Full Orchestra - Level 4 - Digital Download SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration – 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore – a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.

Full Orchestra - Level 4 - Digital Download SKU: A0.837311 Composed by Garth M. Williams. 20th Century,Contemporary,Patriotic,Sacred. Score and parts. 51 pages. Garth M. Williams (Socan) #5778879. Published by Garth M. Williams (Socan) (A0.837311). This full orchestral arrangement is dedicated to the men, women and children of Nova Scotia who were killed April 22, 2020, the members of the crew of the military helicopter which crashed off the coast of Greece, Jenn Casey who died as a result of a Snowbird crash in B.C. in May 2020, and all those who have passed and are remembered as a result of Covid19.

Full Orchestra - Digital Download SKU: AX.00-PC-0016219_M1 Mallets. Composed by Angela Souders and Michael Souders. Arranged by Jerry Brubaker. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016219_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016219_M1). UPC: 038081429014.Patriotism and gratitude prevail in this moving tribute to the men and women of our armed forces. The combined concert band, string orchestra, and full orchestra accompaniment for choir performance of the Internet sensation, Thank You, Soldiers, is scored to provide maximum flexibility. Use the instrumentalists available and rest assured that the arrangement will work. Playable and easy to learn, even when in keys new to the string or wind player. As a special touch, project animated images from the optional VideoTrax DVD during performance. Available in three different choral voicings, again for maximum flexibility.

Full Orchestra - Level 4 - Digital Download SKU: A0.1507406 By Andreas Wetterlund. By Dame Ethel Mary Smyth. Arranged by Andreas Wetterlund. 19th Century,March,Patriotic. 38 pages. Andreas Wetterlund #1082812. Published by Andreas Wetterlund (A0.1507406). Orchestra arrangement of March of the Women by Dame Ethel Smyth, originally composed for choir. Arrangement for Symphony Orchestra by Andreas Wetterlund.

Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company.   At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc.   At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process.   The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral.   In the premiere, the Robinson Ballet will dance in the orchestral movements.  The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man.   It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor.   God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.

Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 4 - Digital Download SKU: A0.787361 Composed by Edward Elgar. Arranged by Greg Bartholomew. 20th Century,Concert,Standards,World. Score and parts. 22 pages. Burke & Bagley #4793345. Published by Burke & Bagley (A0.787361). This is an orchestra arrangement of Elgar's choral setting of the Tennyson poem, There Is Sweet Music.  Scored for single winds, horn in F, and strings.  1111 1000 Strings.  Duration approx. 3'45.   Among the best-known compositions of Sir Edward Elgar (1857-1934) are his orchestral works, the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies among them. He is also known for his choral works, including The Dream of Gerontius, chamber music and songs.   Elgar’s 1907 set of Four Part Songs, choral miniatures for unaccompanied mixed chorus, are some of the most challenging in the repertoire.  The first of these, setting a poem by Alfred, Lord Tennyson (1809-1892), There Is Sweet Music presents a particularly special challenge to the singers, as apparently the first music ever published composed in two simultaneous keys.  The men are in G major throughout, while the women are in A-flat major, two harmonically distant keys.  Nevertheless, the music never sounds particularly dissonant and the effect is gentle.   Choral conductor Dr. Gary D. Cannon noted an orchestral quality in Elgar’s choral writing and suggested the possibility that There Is Sweet Music might be transcribed for orchestra, giving the men’s parts to the strings and the women’s parts to the winds.  Composer Greg Bartholomew accepted this challenge and produced this arrangement. 

Full Orchestra - Digital Download SKU: A0.730532 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 324 pages. James Nathaniel Holland #6504055. Published by James Nathaniel Holland (A0.730532). FULL ORCHESTRAL SCORE (in Concert Pitch). An original opera of four stories in the spirit of street theater, taken and based on Geoffrey Chaucer's The Canterbury Tales  updated with original libretto by American composer James Nathaniel Holland.  Act 1:  For All The Rocks Off the Coast of Brittany (drama), Act 2: Une Danse Macabre (drama/comedy), Act 3: What All Women Want (drama/comedy), and Act 4: That Pesky Itch (comedy).  Can be stand-alone one acts or performed together with overture.  Scores: Piano Vocal Score, Full Orchestral Score, and Instrument Parts 1 and 2.  8 Principals who double or triple roles and sing choruses parts in the other acts.  No chorus required or may include full chorus cast.  Instrumentation:  f1/picc, fl2, ob, eh, cl12, bsn 12, hrn 12, tpt12, trmb, tba, timp, perc., hrp, and strings.  Minimum required eight singers:  Coloratura, Soprano, Dramatic Soprano, Mezzo, 2 Tenors, Baritone, Bass.

Full Orchestra - Level 4 - Digital Download SKU: A0.730530 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 350 pages. James Nathaniel Holland #6502039. Published by James Nathaniel Holland (A0.730530). INDIVIDUAL INSTRUMENTS 1 of 2 (Woodwinds, Brass, Percussion). An original opera of four stories in the spirit of street theater, taken and based on Geoffrey Chaucer's The Canterbury Tales  updated with original libretto by American composer James Nathaniel Holland.  Act 1:  For All The Rocks Off the Coast of Brittany (drama), Act 2: Une Danse Macabre (drama/comedy), Act 3: What All Women Want (drama/comedy), and Act 4: That Pesky Itch (comedy).  Can be stand-alone one acts or performed together with overture.  Scores: Piano Vocal Score, Full Orchestral Score, and Instrument Parts 1 and 2.  8 Principals who double or triple roles and sing choruses parts in the other acts.  No chorus required or may include full chorus cast.  Instrumentation:  f1/picc, fl2, ob, eh, cl12, bsn 12, hrn 12, tpt12, trmb, tba, timp, perc., hrp, and strings.  Minimum required eight singers:  Coloratura, Soprano, Dramatic Soprano, Mezzo, 2 Tenors, Baritone, Bass.

Full Orchestra - Level 3 - Digital Download SKU: A0.1005068 Composed by Tim Yarham. Contemporary. Score and parts. 80 pages. True Art is Angsty #4853475. Published by True Art is Angsty (A0.1005068). Tar Valon (10'33) is an original composition for orchestra inspired by the world of Robert Jordan's Wheel of Time. The island of Tar Valon is home to the Aes Sedai, mysterious and magical women who wield the One Power, allowing them to perform feats of magic unmatched in the world. The city on the island is renowned for the White Tower, a sight of majesty and fear. As well as the magic, Tar Valon is home to Warders, specially trained men who will fight for their Aes Sedai to the death and beyond. Tar Valon is a work that will grasp an audience's imagination and carry them far away into a world of wonder and excitement. 

Full Orchestra - Level 4 - Digital Download SKU: A0.1381585 Composed by Anthony Christopher Britten. Arranged by Kevin Riley. 21st Century,Film/TV. 60 pages. Kevin Riley #966278. Published by Kevin Riley (A0.1381585). The UEFA Champions League Anthem, officially titled simply Champions League, is the official anthem of the UEFA Champions League, written by English composer Tony Britten in 1992, and based on George Frideric Handel's Zadok the Priest. It was also the official anthem of the UEFA Women's Champions League from its creation in 2001 to the 2021 creation of an independent anthem. The complete anthem is about three minutes long, and has two short verses and the chorus. The lyrics are in UEFA's three official languages: English, French, and German. The chorus is set to the exclamations Die Meister! Die Besten! Les grandes équipes! The champions!The anthem is played inside the stadium before the start of each UEFA Champions League match, in addition to the beginning and end of television broadcasts of the games. Special vocal versions of the anthem have been performed live at the UEFA Champions League Final. UEFA's official website states, the anthem is now almost as iconic as the trophy.This arrangement does not require a choir. Those parts are taken by the brass section.

Full Orchestra - Level 4 - Digital Download SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 47 pages. JMJ Arrangements #685702. Published by JMJ Arrangements (A0.1081580). In those days, Mary arose and went with haste into the hill country, to a city of Judah, and she entered the house of Zechariah and greeted Elizabeth. And when Elizabeth heard the greeting of Mary, the babe leaped in her womb; and Elizabeth was filled with the Holy Spirit and she exclaimed with a loud cry, 'Blessed are you among women, and blessed is the fruit of your womb! And why is this granted me, that the mother of my Lord should come to me? For behold, when the voice of your greeting came to my ears, the babe in my womb leaped for joy. And blessed is she who believed that there would be a fulfillment of what was spoken to her from the Lord.' And Mary said, “'My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has regarded the low estate of his handmaiden. For behold, henceforth all generations will call me blessed; for he who is mighty has done great things for me, and holy is his name. And his mercy is on those who fear him from generation to generation. He has shown strength with his arm, he has scattered the proud in the imagination of their hearts, he has put down the mighty from their thrones, and exalted those of low degree; he has filled the hungry with good things, and the rich he has sent empty away. He has helped his servant Israel, in remembrance of his mercy, as he spoke to our fathers, to Abraham and to his posterity for ever.' And Mary remained with her about three months, and returned to her home. (Luke 1:39-56 RSV-CE).

Full Orchestra - Level 4 - Digital Download SKU: A0.730517 Composed by James Nathaniel Holland. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 368 pages. James Nathaniel Holland #6058827. Published by James Nathaniel Holland (A0.730517). A celebration of the Roaring 20s for the new roaring 2020s.  Jazzy choruses, solos, trios and duets, dances and spoken scenes from the Musical A Lucky Star, Full Orchestral Score (in concert pitch with dialogues and stage directions) with measure numbers that align to the piano vocal score and individual parts by American composer James Nathaniel Holland (book, music and lyrics). The story follows a young man as he dreams of moving from the Midwest to New York City in the year 1924. Songs included are: I Ain't Doin' Homework, This Town, Such is the County Fair (with mini-ballet), What the Heck Do I Care, An Inspiration (That Lucky Star), The Letter, New York The Town of Your Dreams, Music and Words, Bad Ain't So Bad (a 1920s flapper number), O Baby You Treat Me Too Rough (a Charleston type trio and women's chorus), So Alone Am I, and the touching song Indiana for chorus and separate arrangements for solo voice.  Full orchestral score, and orchestral accompaniments sold separately. YouTube Demo playlist at: https://www.youtube.com/playlist?list=PLEcbVsA36MCva9aAwNei4XFxFQdI5Jiio.

Full Orchestra - Level 5 - Digital Download SKU: A0.745689 By Bob Hada (Schoolspianist246). By Bob Hada (Schoolspianist246). Classical,Contemporary,Romantic Period,Spiritual. Score and parts. 64 pages. Bob Hada (Schoolspianist246) #353611. Published by Bob Hada (Schoolspianist246) (A0.745689). The musical creations plots about a time when the undead arises from their graves and attends the great throne of God in heaven at the great day of judgment ceremony to stand before God and to be determined whether or not the immortal man or women will enter in heaven or be banished from God's presence and live under the lake of fire of all damnation with Lucifer and his angels for all of eternity. As a result of the book of life and in the King James Bible, the book of revelation where it all begins in the truth afterlife story.