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Full Orchestra - Level 5 - Digital Download

SKU: A0.861930

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930).

The American Seasons (2nd violins part – violin and string orchestra) MO148E

2nd Violins Part (score and parts available)

Music by Mark O’Connor

36 pages - 38:00 minutes in length

 

The American Seasons
(Seasons Of An American Life)


The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.

Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.

Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.

Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.

Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.

The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1999

 

Composed by Mark O’Connor

Commissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration

 

Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo

 

Catalogue Number MO148E

Copyright © 1999 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method.

The American Seasons (2nd violins part – violin and string orchestra)
Orchestre

$15.00 13.48 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.861925

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925).

The American Seasons (violin solo part – violin and string orchestra) MO148B

Violin Solo Part (score and parts available)

Music by Mark O’Connor

30 pages - 38:00 minutes in length

 

The American Seasons
(Seasons Of An American Life)


The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.

Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.

Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.

Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.

Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.

The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1999

 

Composed by Mark O’Connor

Commissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration

 

Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo

 

Catalogue Number MO148B

Copyright © 1999 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor M.

The American Seasons (violin solo part – violin and string orchestra)
Orchestre

$22.50 20.23 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.1503431

Composed by Danny Elfman. Arranged by Victor Pesavento. Broadway,Christmas,Film/TV,Halloween,Holiday,Musical/Show. 47 pages. Victor Pesavento #1078880. Published by Victor Pesavento (A0.1503431).

Solo Vocal with Orchestra arrangement of Sally's Song from Tim Burton's The Nightmare Before Christmas.

Includes optional Accordion and Alto Saxophone parts.

Score & Parts (in the original key)

FLUTE 1-2
ALTO FLUTE
OBOE
ENGLISH HORN
Bb CLARINET 1-2
BASS CLARINET
BASSOON  1-2
ALTO SAXOPHONE (optional)

F HORNS 1-4
Bb TRUMPET 1-3
TROMBONE 1-2
BASS TROMBONE
TUBA

PERCUSSION 1: Glockenspiel
PERCUSSION 2: Vibraphone, Finger Cymbals

HARP
CELESTA
ACCORDION (optional)

SOLO VOICE

VIOLIN I
VIOLIN II
VIOLA
CELLO
CONTRABASS


About the arranger:

Victor Pesavento is a Los Angeles based orchestrator and arranger. Recent notable orchestration projects include the films Hocus Pocus 2 (2022), Luck (2022), Ice Age: Adventures of Buck Wild (2022), The New Mutants (2020), Dora and the Lost City of Gold (2019), Solo: A Star Wars Story (2018) and Maze Runner: The Death Cure (2018), as well as episodes of The Simpsons, The Orville, Halo, Green Eggs & Ham, and The Mandalorian.

Victor has worked with composers John Williams, Alan Silvestri, James Newton Howard, John Debney, John Powell, Alexandre Desplat and others on over 600 motion pictures that have included West Side Story, Star Wars: Episodes VII-VIII-IX, Frozen, The Avengers and How To Train Your Dragon. Other film credits include various installments of the Indiana Jones, Harry Potter, Hunger Games and Lord of the Rings franchises, as well as Tony Award nominated musicals Catch Me If You Canand Beautiful: The Carole King Musical.

Victor’s arrangements have been heard on numerous Academy Awards shows and American Idol broadcasts and have been recorded by the London Symphony Orchestra, the Los Angeles Film Orchestra and the Royal Philharmonic Orchestra, performed by such notable artists and ensembles as Barbra Streisand, Jennifer Hudson, Kristen Bell, the National Symphony Orchestra, and featured in the Ghent Film Festival, the Tenerife International Film Music Festival and Hollywood In Vienna (Festival der Filmmusik).

Sally's Song
Orchestre

$49.99 44.94 € Orchestre PDF SheetMusicPlus

Full Orchestra - Digital Download

SKU: A0.1008418

Composed by Manuel de Falla. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #6440739. Published by Arkady Leytush (A0.1008418).

This remarkably colorful part gives great pleasure with its liberation, colorfulness and originality of the Spanish and Cuban musical traditions.  Written in three-part form, this music in particular is notable for its peculiar rhythms and metric comparisons. If in the 1st and last parts I use quite recognizable percussion instruments such as: Triangle, Snare Drum, Castanets, Cymbals, Gong, which indicates more Spanish traditions in classical music, then in the middle part it is mostly Cuban folk music, colored and emphasized by such percussion as: Claves, Cowbell, Bongo and Conga Drums. Undoubtedly, the percussion instruments in this part of my transcription are a very recognizable element, but not the only one that can be determined with careful listening.

Manuel De Falla - The Four Spanish Pieces, #2 Cubana, Orchestrated by Arkady Leytush, Full Orchestra
Orchestre

$20.00 17.98 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.730417

Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by James Nathaniel Holland (A0.730417).

A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland.   Here arranged in the key of C (HIGH) orchestral format. Intermediate level. Full score in concert pitch. Individual parts included.   Can be used with any piano vocal arrangement in the same key.

Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) strings

Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!

With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):

Beautiful and bright as the Red Rose;
With only one hope: 'You'll remember me.'
Know that I'll always love you,
And that this love will not fade.
Fresh, so sweet, the fragrance,
Of those happy times, wonderful, sublime, we once shared.
If I should dare, say you still care!
Think of my love as a Rose.
(Brief music interlude)
I wish you nothing but gladness,
And a life filled with Joy!
Seasons may come;
Years, they may go,
Love can survive,
Through Winter's snow.
And so this love will for you,
Think of my love as a Rose.
As Seasons fly; Years, as they go,
Think of my love as a Rose!
J.N. Holland

(Duration: 6 minutes)

YouTube Video Presentation:  https://youtu.be/9dgnKajSsE8
Facebook page:  https://www.facebook.com/jamesnathanielholland/.

Waltz of the Roses, for Orchestra (High, Key of C), Pas de Deux / Theme from The Snow Queen, A Balle
Orchestre

$12.95 11.64 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.730411

Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411).

A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland.   Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch.  Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) strings

Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!

With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):

Beautiful and bright as the Red Rose;
With only one hope: 'You'll remember me.'
Know that I'll always love you,
And that this love will not fade.
Fresh, so sweet, the fragrance,
Of those happy times, wonderful, sublime, we once shared.
If I should dare, say you still care!
Think of my love as a Rose.
(Brief music interlude)
I wish you nothing but gladness,
And a life filled with Joy!
Seasons may come;
Years, they may go,
Love can survive,
Through Winter's snow.
And so this love will for you,
Think of my love as a Rose.
As Seasons fly; Years, as they go,
Think of my love as a Rose!
J.N. Holland

(Duration: 6 minutes)

YouTube Video Presentation:  https://youtu.be/9dgnKajSsE8 
Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
Facebook page:  https://www.facebook.com/jamesnathanielholland/

Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
Orchestre

$12.95 11.64 € Orchestre PDF SheetMusicPlus

Full Orchestra - Digital Download

SKU: A0.935394

Composed by Michael Hoover. Arranged by Michael Hoover. Instructional,Standards. Score and parts. 41 pages. Michael Hoover #4837557. Published by Michael Hoover (A0.935394).

Rhythm studies for all instruments. Michael Hoover resides in Charles Town, WV and is the owner of Music Lessons In Your House, a lesson delivery service that covers Northern Virginia. Michael holds a degree from the Berklee College of Music (Boston, MA) and has been teaching since 1987.  This book was developed over 30 years of teaching experience and is beneficial to all musicians . It applies to all instruments. Rhythm is the foundation that holds music together. 

 

RHYTHM For All Instruments (Audio On YouTube)
Orchestre

$15.00 13.48 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.1277133

Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133).

Missa Solemnis in B major, op. 27 (conductor's score).
Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. 

The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). 

„Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. 

Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.

Missa Solemnis, op. 27 - Score Only
Orchestre

$100.00 89.9 € Orchestre PDF SheetMusicPlus






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