Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan María Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos específicamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumí la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades específicas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).

Full Orchestra - Level 3 - Digital Download SKU: A0.1432030 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 20 pages. Juan Maria Solare #1012510. Published by Juan Maria Solare (A0.1432030). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fifth etude focuses again on tuning and intonantion and comes in two versions: for wind ensemble and for the full orchestra.

Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.

Full Orchestra - Level 4 - Digital Download SKU: A0.938519 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 48 pages. Christopher Schwinger #13385. Published by Christopher Schwinger (A0.938519). The 8th Christian vocal solo I've written, about how to respond to persecution. Part 2 of 2 of the orchestral version contains the individual parts, including the tenor voice, in their appropriate formats (transposed if the instrument is Bb clarinet, Bb trumpet, or French horn). The tenor part goes from C below middle C to G above middle C. Instrumentation required: 1 flute, 1 oboe, 2 Bb clarinets, Bb bass clarinet played by 2nd clarinetist, 2 French horns, 1 Bb trumpet, 1 tuba, timpani, 1st and 2nd violin, viola, cello, and bass. (String players can be any number, but wind player numbers are specific.) Included at the end are the piano part and composer's notes explaining the creation process and musical things to pay attention to. (The total cost for the orchestral version is $46.).

Full Orchestra - Level 4 - Digital Download SKU: A0.1400341 Composed by Yanni. Arranged by Roy Robert Davila Gomez (R.Music). Contemporary,Multicultural,New Age,Singer/Songwriter,Wedding,World. 39 pages. R.Music #983505. Published by R.Music (A0.1400341). Aimed at conductors, instrumentalists, and amateur musicians, this wonderful work was professionally transcribed and adapted with careful attention to detail, since it is a score for full orchestra just as Yanni offers in his live concerts, that makes it A unique work with exceptional quality highly sought after on the internet.Yanni's Adagio in C Minor is a masterful work that captivates with its emotionality and beauty. This piece allows musicians to explore the depth of musical expression while evoking a wide range of emotions in the audience. From its gentle passages to its powerful crescendos, each note is imbued with passion and poetry. With Adagio in C Minor, performers have the opportunity to immerse themselves in an unforgettable musical experience, while listeners are transported on a sonic journey that leaves them in awe.

Full Orchestra - Level 4 - Digital Download SKU: A0.938524 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 41 pages. Christopher Schwinger #17619. Published by Christopher Schwinger (A0.938524). The 7th Christian vocal solo I've written, about the essence of Jesus. Part 2 of 2 of the orchestral version contains the individual parts, including the tenor voice, in their appropriate formats (transposed for the Bb clarinet). The tenor part goes from C below middle C to F above middle C. Instrumentation required: 2 flutes, 1 Bb clarinet, 1 bassoon, 1 euphonium, 1 trombone, 1 tuba, violin (1 part, any number of players), and cello (1 part, any number of players). Included at the end are the piano part and composer's notes explaining the creation process and musical things to pay attention to. (The total cost for the orchestral version is $46.).

Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….

Full Orchestra - Level 4 - Digital Download SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.

Full Orchestra - Level 4 - Digital Download SKU: A0.938527 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 60 pages. Christopher Schwinger #25919. Published by Christopher Schwinger (A0.938527). The 6th Christian vocal solo I have written, about original sin, the Virgin Birth, and what the Gospel means. Part 2 of 2 of the orchestral version contains the individual parts, including the soprano voice, in their appropriate formats (transposed for the Bb clarinet and French horns). The soprano part goes from D a whole-step above middle C to B above the treble clef staff. Instrumentation required: 1 flute, 1 oboe, 1 Bb clarinet, 2 French horns, 1 tuba, 1st and 2nd violin parts, a viola part, and a cello part. (String players can be any number, but wind player numbers are specific.) Included at the end are the piano part and composer's notes explaining the creation process and musical things to pay attention to. (The total cost for the orchestral version is $46.).

Full Orchestra - Level 4 - Digital Download SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104 pages. Thomas Oboe Lee #25515. Published by Thomas Oboe Lee (A0.869364). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.

Full Orchestra - Level 2 - Digital Download SKU: A0.1085290 Composed by L.C. Harnsberger. Classical,Contest,Festival,Romantic Period. Score and parts. 65 pages. LCH Music #689433. Published by LCH Music (A0.1085290). L. C. Harnsberger’s Overture in the Classical Style is a new composition for young orchestra written in the style of the great classical composers Haydn, Schubert, and Beethoven. After a short slow introduction, the music bursts into a fast Allegro that features infectious melodies that you will soon be humming. The driving rhythms and interesting harmonies make the piece fun to play and hear. Overture in the Classical Style is perfectly written for younger ensembles with attention to instrument ranges, rhythms, and effective doublings. The piece is fully scored so your entire group gets to play including a full percussion section. There are also optional parts for two alto saxes, tenor sax, baritone sax, alto clarinet, bass clarinet, and baritone TC. The optional parts conveniently double the horns, bassoons, and trombone 2. Overture in the Classical Style is the perfect piece to open or close the next concert featuring your young orchestra.

Full Orchestra - Level 2 - Digital Download SKU: A0.883187 Composed by Eugenia Goldman. Contemporary,Standards. Score and parts. 21 pages. Eugenia Goldman #2956801. Published by Eugenia Goldman (A0.883187). Your string orchestra students will love the epic mood of this piece, which is written in E minor and characterized by unhurried melodies, dramatic ostinato rhythm in the accompaniment and a variety of finger patterns and bow strokes. The middle section provides contrast with slurred bowings and arpeggiated passages in middle voices. The primary and secondary material is evenly distributed among the instrumental sections and the piece is the perfect length to hold the attention of young players and audiences alike. String orchestra with optional piano accompaniment and percussion.

Full Orchestra - Digital Download SKU: A0.777110 Composed by Scott R. Meister. 20th Century,Contemporary. Score and parts. 123 pages. Scott Meister #5994951. Published by Scott Meister (A0.777110). A great concert piece that showcases all of the different voices of the orchestra. It utilizes special instrumental effects that will surprise your audience and keep their attention throughout the piece.  The compositional process is based on gravitational rotation of a given melody or phrase around a central axis that has been determined by a linear regression formula (because of this the use of microtones is incorporated).  The piece was written for and premiered by the Hayes School of Music Symphony Orchestra.

Full Orchestra - Level 4 - Digital Download SKU: A0.1378908 Composed by A. Arensky. Arranged by A. Leytush. 19th Century. 190 pages. Arkady Leytush #963624. Published by Arkady Leytush (A0.1378908). A. Arensky Double Concerto for Violin, Cello and Orchestra, Based on Piano Trio D - minor, Op.32, Orchestrated by A. Leytush. A double concert for violin and cello is difficult to find in the list of works of Russian composers of the 19th century. There are simply no such well-known works. I decided to take a chance by trying to do an orchestral transcription of the brilliant Arensky Piano Trio D minor op. 32, where the parts of the solo violin and cello remained in their place, and the piano part was completely replaced by the orchestra. Particular attention is paid to the balance of sound between solo instruments and the orchestra.

Full Orchestra - Digital Download SKU: A0.1301488 By Sheffield. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Classical,Contemporary,Folk,Ska,Soul. 7 pages. Amphibia Cultural Legacy #891116. Published by Amphibia Cultural Legacy (A0.1301488). The orchestral arrangement used for Lucky by Sheffield incorporates a rich and lush sound, enhancing the emotional depth of the song. The section features instruments, all working together to create a layered and dynamic musical landscape.The strings section plays a prominent role in the arrangement, providing a lush and sweeping backdrop and adding warmth and depth to the overall sound. The violins, violas, cellos, and double basses create a sense of grandeur and elegance, with the melodies soaring and cascading across the composition. The brass section adds power and intensity to the arrangement.Trombones and French horns contribute bold and majestic tones, building a climactic group and providing a sense of grandiosity. The brass also brings a touch of nobility and strength to the composition, further enhancing the emotional impact of the music.The orchestral arrangement for Lucky by Sheffield showcases the skilled craftsmanship and attention to detail in creating a cohesive and evocative musical experience. The strings and brass have a dynamic and captivating orchestral arrangement that complements the song's heartfelt lyrics and powerful vocals.