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1 16 31 ....511

Full Orchestra - Level 3 - Digital Download

SKU: A0.1015012

Composed by Vasil Belezhkov. Contemporary,Folk,World. Score and parts. 43 pages. Vasil Belezhkov #4602437. Published by Vasil Belezhkov (A0.1015012).

The Symphonic variations on the theme of the Bulgarian folk song 'Kitchitse, buyna loboda' (roughly translated as 'A bunch of luxuriant saltbush') were written in the summer of 2014 and eventualy were awarded with 2nd prize at the 14th International composition competition in 7/8 (Sofia, Bulgaria). The structure is introduction, theme, 7 variations (whose subtitles come from the respective lines of lyrics of the song) and coda. Saltbush (https://en.wikipedia.org/wiki/Atriplex) is a kind of grasslike plant and according the lyrics the person in the song shares their impressions with it:
Symphonic variations 'Kitchitse, buyna loboda' ('A bunch of luxuriant saltbush')
Orchestre

$49.99 47.47 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.1470455

By Keith Terrett. By Tsvetan Radoslavov. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Multicultural,Patriotic,World. 30 pages. Keith Terrett #1048173. Published by Keith Terrett (A0.1470455).

The national anthem of Bulgaria arranged for Symphony Orchestra, Mila Rodino (???? ?????? [mi?? r?dino], translated as Dear Motherland or Dear native land) is the current national anthem of Bulgaria.

There are alternative versions for Symphony & Brass Quintet in my stores.

It is based on the music and text of the song Gorda Stara Planina by Tsvetan Radoslavov, written and composed as he left to fight in the Serbo-Bulgarian War in 1885. The anthem was adopted in 1964. The text has been changed many times, most recently in 1990.

Between 1886 and 1944, the Bulgarian national anthem was Shumi Maritsa (???? ??????); from 1950 to 1964, it was My Bulgaria, land of heroes (Balgariyo mila, zemya na geroi, ????????? ????, ???? ?? ?????); in the brief period between these two, it was the march Republiko nasha, zdravey (????????? ????, ???????!).

Originally written and composed by a Bulgarian student in 1885, as he went off to fight in the Serbo-Bulgarian war, the song was titled “????? ????? ???????” (“Gorda Stara planina”) [Proudly Rise the Balkan Peaks]. The original lyrics have undergone revisions since its original composition, the latest after the fall of the communist government in 1990 where verses not in the original lyrics speaking of friendship with Russia, the Communist Party, and fallen fighters were removed. As the national anthem its name comes from the first line of the chorus rather than the first line of the verse.

For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates & news on my Olympic bid!

Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements.
 Contact Publisher.

Bulgarian National Anthem (Orchestre national d'Île-de-France Edition)
Orchestre
Keith Terrett
$39.99 37.97 € Orchestre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.1281940

Composed by Johann Sebastian Bach. Arranged by Stanley M Hoffman. 21st Century,Baroque,Classical. Score and Parts. 14 pages. Stanleymhoffman.com #873294. Published by stanleymhoffman.com (A0.1281940).

See YouTube video for Homage to Bach. https://youtu.be/6StWk5pXVrs
---
Homage to Bach
7 Variations for Harpsichord and Chamber Orchestra
after Prelude in C Minor (BWV 999) - ca. 12 minutes
Prelude (Harpsichord Solo)
1. Theme and Variation 1 (Chamber Orchestra)
2.  Variation 2 - Maggiore (Harpsichord Solo)
3. Variation 3 - Tempestoso (Chamber Orchestra)
4. Variation 4 - In 5 (Harpsichord Solo)
5. Variation 5 - Waltz - (Tutti)
6. Variation 6 - Molto Cantabile (Harpsichord Solo)
7. Variation 7 - Tango in which BWV 999 Meets BWV 846, No. 1 - (Tutti)
Music by Johann Sebastian Bach (1680–1750)
Variations by Stanley M. Hoffman (b. 1959) (BMI)
Music by Johann Sebastian Bach: Public Domain. Melody, variations, and engraving: 
© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com  All rights reserved.
The sheet music is available from Stanley M. Hoffman and from Sheet Music Plus.
#Bach #JSBach #JohannSebastianBach #homages #music #newmusic #harpsichord #ChamberOrchestra #variations #Baroque #BaroqueMusic.

Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
Orchestre

$7.00 6.65 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.861960

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960).

Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-I

Wind Parts (score and parts available)

Music by Mark O’Connor

164 pages – 33:00 minutes in length

 

Americana Symphony Variations on Appalachia Waltz

For Large Symphony Orchestra

3333/4331/timp/perc/pno/harp+strings

Composed and orchestrated by Mark O’Connor

 

1st Movement: Brass Fanfare: Wide Open Spaces

2nd Movement: New World Fanciful Dance

3rd Movement: Different Paths Towards Home

4th Movement: Open Plains Hoedown

5th Movement: Soaring Eagle, Setting Sun

6th Movement: Theme: Splendid Horizons


Note: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony.

 

What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.

David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?

William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.

Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!

  

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2006 - 2007

 

Composed by Mark O’Connor

Commissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony.

 

Can be heard on Americana Symphony! OMAC Records

Baltimore Symphony Orchestra, Marin Alsop

Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Orchestre

$80.00 75.97 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.861962

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962).

Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-T

Percussion Parts (score and parts available)

Music by Mark O’Connor

99 pages – 33:00 minutes in length

 

Americana Symphony Variations on Appalachia Waltz

For Large Symphony Orchestra

3333/4331/timp/perc/pno/harp+strings

Composed and orchestrated by Mark O’Connor

 

1st Movement: Brass Fanfare: Wide Open Spaces

2nd Movement: New World Fanciful Dance

3rd Movement: Different Paths Towards Home

4th Movement: Open Plains Hoedown

5th Movement: Soaring Eagle, Setting Sun

6th Movement: Theme: Splendid Horizons


Note: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony.

 

What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.

David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?

William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.

Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!

  

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2006 - 2007

 

Composed by Mark O’Connor

Commissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony.

 

Can be heard on Americana Symphony! OMAC Records

Baltimore Symphony Orchestra, Marin Alsop

Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Orchestre

$50.00 47.48 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.861963

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963).

Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-Z

String Parts (score and parts available)

Music by Mark O’Connor

163 pages – 33:00 minutes in length

 

Americana Symphony Variations on Appalachia Waltz

For Large Symphony Orchestra

3333/4331/timp/perc/pno/harp+strings

Composed and orchestrated by Mark O’Connor

 

1st Movement: Brass Fanfare: Wide Open Spaces

2nd Movement: New World Fanciful Dance

3rd Movement: Different Paths Towards Home

4th Movement: Open Plains Hoedown

5th Movement: Soaring Eagle, Setting Sun

6th Movement: Theme: Splendid Horizons


Note: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony.

 

What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.

David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?

William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. 

Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2006 - 2007

 

Composed by Mark O’Connor

Commissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony.

 

Can be heard on Americana Symphony! OMAC Records

Baltimore Symphony Orchestra, Marin Alsop

Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Orchestre

$80.00 75.97 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.861959

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959).

Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164A

Score (parts available)

Music by Mark O’Connor

86 pages – 33:00 minutes in length

 

Americana Symphony Variations on Appalachia Waltz

For Large Symphony Orchestra

3333/4331/timp/perc/pno/harp+strings

Composed and orchestrated by Mark O’Connor

 

1st Movement: Brass Fanfare: Wide Open Spaces

2nd Movement: New World Fanciful Dance

3rd Movement: Different Paths Towards Home

4th Movement: Open Plains Hoedown

5th Movement: Soaring Eagle, Setting Sun

6th Movement: Theme: Splendid Horizons


Note: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony.

 

What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.

David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?

William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.

Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2006 - 2007

 

Composed by Mark O’Connor

Commissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony.

 

Can be heard on Americana Symphony! OMAC Records

Baltimore Symphony Orchestra, Marin Alsop

Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
Orchestre

$40.00 37.98 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.861961

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961).

Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-P

Brass Parts (score and parts available)

Music by Mark O’Connor

162 pages – 33:00 minutes in length

 

Americana Symphony Variations on Appalachia Waltz

For Large Symphony Orchestra

3333/4331/timp/perc/pno/harp+strings

Composed and orchestrated by Mark O’Connor

 

1st Movement: Brass Fanfare: Wide Open Spaces

2nd Movement: New World Fanciful Dance

3rd Movement: Different Paths Towards Home

4th Movement: Open Plains Hoedown

5th Movement: Soaring Eagle, Setting Sun

6th Movement: Theme: Splendid Horizons


Note: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony.

 

What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.

David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?

William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.

Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2006 - 2007

 

Composed by Mark O’Connor

Commissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony.

 

Can be heard on Americana Symphony! OMAC Records

Baltimore Symphony Orchestra, Marin Alsop

Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Orchestre

$80.00 75.97 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.754301

Composed by Traditional. Arranged by Nick Raspa. Christian,Christmas,Holiday,Religious,Sacred. Score and Parts. 106 pages. NJR Music #3216569. Published by NJR Music (A0.754301).

Theme and variation setting.  The work starts with a traditional setting followed by 3 variations:  the first variation is in the Major, the second in minor and the third is a gigue.  Forces:  213[1.2.bc]2:22[1.pt]11:timp:str  Contains the full score and a complete set of parts and is approximately 2 1/2 minutes long.  Additionally, there is a setting of this arrangement for string orchestra that is available separately:

at Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/850429/Product.aspx

at Sheet Music Plus: https://www.sheetmusicplus.com/title/the-first-noel-variations-for-string-orchestra-full-set-digital-sheet-music/20061619?ac=1

ASCAP.

The First Noel (Variations for Full Orchestra) Full Set
Orchestre

$55.00 52.23 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.1027336

Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336).

We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.

Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
Orchestre

$4.99 4.74 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.597598

By Edward Elgar. By Edward Elgar. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional,Romantic Period. Score and parts. 40 pages. Flavio Regis Cunha #6698103. Published by Flavio Regis Cunha (A0.597598).

This ninth variation from Elgar's Enigma Variations is themost played of the variations.
Due to its overwhelming expressive quality, it has become England's counterpart to Adagio for Strings by Samuel Barber, being played when music of great emotion and dignity is called for in that country.
This adagio movement from the Enigma Variations provides an excellent opportunity for developing orchestras to work on tone, blend, intonation and dynamics. With clean writing, this makes an ideal choice for any orchestra.

Full Score and Orchestral Parts.
Advanced Intermediate.
Format: Concert, 9 x 12 inches.
40 pages.

NIMROD from 'Enigma Variations', n. IX, Op. 36 (for Orchestra)
Orchestre
Edward Elgar
$49.99 47.47 € Orchestre PDF SheetMusicPlus


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