Full Orchestra - Digital Download

SKU: A0.1008391

Composed by Erik Satie. Arranged by Arkady Leytush. Contemporary. Score and parts. 89 pages. Arkady Leytush #6199449. Published by Arkady Leytush (A0.1008391).

This is a new orchestration of

Trois Morceaux en Forme de Poire -

1. Manière de Commencement

2. Prolongation du même

3. Morceau I : Lentement

4. Morceau II : Enlevé

5. Morceau III : Brutal

6. En Plus

7. Redite

 Orchestra suite

Full Orchestra - Level 4 - Digital Download

SKU: A0.1050215

Composed by Erik Satie. Arranged by A. Leytush. Contemporary. Score and parts. 138 pages. Arkady Leytush #654592. Published by Arkady Leytush (A0.1050215).

This combination of Satie's compositions consists of opuses destined exclusively for piano, which moved me to compose and orchestrate a kind of suite that demonstrates 2 different writing styles of their author, traditional and modern.

Full Orchestra - Level 3 - Digital Download

SKU: A0.1074008

By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #678276. Published by Arkady Leytush (A0.1074008).

E. Satie – Heures Séculaires et Instantanées, 1914, Orchestra suite 1. Obstacles venimeux 2. Crepuscule matinal 3. Affolments granitiques Duration about 4 minutes. Heures Séculaires et Instantanées (Hallowed by Time and Instant Hours), one of his humorous keyboard suites from the 1910s, contains Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his score. Sati warns against reading aloud the texts written on his scores. This is the secret between the performer and the composer. “There are as many words as there are notes!� says the French composer-critic Guy Sacré. Biographer Rollo H. Myers saw Heures as an omen of surrealism (ten years before the fact) and a new phase in the relationship between text and music. “... For the first time, individual verbal witticisms and witticisms are replaced by something like a recitation or monologue, which is an integral part of the work: this is no longer a cursory comment, arbitrarily superimposed and often not related to the music that it accompanies, but a certain narrative, grotesque inspiration, which the music serves as an illustration. In addition to what has been said, I would like to add that being one of the first minimalists in modern music, Sati opens a new page in the combination of musical images and examples of abstract vision and imagination inspired by music with his illustrative texts in this humorous suite. This approach to composition soon led to the emergence of striking examples of the combination of music and animation. This short suite, full of humor and ingenuity, moved me when arranging to also emphasize this feature by choosing the full composition of the orchestra, where in each number of this suite the musicians of the orchestra play only a few notes in turn. On the one hand, this should bring great variety and contrast, on the other hand, a huge orchestra and a 4-minute suite in themselves cause a smile of inconsistency...

Full Orchestra - Level 2 - Digital Download

SKU: A0.1199137

By Erik Satie. By Erik Satie. Arranged by Hans Rudolf. 19th Century,Classical,Romantic Period. Score and Parts. 37 pages. Hans Rudolf #798204. Published by Hans Rudolf (A0.1199137).

Gnossienne No. 1 is a solo piano piece by French composer Erik Satie. It was written in 1890 and published in 1893. The piece is part of a series of six Gnossiennes and is perhaps Satie's best known and most frequently performed work.

The piece is written in a slow tempo and is marked Lent (slow) and douloureux (painful). It has a simple and repetitive melody played over a slow, dreamy accompaniment. The harmonies are also very sparse, often consisting of only two or three chords.

The title Gnossienne is thought to have been invented by Satie himself, and its meaning is not entirely clear. Some suggest that it is a reference to the ancient Greek city of Gnossos on the island of Crete, while others believe that it is an allusion to gnosis, a mystical knowledge in which Satie was interested. For me, I translate Gnossienne simply as knowledge.

Overall, Gnossienne No. 1 is a beautiful and haunting piece of music that has captured the imagination of audiences and performers alike for over a century.

My orchestration attempts to counter the painful character, at least in part, with a rebellion and triumph over pain. The most unusual detail is the rhythmization by the timpani, which can be perceived as a driving, an eternity of the same or also as a will to continue.

Full Orchestra - Level 2 - Digital Download

SKU: A0.1417314

Composed by Erik Satie. Arranged by Lucas Lopes. 19th Century,20th Century. 26 pages. Lucas Lopes #998862. Published by Lucas Lopes (A0.1417314).

Arrangement of Gymnopedie No. 3 (3ème Gymnopédie), by Erik Satie for Orchestra.
(2 2 2 2 - 2 0 1 0 - timp - str).

Full Orchestra - Level 2 - Digital Download

SKU: A0.990684

Composed by Erik Satie. Arranged by Stephanie K. Andrews. 20th Century,Contemporary. Score and parts. 27 pages. Stephanie K Andrews #6384213. Published by Stephanie K Andrews (A0.990684).

Satie's piano solo Gymnopédie #1 arranged for small orchestra (flute, oboe, clarinet in Bb, bassoon, 2 horns in F, tympani, triangle, mark tree, harp, 2 violins, viola, cello, and contrabass.