SKU: A0.1041955

HABANERA from the world famous Opera : Carmen Adapted for modern Full Orchestra (instrumental version) Instrumentation : Flute 1 / Flute 2 / Oboe 1+2 / Clarinet 1 / Clarinet 2 / Alto Sax / Bassoon / Bass Clarinet Horn / Trumpet 1 / Trumpet 2 / Trombone 1+2 / Tuba Triangle / Tambourine / Piano (opt.) Violin 1 / Violin 2 / Viola / Cello / Contrabass Free additionnal world parts on request by e-mail Parties supplémentaires gratuites, demande par e-mail contact@harmonie-editions.com Arranged for Modern Full Orchestra Durée / Duration : 3'50'' Niveau / Grade : 2,5/5 Tonalité / Key : Ré mineur puis Majeur / D minor then major.

SKU: A0.1393963

George Whitefield Chadwickâ??s Elegy â?? originally composed for organ and later orchestrated by the composer â?? bears the dedication, â??In Memoriam Horatio Parker.â?� The Elegy is a mournful and reflective composition written in memory of Horatio Parker, an influential American composer in his own right, and Chadwickâ??s colleague, friend, and one-time pupil. Chadwick and Parker were part of the Second New England School of composers, a group that aimed to establish a distinctly American musical identity in the late 19th and early 20th centuries. Chadwick's Elegy reflects his deep respect and admiration for Parker, as well as his own sense of loss at Parker's passing. The piece embodies somber and contemplative emotions, expressed through lush harmonies, poignant melodies, and moments of dramatic intensity.

SKU: A0.1388226

This arrangement for full orchestra, rhythm section and duet soloists based on the George Michael / Aretha Franklin version can be performed with a single soloist if necessary. The vocal part should be interpreted freely according to the soloist's particular style and preference.

SKU: H1.C5732ODP

George W. Kitchin, rev. Michael R. Newbolt & Sydney H. Nicholson. John 12:32 - Matthew 10:38 - Matthew 16:24 - Luke 14:27 - 1 Corinthians 1:17 - 1 Corinthians 1:18 - 1 Corinthians 1:19 - 1 Corinthians 1:20 - 1 Corinthians 1:21 - 1 Corinthians 1:22 - 1 Corinthians 1:23 - 1 Corinthians 1:24 - Galatia.

Classic hymn This powerful resurrection anthem comes from Lloyd Larson's Easter musical, Lift High the Cross, and features the two Easter hymns, Lift High the Cross and Brian Wren's Christ Is Alive. Additional instruments effectively add to the impact of this Easter celebration. The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Horn, B-flat Trumpet, Violin, Cello, Bass Guitar, Synth String Reduction, and Percussion.

SKU: A0.690536

Bella Notte (Italian for Beautiful Night) is a song for the 1955 animated motion picture Lady and the Tramp from Walt Disney Productions. The music is by Sonny Burke and the lyrics are by Peggy Lee. The song was performed in the film by George Givot, who also provided the voice of Tony. Peggy Lee recorded the song for herself for a 1955 Decca release with a choir and orchestra led by Victor Young. The song has also been recorded for a Disneyland album, sung by Bob Grabeau. Ronnie Hilton recorded the song, and Siw Malmkvist recorded the song in Swedish, releasing it on a record in February 1956.The song has also been recorded by Vikingarna on the 1979 album Vikingarnas julparty and Christer Sjögren himself on the 1994 Christmas album När ljusen ska tändas därhemma. Mark Salling, Kevin McHale, and Chord Overstreet recorded the song, and performed it on twenty-second episode and season two finale of Glee on May 24, 2011.

SKU: A0.1284109

Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.

Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.

Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.