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Full Orchestra - Level 4 - Digital Download

SKU: A0.869677

Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677).

Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.

Symphony No. 5 ... Utopia Parkway is in five movements.

I. Allegro marcato 3708 Utopia Parkway, Flushing, NY
II. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941
III. Avian scherzo Habitat Group for a Shooting Gallery, 1943
IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian Scientist

Joseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.

The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.

Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.

Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.

Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.


Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003

Symphony No. 5 ... Utopia Parkway (2003) full score
Orchestre

$9.99 9.05 € Orchestre PDF SheetMusicPlus

Instrumental Duet,Piano Harp,Instrumental Duet,Piano,Violin - Level 4 - Digital Download

SKU: A0.971648

Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 38 pages. Musicart Publications #4367732. Published by Musicart Publications (A0.971648).

Watercolors of Earth and Sky is a work that celebrates the beauty and opportunity of nature through four musical movements. This work is for violin and harp (or piano). The violin part incorporates special techniques that help shape the sound and overall texture of the work. Each of the four movements presents an aspect of the composer’s experience in parks, plains, and woodlands. The music is also colored by the composer’s work as a performer of both classical and jazz music. As with other compositions by Jeffrey Hoover, there is a series of four paintings by Hoover with the same titles that are visual interpretations of the music. Images of these paintings that can be projected in performance are available directly from Hoover. This work is appropriate for performance for a broad audience.

Jeffrey Hoover's works - ranging from music for soloist to symphony orchestra - have received recognition through the prestigious Trieste prize, the Russolo Competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications, fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement in composition. One unique aspect of Hoover's work is when he combines his compositions with his own paintings, creating synergetic works. He is the author of The Arts and Society: Making New Worlds (Kendall Hunt Publishing).

Born on September 11, 1959, in Anderson, Indiana, Jeffrey Hoover holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included appointments both as a faculty member and an arts administrator. For more information, please visit his website at https://jeffreyhooverart.wixsite.com/mysite

Watercolors of Earth and Sky (violin and harp - or violin and piano)
Orchestre

$24.95 22.6 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.1344002

Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002).

1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the Future

The reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.“Fleetingness†is initially the author’s sketches, sketches, blanks, so to speak, a test of the pen, when musical images are created using minimal means and the search for one’s own language, a certain mood is conveyed, small picturesque etudes are drawn, paintings are also searched for and the possibility of conveying an almost theatrical action exclusively musical techniques. A little later, when a fair number of these short pieces had accumulated, Prokofiev added a few more, bringing the total number to 20. It was then that this suite was compiled, as an example of one of the first attempts to find a new style in music, which would later be called minimalism. Undoubtedly, the impetus for the creation of this 22nd opus was the piano preludes of Debussy, who had a huge influence on the subsequent development of academic music in the 20th century. My task in the orchestral transcription of this suite was, first of all, to make each sketch of this cycle visible using the means of a symphony orchestra. For this purpose, I initially provided each number of this suite with a specific name, in order to somehow indicate the path and arouse the imagination of the listeners. (As is known, only one piece of this cycle had a specific author's title - #7, Harp) Having started work on the orchestration, I had in advance the goal of addressing this arrangement to young musicians and young listeners.

S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only Orchestre

$100.00 90.59 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.1204655

By Various. By Nigel Westlake. Arranged by Chris Siddall. Film/TV. Score and parts. 12 pages. Chris Siddall Music Publishing #803129. Published by Chris Siddall Music Publishing (A0.1204655).

Writer-producer George Miller, the director behind the Mad Max movies, had heard about Dick King-Smith’s children’s book The Sheep-Pig and dreamed about turning it into a movie. When it came to writing the score he turned to Jerry Goldsmith, with whom he had previously collaborated on his segment of Twilight Zone: The Movie (Nightmare at 20,000 Feet). Fate however, stepped in when Jerry sent his work in progress. Miller felt that the music was too beautiful and lyrical, that it should play up the darker moments in the story. With a typically busy schedule, Goldsmith had no time available to rewrite the score, so the process of selecting a replacement began. Babe was being produced in Australia, which made communicating with LA-based composers a challenge, so six local composers were invited to audition, and Nigel Westlake was selected for the role. Westlake deftly weaves well-known classical themes such as Saint-Saens’ Organ Symphony and Delibes’ Pizzicati from the ballet Sylvia into his score, which sparkles and shines like the unprejudiced heart of the titular pig.

Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

Round Up - Score Only
Orchestre
Various
$9.99 9.05 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1086971

Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fabrik Music Publishing #691161. Published by Musik Fabrik Music Publishing (A0.1086971).

Scored for baritone (or counter-tenor) soloist, mixed chorus and orchestra (2222/2200/timp/2perc/hp/cel/mand/strings). Fêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy in November, 1913. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice of 1912 entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres (1884). The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.. This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle joyeuse (1904). Following Laloy’s scenario, the masqueraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.

Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
Orchestre

$24.95 22.6 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.831034

By Stevie Wonder. By Bob Dylan. Arranged by John Maclane Schirard. Contemporary. Score and parts. 32 pages. John Maclane Schirard #6434685. Published by John Maclane Schirard (A0.831034).

Premiered in the Bach Festival Society of Winter Park's 2021 Spiritual Spaces Concert, this piece is scored for full strings, harp, solo french horn, solo oboe, and a male vocalist. Transforming the already well-loved song into a stunningly heart wrenching ballad. The text takes on a new life in this arrangement, filled with lush harmonies, soaring countermelodies, and fresh sounds that will leave your audience truly pondering the meaning of Bob Dylan's iconic song.

Blowin' In The Wind
Orchestre
Stevie Wonder
$99.99 90.58 € Orchestre PDF SheetMusicPlus






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