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Joe Hisaishi : Le Château ambulant - Thème: Le Manège de la Vie (Alto)
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included)  This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation:  pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes  (Sample here begins with extra measure)  Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life.  Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html  Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
Orchestre

$15.95 13.87 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 2 - Digital Download SKU: A0.1385115 By Artyfile. By George Frideric Handel. Arranged by Paul Lorenz. Baroque,Christian,Classical,Praise and Worship,Religious. 74 pages. Paul Lorenz #968570. Published by Paul Lorenz (A0.1385115). Entdecken Sie die Majestät von Händels Halleluja aus dem Messias Das unvergessliche Erlebnis mit Händels Halleluja Georg Friedrich Händels Halleluja aus dem Messias bleibt eines der herausragendsten Werke der klassischen Musik, das weltweit für seine emotionale Tiefe und seine spirituelle Kraft gefeiert wird. Paul Lorenz Music bietet Ihnen die Gelegenheit, dieses meisterhafte Stück in seiner ganzen Pracht zu erleben, unterstützt durch unsere hochwertigen Noten und Interpretationen. Ein zeitloses Meisterwerk neu entdeckt Unsere Sammlung umfasst die Händel Halleluja Noten, die Halleluja von Händel Noten, sowie spezialisierte Ausgaben wie die Händel Halleluja Orgel Noten Pdf, die eine authentische Aufführung des Stücks ermöglichen. Ob für Solo-Auftritte, Chorarrangements oder Orchesterbegleitung â?? Paul Lorenz Music stellt sicher, dass Musiker Zugang zu den besten Ressourcen haben. Professionelle Ressourcen für Musiker aller Niveaus Von Noten Halleluja Händel bis zu den umfassenden Händel Halleluja Noten Pdf, unsere Editionen sind für Musiker, Ensembles, Orchester und Chöre konzipiert. Entdecken Sie die Halleluja Händel Chor Partituren und die vielseitigen Händel Halleluja Noten imslp, die jede Aufführung zu einem unvergesslichen Ereignis machen. Die Händel Halleluja Noten satb Editionen ermöglichen es Sängern aller Stimmlagen, sich an diesem zeitlosen Werk zu beteiligen. Die Faszination von Händels Halleluja Händels Halleluja zeichnet sich durch seine einzigartige Verbindung von musikalischer Brillanz und spiritueller Botschaft aus. Es ist ein Stück, das Zuhörer und Ausführende gleichermaÃ?en berührt und inspiriert. Paul Lorenz Music ist stolz darauf, diese Erfahrung mit hochwertigen Noten und Interpretationshilfen zu unterstützen, die dem historischen und musikalischen Kontext des Werkes gerecht werden.
Halleluja Chorus aus der Messias (Deutsche Fassung)
Orchestre
Artyfile
$99.99 86.95 € Orchestre PDF SheetMusicPlus

Joe Hisaishi : Le Château ambulant - Thème: Le Manège de la Vie (Violoncelle 4)
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Joe Hisaishi : Le Château ambulant - Thème: Le Manège de la Vie (Violon 1)
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Joe Hisaishi : Le Château ambulant - Thème: Le Manège de la Vie (Violoncelle 3)
Orchestre
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Joe Hisaishi : Le Château ambulant - Thème: Le Manège de la Vie (Violoncelle 1)
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Joe Hisaishi : Le Château ambulant - Thème: Le Manège de la Vie (Alto 3)
Orchestre
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Joe Hisaishi : Le Château ambulant - Thème: Le Manège de la Vie (Violon 3)
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre

$9.99 8.69 € Orchestre PDF SheetMusicPlus

Joe Hisaishi : Le Château ambulant - Thème: Le Manège de la Vie (Violon)
Orchestre
Téléchargez la partition Bands et Ensembles Le Château ambulant - Th&e…
23.99 € Orchestre PDF Tomplay






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