Full Orchestra - Level 5 - Digital Download SKU: A0.1276496 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Patrick Sheehan. Broadway,Children,Contemporary,Film/TV,Musical/Show. Score and Parts. 92 pages. Patrick Sheehan #868208. Published by Patrick Sheehan (A0.1276496). Transcribed from the soundtrack of the 1971 Paramount Pictures film “Willy Wonka and the Chocolate Factory�INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, Solo Baritone Voice, Celesta, Glockenspiel, Vibraphone, Timpani, Harp, Violin I, Violin II, Viola, Cello, Electric Bass / Contrabass.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.

Full Orchestra - Level 2 - Digital Download SKU: A0.1346988 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Jeff Tincher. Contemporary,Film/TV. 14 pages. Jeff Tincher #931778. Published by Jeff Tincher (A0.1346988). Here is a beautiful rendition of a classic song from the 2023 movie Wonka. In the original key, this song has been changed a little from the original 1970 song from Willy Wonka and the Chocolate Factory. Beside mood differences, the words are different as well. Yet, this is still the great song of the Wonka francise. Duration = 2:58. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

Full Orchestra - Level 4 - Digital Download SKU: A0.1047173 Composed by Stephen Lines. Contemporary. Score and parts. 136 pages. Stephen Lines #651708. Published by Stephen Lines (A0.1047173). This requires a good imagination, a decent headset and 15-minutes of uninterrupted peace and quiet to be fully appreciated. The story begins in turmoil, but progresses through various emotive stages that are a reflection of what most of us experience as we mature and progress through life, the vicissitudes and small victories alike are depicted: you (the hero or heroine), must use your imagination to see your own life reflected in the evolutions and developments of the music - the chorale at the end indicates that you have, or will in the future, reach a state of wisdom, a far cry from the confusion and uncertainties reflected in the opening.

Full Orchestra - Level 3 - Digital Download SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow play�. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingness�.

Full Orchestra - Level 5 - Digital Download SKU: A0.1430086 Composed by S. Lyapunov. Arranged by A. Leytush. 19th Century. 134 pages. Arkady Leytush #1010761. Published by Arkady Leytush (A0.1430086). This orchestral suite was composed by me from three numbers of Transcendental Etudes, op. 11 S. Lyapunov - Berceuse, Rondo des Sylphes & Lesghinka. These three different plays combine perfectly due to their contrasts and different artistic images. Translating these virtuoso opuses to a full orchestra, I had to deal with many technical difficulties purely for the piano, which had to be adapted for the orchestra, while I had to create new lines and voices and even compose something. This work completely captivated me with the talent, ingenuity and delightful imagination of its author. I am sure that this composition could decorate many orchestral programs, giving them freshness and great emotional intensity.

Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!

Full Orchestra - Level 3 - Digital Download SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #678276. Published by Arkady Leytush (A0.1074008). E. Satie – Heures Séculaires et Instantanées, 1914, Orchestra suite 1. Obstacles venimeux 2. Crepuscule matinal 3. Affolments granitiques Duration about 4 minutes. Heures Séculaires et Instantanées (Hallowed by Time and Instant Hours), one of his humorous keyboard suites from the 1910s, contains Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his score. Sati warns against reading aloud the texts written on his scores. This is the secret between the performer and the composer. “There are as many words as there are notes!� says the French composer-critic Guy Sacré. Biographer Rollo H. Myers saw Heures as an omen of surrealism (ten years before the fact) and a new phase in the relationship between text and music. “... For the first time, individual verbal witticisms and witticisms are replaced by something like a recitation or monologue, which is an integral part of the work: this is no longer a cursory comment, arbitrarily superimposed and often not related to the music that it accompanies, but a certain narrative, grotesque inspiration, which the music serves as an illustration. In addition to what has been said, I would like to add that being one of the first minimalists in modern music, Sati opens a new page in the combination of musical images and examples of abstract vision and imagination inspired by music with his illustrative texts in this humorous suite. This approach to composition soon led to the emergence of striking examples of the combination of music and animation. This short suite, full of humor and ingenuity, moved me when arranging to also emphasize this feature by choosing the full composition of the orchestra, where in each number of this suite the musicians of the orchestra play only a few notes in turn. On the one hand, this should bring great variety and contrast, on the other hand, a huge orchestra and a 4-minute suite in themselves cause a smile of inconsistency...

Full Orchestra - Level 4 - Digital Download SKU: A0.1082157 Composed by Greg Engell. Contemporary,Contest,Festival. Score and parts. 132 pages. Greg Engell #686299. Published by Greg Engell (A0.1082157). A cinematic, percussive work for Full Orchestra. Features a flute solo and a lot of percussion. Great Opener to any concert! As we explore the many themes of the world: Fanfare; March; Beauty; Action open your imagination....Step out into a World Unknown!

Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.

Full Orchestra - Level 2 - Digital Download SKU: A0.1199137 By Erik Satie. By Erik Satie. Arranged by Hans Rudolf. 19th Century,Classical,Romantic Period. Score and Parts. 37 pages. Hans Rudolf #798204. Published by Hans Rudolf (A0.1199137). Gnossienne No. 1 is a solo piano piece by French composer Erik Satie. It was written in 1890 and published in 1893. The piece is part of a series of six Gnossiennes and is perhaps Satie's best known and most frequently performed work.The piece is written in a slow tempo and is marked Lent (slow) and douloureux (painful). It has a simple and repetitive melody played over a slow, dreamy accompaniment. The harmonies are also very sparse, often consisting of only two or three chords.The title Gnossienne is thought to have been invented by Satie himself, and its meaning is not entirely clear. Some suggest that it is a reference to the ancient Greek city of Gnossos on the island of Crete, while others believe that it is an allusion to gnosis, a mystical knowledge in which Satie was interested. For me, I translate Gnossienne simply as knowledge.Overall, Gnossienne No. 1 is a beautiful and haunting piece of music that has captured the imagination of audiences and performers alike for over a century.My orchestration attempts to counter the painful character, at least in part, with a rebellion and triumph over pain. The most unusual detail is the rhythmization by the timpani, which can be perceived as a driving, an eternity of the same or also as a will to continue.

Full Orchestra - Level 3 - Digital Download SKU: A0.1027278 Composed by John Myers. 20th Century,Contemporary. Score and parts. 41 pages. John Myers #2846523. Published by John Myers (A0.1027278). Intermediate Orchestra piece Composed by John Myers. Score and Parts. Duration: 4:45.As a young boy, riding a bike was an exciting time. There was adventure! ...Freedom to explore.  Mom would say, Be back by dinner time....and quickly, I was off - the wind in my face, and yes ...sometimes, even a spill or two. This is an original piece that gets the imagination going, capturing that amazing experience on a bike. I hope you enjoy this work ...and enjoy the ride!!  Note: optional spoken parts for Group and Solo Voice.   ...Kick-stand up ...instruments up ...and off we go!!

Full Orchestra - Level 3 - Digital Download SKU: A0.851554 Composed by Brett Thompson. 20th Century,Contemporary,Folk,Latin. Score and parts. 58 pages. Brett Thompson #6079455. Published by Brett Thompson (A0.851554). If you are lucky enough to have miraculously stumbled across this wonderful hoot of a piece using the sheetmusicplus search, then you are in for a treat! Cootamundra is a town in country New South Wales, Australia, and has nothing to do with the character of this piece. It is quite near where I currently live and made a fun alliteration while choosing a title for this piece. When writing music, I often allow the character and form of the piece to evolve with development of the motifs being employed. When writing student pieces, however, I tend to map out the work in my imagination fairly thoroughly first. This helps to keep the end result within the technical and musical limitations of the students in mind. Such was the case here where I decided to build on a nursery song with some drone-like accompaniment, a little Scotland the Brave, and then superimpose it on a conga line motif.This work is designed for a student orchestra (Grade 3) and includes lots of doubling and cues to cover absent parts.

Full Orchestra - Level 2 - Digital Download SKU: A0.1498651 By Cory F Mahler. By Cory Frederick Mahler. Arranged by Cory Frederick Mahler. 21st Century,Classical,Film/TV,New Age,Spiritual. 26 pages. Cory F. Mahler #1074915. Published by Cory F. Mahler (A0.1498651). Here is the full orchestra version.Another from the Bridge Album by Flalaski. Really feel out the dynamics with each other on this one. imagine the rising waters of the 8th Sea with a Burning Black-Hole Sun on the Horizon, being in the realms of Dreams, Astral & Imagination

Full Orchestra - Level 4 - Digital Download SKU: A0.1011590 Composed by Joe Wiedemann. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 148 pages. Joe Wiedemann #3420651. Published by Joe Wiedemann (A0.1011590). A concerto for a neglected audience of young people, to showcase the keyboard talents and sound-designing imagination of those in an Electronic Music university program. First premiered by CalPoly Pomona's MIDI Ensemble, a full orchestra can welcome new soloists and undiscovered artists. Second and third movements are available from the composer at orchestronics.com.

Orchestra - Digital Download SKU: S9.Q6453 In memoriam Robert Schumann. Composed by Aribert Reimann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 14 minutes. Schott Music - Digital #Q6453. Published by Schott Music - Digital (S9.Q6453). This most frequently played orchestral work by Aribert Reimann quotes from and makes use of Robert Schumann's last finished composition, the so-called 'Geistervariationen' [Ghost Variations] in E flat major for piano from 1854, composed shortly before Schumann's suicide attempt. Reflecting on Schumann's subsequent life in Endenich, Reimann leaves the lyrical character of the original unchanged. But the breaking up of the theme into the third, fifth and seventh fragments symbolizes the transition from dreamy imagination to sickly brooding.