EUROPE
216 articles
USA
7 articles
DIGITAL
6 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
6 partitions trouvées


Full Orchestra - Level 4 - Digital Download SKU: A0.1425221 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged by Matt Amy. Contemporary,Pop,R & B,Soul. 99 pages. Matt Amy Music #1006040. Published by Matt Amy Music (A0.1425221). Key: B minorBPM: 130Style: RnB/MotownDuration: 3:34Ensemble type: Pops OrchestraFull Recording (MIDI): Ain't No Mountain - Pops Orchestra (MIDI)Instrumentation- Voice - BVs - Choir- 4 Saxes- 4 Horns- 3 Trumpets- 3 Tromboens- Bairtone Horn (opt.)- Tuba- Timpani (tacet)- 2 Percussion- Keyboard- Piano- 2 Electric Guitars- Bass Guitar- Drums- Harp- Violin 1- VIolin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
Ain't No Mountain High Enough
Orchestre
Diana Ross
$75.00 64.38 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.518882 Composed by Mykola Leontovich. Arranged by Kevin Riley. 20th Century,Christmas,Classical. Score and parts. 47 pages. Kevin Riley #129566. Published by Kevin Riley (A0.518882). Carol of the Bells is a popular Christmas carol, with music by Ukrainian composer Mykola Leontovych in 1914 and lyrics by Peter J. Wilhousky. The song is based on the Ukrainian folk chant Shchedryk.The music is in the public domain, Wilhousky's lyrics are however under copyright protection (owned by Carl Fischer Music). The music is based on a four-note ostinato and is in 3 4 time signature, with the B-flat bell pealing in 6 8 time. The carol is metrically bistable, and a listener can focus on either measure or switch between them. It has been adapted for many genres, including: classical, metal, jazz, country music, rock, trap, and pop. The piece also features in films, television shows, and parodies.
The Bell Carol
Orchestre

$50.00 42.92 € Orchestre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre

$10.99 9.43 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1008363 Composed by Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-Korsakov. Arranged by Arkady Leytush. Children,Romantic Period. Score and parts. 36 pages. Arkady Leytush #4810761. Published by Arkady Leytush (A0.1008363). The original version of this music was written for piano in 3 hands (teacher and student).  I have orchestrated this for a large symphony orchestra.  Equally important is participation of a child of 4-5 years old as a soloist, who will be playing on the piano the main theme of Tati-Tati at the beginning and at the end.It all started as a musical joke from Borodin in a circle of his friends-composers: Rimsky-Korsakov, Cui and Lyadov. The joke turned into collective work which resulted into 24 variations with the finale paraphrasing Tati-Tati. I usually tell this story to the audience before performing.  24 Variations with Finale is an composition that is oriented for family and children symphonic concerts, when the educational part is of great importance for the  young listeners to understand classical music, the sound and characteristics of individual musical instruments and groups of the orchestra, what development principles are used by each composer, etc.  F. Liszt gave the best assessment to this composition. He pointed out to how the composer’s skills of the above named composers cold transform such insignificant musical theme-joke Tati-Tati into a brilliant and vibrant composition!This is the first part of composition with a full name: Borodin, Cui, Lyadov, Rimsky-Korsakov - PARAPHRASES on an Unchanged Theme Tati-Tati, 24 Variations with Finale and 9 Musical Pieces: Tarantella, Galop, Fugetta B-A-C-H, Waltz, Cortege, Lullaby, Marche Funebre, Requiem, Carillon, orchestrated by Arkady Leytush
Collective composition by Borodin, Cui, Liadov, Rimsky-Korsakov - 24 Variations with Finale on an un
Orchestre

$40.00 34.33 € Orchestre PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale