Full Orchestra - Digital Download SKU: A0.723095 Composed by Joel Jacklich (ASCAP). Folk,Patriotic. Score and parts. 51 pages. Joel Jacklich #2163227. Published by Joel Jacklich (A0.723095). The original band version of Johnson Lane March was commissioned by Mitch Sturman, director of the Wilson Jr. H.S. Warrior Band in El Centro, CA for performance at the 6th Annual Concert of Premieres in May 2013.  The following fall, the Imperial Valley Symphony premiered the orchestral version.     The march was named for the street upon which the composer lives.

Full Orchestra - Level 2 - Digital Download SKU: A0.1317816 Composed by John H. Hopkins, Traditional. Arranged by David Burndrett. Christmas. 57 pages. David Burndrett #906506. Published by David Burndrett (A0.1317816). No.1 We Three KingsNo.2 The Angel GabrielI have arranged these pieces so that they can be played by grade three standard players upwards!As usual, I have added an optional violin three part, which is the same as the viola part, for if you do not have any viola players.I have also added an optional piano part.Download includes the score and all of the parts.

Composed by John H.Hopkins. Arranged by David Burndrett. Christmas. Set of Parts, Score. 21 pages. Published by David Burndrett (S0.11061). - Set of Parts,Score - Christmas - David Burndrett

Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q19130. Published by Schott Music - Digital (S9.Q19130). My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilège (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions. The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius: 1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute 2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energetic The Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchesters Mannheim with the support of Die Landesbank Baden-Württemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman. John Casken3(3.pic).2.ca.2(2.Ebcl).bcl.3(3.cbsn)-4.3(1.Dtpt).2.btbn.1-timp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaça, vibraslap)-hp-str.

Full Orchestra - Level 1 - Digital Download SKU: A0.1150888 Composed by John Newton. Arranged by Daniel H Rosa. Children,Christian,Easter,Sacred,Spiritual. Score and parts. 38 pages. Daniel H Rosa #751073. Published by Daniel H Rosa (A0.1150888). For Begginer Orchestra.

Full Orchestra - Level 1 - Digital Download SKU: A0.1129583 Composed by John Mason Neale. Arranged by Daniel H Rosa. Children,Christian,Christmas,Religious. Score and Parts. 31 pages. Daniel H Rosa #729992. Published by Daniel H Rosa (A0.1129583). Easy Begginer Christmas Carol.

Full Orchestra - Level 3 - Digital Download SKU: A0.723172 Composed by Joel Jacklich. Concert,Contemporary. Score and parts. 63 pages. Joel Jacklich #6228003. Published by Joel Jacklich (A0.723172). This is the orchestral version of Elegy.  Commissioned by Mitch Sturman in memory of our mutual friend, composer John B. Edmondson (1933-2016).  Mr. Sturman had commissioned new works for the Wilson Jr. H. S. Warrior Band in El Centro, CA for nine years for annual Concerts of Premieres.  John B. Edmondson, one of America's leading composers of educational music, with over 800 compositions and arrangements in his catalog, had been commissioned by Mitch seven times for new works, including his last ever composition, Imperial County Impressions performed in May, 2016, prior to Mr. Sturman's retirement in June, 2016.  The first commission John had made for Mitch was his Serenade for Solo Clarinet and Band.  Mitch felt it would be a fitting tribute for me to compose a work also for solo clarinet and band.  This was composed for a memorial tribute concert for John B. Edmondson at Wilson Junior High School on April 6, 2017, where the seven pieces commissioned for the Wilson Band would be performed.  The solo clarinet, first clarinet, and first trumpet require moderately experienced players to play the parts musically.  All the rest of the parts are easily handled by a typical junior high school band or orchesra.

Full Orchestra - Level 4 - Digital Download SKU: A0.1405511 By Elton John. By Elton John and Tim Rice. Arranged by Alejandro H. Broadway,Film/TV,Multicultural,Musical/Show,Singer/Songwriter,World. 57 pages. MusicHV #988565. Published by MusicHV (A0.1405511). Musical arrangement written for orchestra.

Full Orchestra - Level 4 - Digital Download SKU: A0.1502417 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Transcriptions by John Wion / Elaine Baker D'Angelo. 19th Century. 16 pages. Elaine Baker D'Angelo #1078222. Published by Elaine Baker D'Angelo (A0.1502417). ROMBERG FLUTE CONCERTOElaine Baker D’Angelo, Representative5 West Ridge Trail, Plymouth, MA 02360To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].

(Orchestra) - Digital Download SKU: H1.C5732ODP Composed by Brian Wren and John Hatton. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Hymntune, Easter Sunday, Cross of Christ. Set of Instrumental Parts. 44 pages. Hope Publishing - Digital #C5732ODP. Published by Hope Publishing - Digital (H1.C5732ODP). George W. Kitchin, rev. Michael R. Newbolt & Sydney H. Nicholson. John 12:32 - Matthew 10:38 - Matthew 16:24 - Luke 14:27 - 1 Corinthians 1:17 - 1 Corinthians 1:18 - 1 Corinthians 1:19 - 1 Corinthians 1:20 - 1 Corinthians 1:21 - 1 Corinthians 1:22 - 1 Corinthians 1:23 - 1 Corinthians 1:24 - Galatia.Classic hymn This powerful resurrection anthem comes from Lloyd Larson's Easter musical, Lift High the Cross, and features the two Easter hymns, Lift High the Cross and Brian Wren's Christ Is Alive. Additional instruments effectively add to the impact of this Easter celebration. The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Horn, B-flat Trumpet, Violin, Cello, Bass Guitar, Synth String Reduction, and Percussion.

Full Orchestra - Level 4 - Digital Download SKU: A0.1510342 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Original Manuscript Transcriptions, John Wion / Piano Red, Elaine Baker D'Angelo. Classical. 131 pages. Elaine Baker D'Angelo #1085534. Published by Elaine Baker D'Angelo (A0.1510342). To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].

Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow.  The second and third movements are most like a blues work.  The first movement is a rondo format, is not particularly bluesy.  A Les Paulâ„¢ guitar would play particularly well in this movement.  The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound.  The final movement is happy, upbeat, and lively good time blues.  In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum.  A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound.  The guitar should be the equivalent of a Fenderâ„¢ Stratocaster or Telecaster guitar; a Gibsonâ„¢ Les Paul would do nicely also.  The music is partially fingered leaving the player the opportunity to interpret the part.  The work is after the fashion of Chicago style blues of the 1960’s.  The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands.  It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3â„¢ with Leslie sound, as that instrument was widely used in blues of that period.  Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality.  The orchestral part is not particularly challenging.  The concerto is approx. 17 minutes in length.

Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.