orchestra. It has been tested with an amateur film music orchestra in the UK during the arrangement process to ensure that it works well.Suitable for any orchestra to include in their concerts including amateur and school groups.www.matdavismusic.co.uk.

Full Orchestra - Level 3 - Digital Download SKU: A0.872609 Composed by Philip Orem. Contemporary. Score and parts. 82 pages. Philip Orem #3516625. Published by Philip Orem (A0.872609). This is a colorful little tone poem your audiences will love. You can hear the prairie life waking up and then starting their morning. Lots of fun things to play especially for the woodwinds!SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.