Full Orchestra - Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 87 pages. Published by Arte Nova Music Lab

Full Orchestra - Intermediate - Digital Download By Kris Allen, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 42 pages. Published by Arte Nova Music Lab

Full Orchestra - Intermediate - Digital Download By David Cook, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published by Arte Nova Music Lab

Full Orchestra - Level 4 - Digital Download SKU: A0.1164406 By The Beatles. By George Harrison. Arranged by Brad Ritchie. Pop,Rock,Singer/Songwriter. Score and Parts. 130 pages. OK Music Publishing #764736. Published by OK Music Publishing (A0.1164406). This full orchestra arrangment is true to George Martin's original score. Features vocals and rock band. Instrumentation: Flute 1-2, Oboe 1-2, Clarinet 1-2, Bassoon 1-2, Horns 1-4, Trumpets 1-3, Trombone 1-2, Bass trombone, Tuba, Timpani, Percussion 1-2 (vibraphone, tubular bells, glockenspiel), Harp, Keyboard 1-2 (moog syth. and harmonium sounds), Acoustic guitar, Electric bass guitar, drum set, Lead vocals, Background vocals (requires three singers), Strings [Violin 1-2, Viola, Cello, Double bass].

Full Orchestra - Level 4 - Digital Download SKU: A0.1313565 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Bryan Kidd. Broadway,Christmas,Holiday,Jazz,Musical/Show,Standards. 68 pages. BryanKiddMusic.com #902298. Published by BryanKiddMusic.com (A0.1313565). Have Yourself a Merry Little Christmas from the M.G.M. movie, Meet Me in St. Louis. For full orchestra, vocal soloist (F major) and Flugelhorn soloist. A letter-size (8.5x11) score and complete set of instrumental parts are included; a more easily read tabloid (11x17) score is available separately (RECOMMENDED) For the tabloid-size score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.

Full Orchestra - Level 5 - Digital Download SKU: A0.1284746 By Little Feat. By Lowell George and Martin Kibbee. Arranged by Brad Ritchie. Pop,Rock. Score and Parts. 120 pages. Main Office Productions & Publishing #875926. Published by Main Office Productions & Publishing (A0.1284746). Full Orchestra Arrangement that is true to the original Little Feat recording.  Features Vocal and Rock Band.Score Formatted for 11x17 paper.  Parts formatted for 9.5x12.5 paper.  Parts are designed to be taped accordion style.

Full Orchestra - Level 4 - Digital Download SKU: A0.1041526 By David Cook. By John Lennon and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and parts. 43 pages. Kevin Riley #646280. Published by Kevin Riley (A0.1041526). Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine. The song was written primarily by Paul McCartney and credited to Lennon–McCartney. Eleanor Rigby continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, both musically and lyrically. The song topped singles charts in Australia, Belgium, Canada and New Zealand. This version has parts for Saxophones but any important phrases have been cued in other instruments.

Full Orchestra - Level 3 - Digital Download SKU: A0.742587 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier Martínez Maya. Rock. Score and parts. 53 pages. Arte Nova Music Lab #6431887. Published by Arte Nova Music Lab (A0.742587). Yellow Submarine is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Eleanor Rigby. Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. The single went to number one on charts in the United Kingdom and several other European countries, and in Australia, Canada and New Zealand. It won an Ivor Novello Award for the highest certified sales of any single written by a British songwriter and issued in the UK in 1966. In the US, the song peaked at number two on the Billboard Hot 100 chart.The Beatles recorded Yellow Submarine during a period characterised by experimentation in the recording studio. After taping the basic track and vocals in late May 1966, they held a session to overdub nautical sound effects, party ambience and chorus singing, recalling producer George Martin's previous work with members of the Goons. As a novelty song coupled with Eleanor Rigby, a track devoid of any rock instrumentation, the single marked a radical departure for the group. It was also the first time they had issued a single in the UK consisting of album tracks. The song inspired the 1968 animated film Yellow Submarine and appeared as the opening track on the accompanying soundtrack album.

Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.

By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by George Naff. 20th Century, Christmas, Holiday, Jazz, Standards. 42 pages. Craig Robert Levesque #850607. Published by Craig Robert Levesque