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Full Orchestra - Level 5 - Digital Download SKU: A0.1364399 By Jim Ailor. By Frederic Chopin. Arranged by Jim Ailor. Christian,Easter,Lent,Religious,Sacred. 49 pages. ResurrectionSong #948690. Published by ResurrectionSong (A0.1364399). (INSTRUMENTAL PARTS) A beautiful marriage of text and melody. This time-honored, medieval text is set to an orchestrated version of Chopin’s Piano Prelude in C minor (Op. 28, No. 20). Through song we are taken to Christ’s final procession to the cross and His suffering and death. Musically, it works equally well with just piano accompaniment and/or with organ, which is an orchestral reduction. It opens with an optional snare drum dirge. Hard copies available at https://www.jwpepper.com/11531232.item.
O Sacred Head, Now Wounded (Instrumental Parts)(SATB, Full Orchestra, Orch. Reduction for Organ)
Orchestre
Jim Ailor
$35.00 30.26 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1364391 By ResurrectionSong Studio Choir. By Frederic Chopin. Arranged by Jim Ailor. Christian,Easter,Lent,Religious,Sacred. 16 pages. ResurrectionSong #948682. Published by ResurrectionSong (A0.1364391). A beautiful marriage of text and melody. This time-honored, medieval text is set to an orchestrated version of Chopin’s Piano Prelude in C minor (Op. 28, No. 20). Through song we are taken to Christ’s final procession to the cross and His suffering and death. Musically, it works equally well with just piano accompaniment and/or with organ, which is an orchestral reduction. It opens with an optional snare drum dirge. Hard copies available at https://www.jwpepper.com/11531232.item.
O Sacred Head, Now Wounded (Score)(SATB, Full Orchestra, Orch. Reduction for Organ) - Score Only
Orchestre
ResurrectionSong Studio Choir
$35.00 30.26 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 pages. Thomas Oboe Lee #14827. Published by Thomas Oboe Lee (A0.869350). Instrumentation: trumpet solo and 2222-4231-timp-2perc-strings. Over the years I have written at least ten orchestral works for Max Hobart including three symphonies and four concertos for saxophone, violin, oboe and cello, respectively. So I was thrilled when Max asked me to write a concerto for trumpet virtuoso Stephen Burns and the Boston Civic Symphony Orchestra. I am familiar with Stephen Burns’ work as a piccolo trumpet player doing concertos from the baroque period. The color of his sound was already in my head. Stephen and I got together in the spring of 2104 and we discussed the project in some detail. We immediately agreed that the work would be in three movements. Each movement would feature a different trumpet: the trumpet in C for the first, the flugelhorn for the second and the piccolo for the last. I began work on the concerto at the end of August and finished it three months later. The work as mentioned earlier is in three movements: 1. Heraldic Beast … Allegro. 2. Bossa Nova in 7/4 … Adagio. 3. Perpetuo Moto … Presto! Enjoy!!!
Concerto for Trumpet and Orchestra (2014)
Orchestre

$9.99 8.64 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre

$200.00 172.94 € Orchestre PDF SheetMusicPlus

Full Orchestra, Instrumental Parts - Digital Download SKU: LX.30-3651L Glorified, Anointed, and Sacrificed. Composed by Pepper Choplin. Choral Cantatas. Easter, Holy Week. Set of Parts. 500 pages. Lorenz Publishing - Digital Sheet Music #e30/3651L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3651L). Orchestrated by Michael Lawrence.Set of parts for The Body of Christ (55/1197L) Pepper Choplin beautifully and creatively crafted this telling of the final days of Jesusâ?? life, focusing on the meaning of His words and actions leading to the cross. With stunning melodies and a powerful orchestration by Michael Lawrence, we reflect on the feet that walked the earth, the hands that touched and healed, the voice that spoke the Word of God, and the head that bore a crown of thorns as Jesus was sacrificed. From the worshipful opener, We Behold His Glory, to the meditative and stunningly powerful path to the cross, O Sacred Journey, the importance of Christâ??s body remains the center point of this work. The final number, We Are the Body of Christ, is a benediction that can be presented immediately following the preceding number or after closing remarks from a speaker. For Christ is our head and though we are many, His Spirit will make us oneâ?¦Go now as the body of Christ..
The Body of Christ - Set of Parts
Orchestre

$249.95 216.13 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
Rosary Sonatas: The Crucifixion
Orchestre

$34.99 30.26 € Orchestre PDF SheetMusicPlus






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