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Full Orchestra - Level 5 - Digital Download

SKU: A0.748199

By Nancy Sinatra. By Sonny Bono and Wendell J. Yuponce. Arranged by Patrick Sheehan. Contemporary. Score and parts. 30 pages. Patrick Sheehan #6066973. Published by Patrick Sheehan (A0.748199).

From the album Cabaret Revue, as used on HBO’s curb your enthusiasm

INSTRUMENTATION: Piccolo, Flute I, Flute II, English Horn (F), Clarinet I (Bb), Clarinet II (Bb), Trumpet (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, Bass Drum, Crash Cymbals, Violin I, Violin II, Viola, Cello, Contrabass.

ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.






Bang Bang (my Baby Shot Me Down)
Orchestre
Nancy Sinatra
$15.00 13.92 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.748195

By Nancy Sinatra. By Sonny Bono and Wendell J. Yuponce. Arranged by Patrick Sheehan. Contemporary. Score and parts. 38 pages. Patrick Sheehan #6058979. Published by Patrick Sheehan (A0.748195).

INSTRUMENTATION: Piccolo, Flute, Tuba, Glockenspiel, Moog Synthesizer, Violin I, Violin II, Viola, Cello, Contrabass, Electric Bass

ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.


Bang Bang (my Baby Shot Me Down)
Orchestre
Nancy Sinatra
$15.00 13.92 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.748194

By Nancy Sinatra. By Sonny Bono and Wendell J. Yuponce. Arranged by Patrick Sheehan. Contemporary. Score and parts. 35 pages. Patrick Sheehan #6057661. Published by Patrick Sheehan (A0.748194).

From the album Circus, Cartoons, Comedy, as used on HBO’s curb your enthusiasm

INSTRUMENTATION: Piccolo, Flute, Tuba, Glockenspiel, Violin I, Violin II, Viola, Cello, Contrabass, Electric Bass

ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.


Bang Bang (my Baby Shot Me Down)
Orchestre
Nancy Sinatra
$15.00 13.92 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.869295

Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295).

Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings

Program note:

It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company.  

At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc.   At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process.   The premiere is less than a month away, and I am looking forward to it.

Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.

Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral.   In the premiere, the Robinson Ballet will dance in the orchestral movements.  

The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.

The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.

The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man.   It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.

The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …

The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor.   God bless our city Bangor, now! On this its birthday morn …

NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.

Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre

$9.99 9.27 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1509331

Composed by Richard M. Sherman and Robert B. Sherman. Arranged by John Langley (Studio Orchestrations). Broadway,Children,Christmas,Film/TV,Musical/Show,Standards. 88 pages. Www.studio-orchestrations.com #1084580. Published by www.studio-orchestrations.com (A0.1509331).

For vocal soloist, (Optional SATB chorus) and Orchestra in G Major


Brothers Richard Sherman and Robert Sherman were two of the finest song writers of all time, creating iconic family friendly songs and scores for many Disney films including Mary Poppins (1964), Chitty Chitty Bang Bang (1968), and Bedknobs and Broomsticks (1971) and the animated films The Sword in the Stone (1963), The Jungle Book (1967), Charlotte's Web (1973), The Aristocats (1970), and of course the theme park songs There's A Great Big Beautiful Tomorrow and It's A Small World (After All). 

The score for Mary Poppins is especially perfect with so many immortal songs like Chim chimeney, Spoonful of sugar, Fly a kite, Supercali ........ and of course the simple but beautiful Feed the birds.  It has such finely balanced musicality as a song and tugs the heart strings with its gentle lilting narrative of the unassuming bird lady on the steps of St. Paul's Cathedral.

This arrangement tries to capture the magic of the original song, using some occasional harmonic ideas from the stage musical version as well. 

Instrumentation:
2 Flutes
Oboe
Cor Anglais
2 Clarinets
2 Bassoons
4 Horns

2 Percussion
Harp
Keyboard 
Strings

Optional SATB chorus

Check out other arrangements and orchestrations by John Langley and Paul Campbell at https://www.studio-orchestrations.com/buy-hire-music

Feed The Birds (Tuppence A Bag)
Orchestre

$120.00 111.4 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.730443

Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 358 pages. James Nathaniel Holland #3482947. Published by James Nathaniel Holland (A0.730443).

Full Score and Individual Parts, including singers and actors and stage directions. (Vocal Piano Score and Orchestral Score Only sold separately). THE ONE UPSTAIRS A Comic Opera in One Act Opera (in English) (Opera duration: 1 hour)
 
Duration: 45 minutes
 
Perfect vehicle for coloratura and Broadway Alto. Combine with Holland operas called A New York Triptych The Discontented Housewife (Farce) and O Holy Art (tragedy) (both sold separately) for a full length evening of fun and accessible American contemporary opera.
 
Instrumentation: Picc, Fl12, Ob12, Cl12, Bsn, Hrn12, Trp, Trom, Tim, Perc (or Drm set), glock, piano, strings
 
Singers: Coloratura, Alto, Soprano, Baritone, 1 Actor Speaking part, 3 non-singing extras.
 
BRIEF SYNOPSIS: An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. Perfect opera for high school, university or young voices with strong coloratura and alto actress.

The One Upstairs, A Comic Opera in One Act, Full Orchestral and Individual Parts
Orchestre

$60.95 56.58 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.730442

Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 140 pages. James Nathaniel Holland #3482897. Published by James Nathaniel Holland (A0.730442).

Full Score Only (Vocal Piano Score and Orchestral Score with individual parts sold separately). THE ONE UPSTAIRS A Comic Opera in One Act (Opera in English) (Opera duration: 1 hour) Piano Vocal Score  
 
Duration: 45 minutes
 
Perfect vehicle for coloratura and Broadway Alto. Combine with Holland operas called A New York Triptych The Discontented Housewife (Farce) and O Holy Art (tragedy) (both sold separately) for a full length evening of fun and accessible American contemporary opera.
 
Instrumentation: Picc, Fl12, Ob12, Cl12, Bsn, Hrn12, Trp, Trom, Tim, Perc (or Drm set), glock, piano, strings
 
Singers: Coloratura, Alto, Soprano, Baritone, 1 Actor Speaking part, 3 non-singing extras.
 
BRIEF SYNOPSIS: An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. Perfect opera for high school, university or young voices with strong coloratura and alto actress.

The One Upstairs, A Comic Opera in One Act, Full Orchestral Score Only
Orchestre

$21.95 20.38 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.1453786

Composed by Guy-Manuel de Homem-Christo and Thomas Bangalter. Arranged by Matt Amy. Contemporary,Film/TV,Pop. 110 pages. Matt Amy Music #1033035. Published by Matt Amy Music (A0.1453786).

Key: N/A
BPM: 89
Style: Soundtrack
Duration: 4:16“ 
Ensemble type: Pops Orchestra

Full Recording (MIDI):
C.L.U (MIDI)

Live Recording (last section): C.L.U

Note: Three keyboards are important on this arrangement for synth FX

Instrumentation

- Piccolo
- Flute 1, 2
- Oboe 1, 2
- Clarinet 1, 2
- Bass Clarinet
- Bassoon 1, 2
- Alto Sax 1, 2
- Tenor Sax 1, 2
- Baritone Sax
- Horn 1, 2
- Horn 3, 4
- Trumpet 1, 2, 3, 4
- Trombone 1, 2, 3, 4
- Tuba
- Keyboard 1
- Keyboard 2
- Keyboard 3
- Guitar 1
- Guitar 2
- Electric Bass (Rhythm Section)
- Drums
- Percussion 1
- Percussion 2 
- Timpani
- Harp
- Violin 1
- Violin 2
- Viola
- Cello
- Contrabass

Click the following link for more arrangements by Matt Amy

Contact Matt here

C.l.u. Orchestre

$75.00 69.62 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.869351

Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351).

Instrumentation: 3232-4331-timp-2perc-strings.

When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon.

My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements.

I. Largo … Misterioso!
II. Allegro con moto … Evidence!!!
III. Adagio … Epistrophy!
IV. Andante … In Walked Bud!
V. Presto … Rhythm-a-ning!!!

My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff.

I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!!

Enjoy!!!

Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005

Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre

$9.99 9.27 € Orchestre PDF SheetMusicPlus






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