Full Orchestra - Level 4 - Digital Download SKU: A0.1463479 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Felix Linsmeier. 21st Century,Broadway,Classical,Film/TV,Musical/Show,Pop. 16 pages. Felix Linsmeier #1042200. Published by Felix Linsmeier (A0.1463479). Speechless is the new key song in the 2019 live-action remake of Aladdin. Written by Composer Alan Menken with lyrics by Benj Pasekand Justin Paul it gives new depth to the character of Jasmine. The song became famous sung by Naomi Scott and got translated into several languages.It is a solo sung by Jasmine, expressing how tired she is about being locked away in the palace and/or being silenced by Jafar or the Sultan and is finally ready to take a stand.This arrangement for full symphony orchestra and solo vocalist lets the singer shine in front of an epic accompaniment. It also features a prominent harp part (which can be doubled by piano if needed). It workes fabulous as a concert highlight for youth orchestras as well as intermediate to professional ensembles!This is the score only, purchase the parts here:.

Full Orchestra - Level 4 - Digital Download SKU: A0.1463485 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Felix Linsmeier. 21st Century,Broadway,Classical,Film/TV,Musical/Show,Pop. 37 pages. Felix Linsmeier #1042209. Published by Felix Linsmeier (A0.1463485). Speechless is the new key song in the 2019 live-action remake of Aladdin. Written by Composer Alan Menken with lyrics by Benj Pasekand Justin Paul it gives new depth to the character of Jasmine. The song became famous sung by Naomi Scott and got translated into several languages.It is a solo sung by Jasmine, expressing how tired she is about being locked away in the palace and/or being silenced by Jafar or the Sultan and is finally ready to take a stand.This arrangement for full symphony orchestra and solo vocalist lets the singer shine in front of an epic accompaniment. It also features a prominent harp part (which can be doubled by piano if needed). It workes fabulous as a concert highlight for youth orchestras as well as intermediate to professional ensembles!These are the instrumental parts only, purchase the full score here:.

Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fabrik Music Publishing #691161. Published by Musik Fabrik Music Publishing (A0.1086971). Scored for baritone (or counter-tenor) soloist, mixed chorus and orchestra (2222/2200/timp/2perc/hp/cel/mand/strings). Fêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy in November, 1913. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice of 1912 entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres (1884). The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.. This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle joyeuse (1904). Following Laloy’s scenario, the masqueraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.

Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow.  The second and third movements are most like a blues work.  The first movement is a rondo format, is not particularly bluesy.  A Les Paulâ„¢ guitar would play particularly well in this movement.  The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound.  The final movement is happy, upbeat, and lively good time blues.  In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum.  A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound.  The guitar should be the equivalent of a Fenderâ„¢ Stratocaster or Telecaster guitar; a Gibsonâ„¢ Les Paul would do nicely also.  The music is partially fingered leaving the player the opportunity to interpret the part.  The work is after the fashion of Chicago style blues of the 1960’s.  The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands.  It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3â„¢ with Leslie sound, as that instrument was widely used in blues of that period.  Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality.  The orchestral part is not particularly challenging.  The concerto is approx. 17 minutes in length.

Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.

Full Orchestra - Intermediate - Digital Download By The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 52 pages. Published by Arte Nova Music Lab

Full Orchestra - Level 4 - Digital Download SKU: A0.1101327 Composed by Charles Austin Miles. Arranged by Dico. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score and Parts. 105 pages. Dico Ferreira #704721. Published by Dico Ferreira (A0.1101327). INSTRUMENTAL VERSION COMING SOON!!! This arrangement is inspired by lyrics of the brazilian portuguese version of Paulo Leivas Macalão for the hymn. This lyric has a different meaning from the original composed by C. Austin Miles and it talks about the spiritual battle and its title is OS GUERREIROS SE PREPARAM (The Warriors Prepare). Inicialy it was part of a medley commissioned for the 80th Anniversary of The National Convention of the Assemblies of God - Madureira Ministry - in Brazil (2009).DWELLING IN THE BEULAH LAND / OS GUERREIROS SE PREPARAM (212 Harpa Cristã) / TERRA DE BEUL� (363 Hinário Adventista) / OLHANDO PARA CRISTO (579 Cantor Cristão) / FIJI NATIONAL ANTHEM (God Bless Fiji - Meda Dau Doka)

Full Orchestra - Intermediate - Digital Download By Kris Allen, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 42 pages. Published by Arte Nova Music Lab

Full Orchestra - Level 2 - Digital Download SKU: A0.1385189 By Artyfile. By George Frideric Handel. Arranged by Paul Lorenz. Baroque,Christian,Classical,Praise and Worship,Religious. 74 pages. Paul Lorenz #969195. Published by Paul Lorenz (A0.1385189). Elevate Your Performance with Handel's Hallelujah Chorus Sheet Music A Timeless Masterpiece Awaits Dive into the magnificence of George Frideric Handel's most celebrated work, the Hallelujah Chorus from Messiah. At Paul Lorenz Music, we offer an unparalleled selection of the Hallelujah Chorus choral sheet music, crafted for choirs and musicians who aim for excellence. Our meticulously prepared editions ensure that every crescendo and every harmony of this baroque masterpiece resonates with audiences and performers alike. Accessible Excellence for Every Musician Whether you're a solo artist looking for Hallelujah Chorus from Messiah sheet music or an ensemble seeking to captivate with Handel's baroque splendor, our collection spans from Hallelujah chorus piano sheet music to full orchestral scores. Discover our Hallelujah Handel PDF and Hallelujah Chorus Handel PDF editions, offering crystal-clear notations for a seamless performance experience. Immerse in the Baroque Brilliance For organists, the Hallelujah Chorus organ PDF provides the foundation for a powerful and moving rendition, bringing Handel's vision to life with every note. Choirs can elevate their performance with our Hallelujah Chorus SATB sheet music, designed for soprano, alto, tenor, and bass voices to blend harmoniously in this epic chorus. Full Scores for Complete Mastery Achieve a deeper understanding and a more impactful performance with the Hallelujah Chorus full score PDF. This comprehensive resource is perfect for conductors and music directors aiming to explore Handel's intricate musical architecture, ensuring a performance that is both authentic and profound.

Full Orchestra, String Orchestra - Intermediate - Digital Download By The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 41 pages. Published by Arte Nova Music Lab

Full Orchestra - Level 4 - Digital Download SKU: A0.1460316 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Daryl McKenzie. Broadway,Film/TV,Musical/Show,Pop. 104 pages. Daryl McKenzie #1039247. Published by Daryl McKenzie (A0.1460316). Arranged in the style of Naomi Scott for Vocal with Pops Orchestra - Voice, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax (opt.), 4Hn, 3Trpt, 3Trb, Tba, Timp, 2 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of F#mNote: Saxophones are optionalFull audio demo (Sibelius Sounds): click hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH

Full Orchestra - Intermediate - Digital Download By David Cook, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published by Arte Nova Music Lab

Chamber Orchestra - Level 4 - Digital Download SKU: A0.736734 Composed by Gabriel Faure. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 10 pages. MyMusicScores.com #4810641. Published by MyMusicScores.com (A0.736734). Faure Morceau de Concours was composed as a sight-reading piece for the Paris Conservatoire. It comprises of just thirty-three bars, consisting of a flowing and melodic line, full of scales, arpeggios, and figurations supported by simple chords in the piano.

Full Orchestra - Level 5 - Digital Download SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. Published by Musik Fabrik Music Publishing (A0.533845). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the chorus part, which contains a piano reduction, only. The orchestral parts are on rental from the publisher. The score, is available for sale. Ronel Il fait noir, enfant, voleur d'étincelles ! Il n'est plus de nuits, il n'est plus de jours ; Dors... en attendant venir toutes celles Qui disaient : Jamais ! Qui disaient : Toujours ! Entends-tu leurs pas ?... Ils ne sont pas lourds : Oh ! les pieds légers ! – l'Amour a des ailes... Il fait noir, enfant, voleur d'étincelles ! Entends-tu leurs voix ?... Les caveaux sont sourds. Dors : Il pèse peu, ton faix d'immortelles : Ils ne viendront pas, tes amis les ours, Jeter leur pavé sur tes demoiselles... Il fait noir, enfant, voleur d'étincelles ! English translation It is Dark, child, thief of sparks! There are no longer nights, There are no longer days Sleep..waiting for those who say never, who say always, to arrive Do you hear their footsteps? They are not heavy. Oh, the light steps! Love has wings... It is Dark, child, thief of sparks! Do you hear their voices? The tombs are silent. Sleep, it weighs little, your weight of dried flowers They will not come, your friends the bears, to throw their cobblestone on your fireflies It is Dark, child, thief of sparks! Translation © 2008 by Paul Wehage

Full Orchestra - Level 5 - Digital Download SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage