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Full Orchestra - Digital Download SKU: A0.961993 Composed by Ma Shui Long 馬水龍. Contemporary. Score and parts. 95 pages. SpringAutumnmusic #47111. Published by SpringAutumnmusic (A0.961993). 1979年《台灣傳奇-廖添丁管弦樂組曲》,管弦樂   本曲改編自「舞劇廖添丁」,為1979年雲門舞集委託之作品。除序曲之外,分為五個樂章,每個樂章樂曲的形式與結構,均與劇情發展有關,其主要人物與樂曲主題動機如下:   (一)廖添丁: 作曲者以兩個不同的主題動機來表示他的內心氣概悲壯和行俠仗義輕鬆詼諧的一面,藉著有關廖添丁的各種傳說及劇情的發展,決定以兩個不同的主題來表示他的內心氣慨悲壯和行俠仗義時輕鬆詼諧的一面,如a與b。   (二)一位被日警侮辱的少女: 雖然不是主角,但也是很重要的角色,她象徵著日據時代台灣同胞的命運與遭遇,如c。   全曲先由序曲根據a與c之主題動機發展,以暗示劇中主人翁-廖添丁的命運與遭遇,而後再依序發展整曲。   第一樂章:大稻埕夜巷/第二樂章:日人宅第/第三樂章:霞海城隍廟會/第四樂章:淡水河畔/第五樂章:遇難。 ※本曲1979年5月由舞蹈家林懷民編舞、馬水龍指揮國立藝專管弦樂團、韻德錄音公司錄音,於台北國父紀念館舉行世界首演。    1979:Legend of Taiwan-Orchestral Suite of Chivalrous Liao Tain-Ding   This work was originally composed for a dance drama named Liao, Tand-Ding, and later on, recomposed as an orchestra work, and it was commissioned by the Cloud Gate Dance Foundation. Excepting the Overture, the work is divided into five movements. The form and structure of each movement all relate to the story basis. The roles and music themes are as follows: First: Liao Tain-Ding: The composer created two themes a and b, to express both Liao Tain-Ding’s heroically tragic character and also his humorous character. Please see below: Second: A young lady humiliated by the Japanese Police: Although the young lady is not played as a heroine, she is significant here. She symbolizes the experiences and fates of Taiwanese citizens during the colonial period. For example c:   The work begins with an Overture by developing subjects a and c, to imply the fate of hero Liao Tain-Ding and what he has gone through.      1st Movement: Night Lane in Ta Tao Cheng / 2nd Movement: The Japanese Mansion / 3rd Movement: Festival at the Hsia Hai Cheng Huang Temple / 4th Movement: Tamshui Riverside / 5th Movement: Martyrdom ※In May 1979, The dance of Legend of Taiwan-Orchestral Suite of Chivalrous Liao Tain-Ding arranged by Huai-ming Lin, was premiered by the National Taiwan Junior College of Art Orchestra, conducted by the composer Shui-long Ma, recorded by the Yun-de Company, and was premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall.
1979年《台灣傳奇-廖添丁管弦樂組曲》管弦樂 1979:Legend of Taiwan-Orchestral Suite
Orchestre

$44.99 38.48 € Orchestre PDF SheetMusicPlus

Orchestra - Digital Download SKU: S9.Q19576 Eroica. Composed by Ludwig van Beethoven. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 55. Ernst Eulenburg & Co. GmbH - Digital #Q19576. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q19576). Key: E flat major. German • English.'So he too is nothing more than an ordinary man. [...] he will place himself above everyone else and become a tyrant!' is what Beethoven is said to have shouted full of rage when Napoleon had declared himself emperor, and supposedly tore the title page of Symphony No. 3 headed 'Bonaparte' to pieces. Despite his anger, however, the work was again headed 'Bonaparte' when he wanted to publish it in 1804. But it was the first edition of 1806 which finally bore the title of Sinfonia eroica. Symphony No. 3 was Beethoven's first work in which he had come to terms with his progressing deafness and left the boundaries of the musical conventions far behind.
Symphony No. 3 Eb major
Orchestre

$15.99 13.68 € Orchestre PDF SheetMusicPlus

Orchestra - Digital Download SKU: S9.Q47442 23 One-Minute Duets which later become 5 Quartets, 3 Sextets and 1 Octet. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 35 minutes. Schott Music - Digital #Q47442. Published by Schott Music - Digital (S9.Q47442). And on the Seventh Day Petals Fell in Petaluma ist Harry Partchs Hommage an seine kalifornische Heimat. Vier Jahrzehnte verbrachte der Komponist – mit zwei jeweils sechsjährigen Unterbrechungen – in der Bucht von San Francisco, stets auf der Suche nach neuen Klangexperimenten. Die 23 Duett-Studien lassen sich zu größer besetzten kammermusikalischen Werken zusammenstellen und eignen sie sich auch als Konzertstücke – voll origineller Polyrhythmik, Polymetrik und Polytonalität.Zymo-Xyl · Bass Marimba · Mazda Marimba · Diamond Marimba · Marimba Eroica · Crychord · Harmonic Canon I · Harmonic Canon II (Castor & Pollux) · Chromelodeon I and II · Surrogate Kithara · Kithara I and II · Guitar II · Adapted Viola · Koto · Cloud-Chamber-Bowls · Spoils of War · Drone Devil · Boo.
And on the Seventh Day Petals Fell in Petaluma (Version 1964)
Orchestre

$21.99 18.81 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.   The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestre

$20.00 17.11 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.    The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
Orchestre

$31.50 26.94 € Orchestre PDF SheetMusicPlus

Orchestra - Digital Download SKU: S9.Q49198 Music-Dance-Drama. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 80' 0. Schott Music - Digital #Q49198. Published by Schott Music - Digital (S9.Q49198). Schon 1933 zeigte Partch Interesse, eine dramatische Vertonung des Oedipus zu komponieren. Eine erste Fassung beendete er am 31. Juli 1951 und das Werk wurde im März des folgenden Jahres uraufgeführt. Für diese zweite Fassung nahm Partch weitere Instrumente hinzu und veränderte die Rolle des „Spokesman. In der dritten und letzten Fassung von 1967 änderte Partch die Instrumentierung nochmals geringfügig – insbesondere kamen seine Gourd Tree und Cone Gongs hinzu.Klar. · Adapted Viola · Guitars II und III · Double Bass (with Ratio Fingerboard Covering) · Kithara · Harmonic Canons · Chromelodeon I · Chromelodeon Sub-bass · Cloud-Chamber Bowls · Cone Gongs · Gourd Tree · Diamond Marimba · Marimba Eroica · Bass Marimba · Hypo-bass Marimba · Castor & Pollux · Cymbal.
Oedipus
Orchestre

$72.99 62.43 € Orchestre PDF SheetMusicPlus






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