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Full Orchestra - Level 5 - Digital Download

SKU: A0.1438982

Composed by Apostolos Paraskevas. Classical,Contemporary,New Age. 37 pages. Silver Sickle Publications #1019009. Published by Silver Sickle Publications (A0.1438982).

Aegean Fire Magnus

 My music always has a cinematographic attitude, as if it wants to follow a film that has not yet been created.  With this work, the listener could wander and experience life around a Greek island. In the beginning, a Greek dance unfolds that develops into a faint prayer; shortly after, a waltz as a distant memory surfaces. The first theme of the work reappears to end the work in a triumphal and frenzy happy fiesta. The idea of the work came after a suggestion by Panos Liaropoulos to compose a string quartet for the summer of 2015. ‘Aegean Fire’ had its premiere in Greece by L’Anima string quartet and shortly after in Boston in February 2016. The Berklee Contemporary Symphony Orchestra under Francisco Noya presented the orchestral version ‘Aegean Fire Magnus’ in its American premiere in 2016 at Jordan Hall in Boston..

Aegean Fire Magnus - Score Only
Orchestre

$25.00 23.67 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.869368

Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368).

Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.

Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998

Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Orchestre

$9.99 9.46 € Orchestre PDF SheetMusicPlus

Full Orchestra - Digital Download

SKU: AX.00-PC-0002361_VC1

Cello. Arranged by Calvin Custer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0002361_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002361_VC1).

UPC: 029156605266.

Calvin Custer presents this flawlessly sculpted holiday treat with sounds hearkening back to the glory days of Leroy Anderson and his scorings for the Boston Pops. To make a delightful arrangement even more resplendent, we work our way to the final chorus which has all the delicious flavorings of the Big Band era as the whole orchestra swings! With all the colors of the spectrum and all of the charms of the season, this is a dynamic work! (2:44)
Concert/Contest.

Winter Wonderland: Cello
Orchestre

$3.00 2.84 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.1131185

Composed by John Carbon. 20th Century,Classical,Contemporary. Score and parts. 117 pages. John Carbon #731437. Published by John Carbon (A0.1131185).

Composed in 1999, revised in 2022, John Carbon's Piano Concerto was written for pianist William Koseluk and the Czech Radio Orchestra's historic first American tour. The premieres were in Boston's Symphony Hall and Prague's Smetana Hall. The recording has been released on the MMC and Convivium labels. The work is in one movement with several cadenzas and it showcases both the pianist and orchestra. Like most of Carbon's music the score is melodically rich with an appealing blend of tonal and atonal harmonic material that is fused into a compelling language that appeals to a wide variety of audiences.

Piano Concerto - Score Only
Orchestre

$25.00 23.67 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1510342

By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Original Manuscript Transcriptions, John Wion / Piano Red, Elaine Baker D'Angelo. Classical. 131 pages. Elaine Baker D'Angelo #1085534. Published by Elaine Baker D'Angelo (A0.1510342).

To Whom This May Concern:

You have purchased an orchestral score and a set of parts for the Bernard
Romberg Flute concerto, op 17. The product is marked: “for rental only”
because the previous distributor had a policy prohibiting purchase of these
materials. Only the Flute part and the Piano Accompaniment were available for
purchase. John Wion, discoverer of the work has authorized me to now sell the
score and orchestral parts. This enclosure is to provide you with a record of
your legal purchase in case keeping the parts in your possession was ever
questioned.

Also, please find below some comments from Dr. Jon Ceander Mitchell of the
University of Massachusetts at Boston who conducted me performing the
concerto in April, 2012. His suggestions and errata information will hopefully
lend assistance to you as you prepare for your concert.

Quoting five Major points:

1) There must be at least one very strong 2nd violin player as some melodies are
introduced from there.
2) Trumpets can double the horns at the octave, though only in spots and very
discreetly, and not playing at all in the second movement. It is most unusual to
have timpani but no trumpets.
3) 2nd movement halfway through, the descending viola line that needs to be
completed by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]
4) An A sharp in the solo line in 1st movement that is critical; otherwise it sounds
bluesy [p. 30,5 after H].
5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mm
and p. 51, 3rd and 4th mm. C naturals].

Bernhard Heinrich Romberg, Concerto for Flute & Orchestra opus 17 Complete
Orchestre
Bernhard Heinrich Romberg
$29.95 28.36 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1023992

Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992).

Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.

Trumbull Sketches
Orchestre

$60.00 56.81 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.869350

Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 pages. Thomas Oboe Lee #14827. Published by Thomas Oboe Lee (A0.869350).

Instrumentation: trumpet solo and 2222-4231-timp-2perc-strings.

Over the years I have written at least ten orchestral works for Max Hobart including three symphonies and four concertos for saxophone, violin, oboe and cello, respectively. So I was thrilled when Max asked me to write a concerto for trumpet virtuoso Stephen Burns and the Boston Civic Symphony Orchestra.

I am familiar with Stephen Burns’ work as a piccolo trumpet player doing concertos from the baroque period. The color of his sound was already in my head. Stephen and I got together in the spring of 2104 and we discussed the project in some detail. We immediately agreed that the work would be in three movements. Each movement would feature a different trumpet: the trumpet in C for the first, the flugelhorn for the second and the piccolo for the last. I began work on the concerto at the end of August and finished it three months later.

The work as mentioned earlier is in three movements:

1. Heraldic Beast … Allegro.
2. Bossa Nova in 7/4 … Adagio.
3. Perpetuo Moto … Presto!

Enjoy!!!

Concerto for Trumpet and Orchestra (2014)
Orchestre

$9.99 9.46 € Orchestre PDF SheetMusicPlus






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