Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016

Full Orchestra - Level 5 - Digital Download SKU: A0.1395044 Composed by Alice Mary Smith. Arranged by edited by John M Laverty. 19th Century,Classical. 147 pages. Zephyrwindmusic.com #978510. Published by zephyrwindmusic.com (A0.1395044). British composer Alice Mary Smith (1839-1884) was in her early 20’s when she wrote her first major work, Symphony in C minor. Despite the many challenges faced by a female composer in Victorian era Great Britain, Smith’s composition received a high level of praise from the British press following the work’s premiere by the Musical Society of London in 1863. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s.This edition is based entirely on Smith’s original manuscript. The edition is highly edited including an update to modern instrumentation and the addition of missing/inconsistent dynamics and articulations. The original hand-written manuscript contains many additional markings in pencil (also included in this edition), apparently added after the inked manuscript was complete.Parts are also available, and as with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in B-flat2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTimpaniStrings.

Full Orchestra - Digital Download SKU: A0.718187 Composed by Franz Xaver Gruber & Joseph Mohr. Arranged by Daryl McKenzie. Christmas. Score and parts. 87 pages. Daryl McKenzie #4966391. Published by Daryl McKenzie (A0.718187). The classic Christmas Carol arranged with a Reggae feel for Solo Voice, Choir (2 part) and Pops Orchestra in the Key of C.Commissioned by the Gozo Youth Orchestra, Malta.Solo Voice, Choir, 2Fl, 2Ob, 2Cl, 2Bsn, 4 F Hn, 3 Trpt, 3 Trb, Tba, Timp, Glock, Perc, Drum Kit, Piano/Guitar, Bass Guitar, Harp, Vln 1, Vln2, Vla, Vcl, CBPlayable with reduced instrumentation.More arrangements by Daryl McKenzie:  https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128www.mckenziemusicproductions.comYoutube Playlist: https://www.youtube.com/playlist?list=PLgP3xAGju1BJ-n99W8ow5xCGRfwTzfwT0

Full Orchestra - Level 4 - Digital Download SKU: A0.734060 Composed by Georges Bizet. Arranged by Daryl McKenzie. Multicultural,Opera,World. Score and parts. 39 pages. Daryl McKenzie #5203453. Published by Daryl McKenzie (A0.734060). The Geelong Australian Football League Club Song (Lyrics not included due to copyright restrictions - Google them!) in a sing-along style for Voice and Pops Orchestra. Key of C major. 1 min 30sec duration. This arrangement was commissioned by the Melbourne Symphony Orchestra.Full audio demo: https://drive.google.com/file/d/1tFqmvKNLHfX6veKB6e3L6vR5V_-ZsCci/view?usp=sharingInstrumentation: Voice, Fl1, Fl2/Picc, 2 Ob, 2Cl, 2Bsn, 4 Hn, 3Tpt, 3Trb, Tba, Timp, 2 Perc, Drum Kit, Harp, Bass Guitar, Piano (opt), Vln1, Vln2, Vla, Vcl, CBMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH

Full Orchestra - Level 3 - Digital Download SKU: A0.1258540 Composed by Wolfgang Amadeus Mozart. Arranged by Aika Uta. Classical. Score and Parts. 23 pages. Aika Uta #851796. Published by Aika Uta (A0.1258540). Are you a flutist passionate about classical music? Then you will love this product! It contains a revised and adapted score of the Andante in C Major, K. 315/285e, by Wolfgang Amadeus Mozart, one of the most beautiful works for flute and orchestra. The score was rewritten with a more beautiful and practical handwriting, and the horns were adapted to the modern tuning in F, following the current orchestral formations. You will have the certainty of playing an authentic and professional version of this wonderful piece, which expresses all the delicacy and lyricism of Mozart. And more: you can also buy the playback version for accompaniment, which simulates the sound of the orchestra with digital quality. So you can practice and have fun playing Mozart’s Andante in C Major with your own symphonic ensemble! Don’t miss this opportunity and get your product through the link below!

Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pages. Joel Jacklich #2075161. Published by Joel Jacklich (A0.723062). This is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Viola and Orchestra. There is also a version arranged for Cello and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.

Orchestra - Digital Download SKU: LX.30-2874L Composed by Mary McDonald. Sacred Anthem, Ascension, Christ the King, General. Digital. 88 pages. Lorenz Publishing - Digital Sheet Music #e30/2874L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2874L). Orchestrated by Michael Lawrence.This dynamic call to worship our Lord, by Mary McDonald, is full of rhythmic drive and harmonic invention, and it's ideal for general use or a missions/evangelism emphasis. Orchestration by Michael Lawrence for 2 Fl, Ob, 2 Cl, Bsn, 2 Hn (sub A Sas), 3 Tpt, 2 Tbn (sub T Sax/Baritone T.C.), Tuba, Perc, Timp, Harp, Pno, 2 Vln, Vla, Cello, Bass, Digital String Reduction.

Full Orchestra - Level 4 - Digital Download SKU: A0.1502417 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Transcriptions by John Wion / Elaine Baker D'Angelo. 19th Century. 16 pages. Elaine Baker D'Angelo #1078222. Published by Elaine Baker D'Angelo (A0.1502417). ROMBERG FLUTE CONCERTOElaine Baker D’Angelo, Representative5 West Ridge Trail, Plymouth, MA 02360To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].

Full Orchestra - Level 4 - Digital Download SKU: A0.1510342 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Original Manuscript Transcriptions, John Wion / Piano Red, Elaine Baker D'Angelo. Classical. 131 pages. Elaine Baker D'Angelo #1085534. Published by Elaine Baker D'Angelo (A0.1510342). To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].

Full Orchestra - Level 4 - Digital Download SKU: A0.1343863 Composed by Ludwig van Beethoven. Arranged by Kevin Riley. Classical,Romantic Period. 37 pages. Kevin Riley #929368. Published by Kevin Riley (A0.1343863). The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonataby Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil Countess Julie Giulietta Guicciardi. The name Moonlight Sonata (German: Mondscheinsonate) grew popular later, likely after Beethoven's death.The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favourite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata.This is an arrangement of the opening movement.

Full Orchestra - Digital Download SKU: A0.1021973 Composed by Brendon G.M.C. Holden. Broadway,Children,Jazz,Musical/Show,Pop. Score and parts. 6 pages. Brendon Holden #6285481. Published by Brendon Holden (A0.1021973). This song is about missing something one already has, such a good song. Come Back has been in the making for a couple of years, it has been one that I could listen to over and over. Come Back-Back to life was Self-Published in the 2021 Edition of Behind the Night Sky: Finding Run Personal Computer PBR. Although the first page of sheet music appears to be complex, its core is not. The fanciness of the first page of Come Back, is to allow others to explore the variety of ways the intro could be played.

Full Orchestra - Level 4 - Digital Download SKU: A0.1465640 Composed by Alice Mary Smith (1839-1884). Arranged by edited by John M. Laverty. 19th Century. 134 pages. Zephyrwindmusic.com #1038508. Published by zephyrwindmusic.com (A0.1465640). British composer Alice Mary Smith (1839-1884) was in her mid 20’s when she wrote Endymion Overture for orchestra. Despite the many challenges faced by a female composer in Victorian era Great Britain, Smith’s compositions during this period of her life received a high level of praise from the British press. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s. This edition is based entirely on Smith’s original manuscript. It is highly edited including an update to modern instrumentation and the addition of missing/ inconsistent dynamics and articulations. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C 3 TrombonesTimpaniStrings.

Full Orchestra - Level 5 - Digital Download SKU: A0.1005640 Composed by Rudy Volkmann. Contemporary. Score and parts. 225 pages. Rudy Volkmann #6073661. Published by Rudy Volkmann (A0.1005640). Southwood is a 20-minute, three-movement symphony for small (Schubert-sized) orchestra with an expanded percussion section. It is melodic, structured on classical formal models, and often harmonically dissonant (employing mixed meters as well). It is scored for 2 Flutes ( II d. Piccolo), 2 Oboes ( II d. English Horn), 2 Bb Clarinets ( II d. Bass Clarinet), 2 Bassoons, 2 French Horns, 2 Trumpets in C, Timpani, Xylophone (both soft and hard mallets), Snare Drum, Bass Drum, Auxiliary Percussion (2 players - including Cymbals, Suspended Cymbal, Tambourine, Triangle, Large Gong, and Mark Tree), and Strings.  The FINALE mp3 gives you the feel for the piece, but FINALE’S un-pitched percussion sound files are inadequate to convey the real feel of any of those instruments.  In addition, several effects such as string glissandos, Suspended Cymbal coin edge slides, and the Mark Tree parts are simply missing.

Full Orchestra - Level 4 - Digital Download SKU: A0.1477673 Composed by Emilie Mayer (1812-1882). Arranged by edited by John M. Laverty. 19th Century,Romantic Period. 141 pages. Zephyrwindmusic.com #1055051. Published by zephyrwindmusic.com (A0.1477673). Score and parts for orchestra, edited by John M. Laverty. German-born composer Emilie Mayer (1812-1882) wrote and published music during a time period that was challenging for a female composer. Doing so under the long shadows of Bach, Mozart, and Beethoven complicated the situation, yet Mayer prospered and was quite successful during her lifetime. Sadly, despite this early success, her works have not received the number of performances they deserve. Faust Overture, premiered shortly before Mayer’s death, is by far her most successful orchestral work. In it, one can clearly hear the in?uence of Beethoven. This edition is based entirely on Mayer’s 1880 publication. It is highly edited including an update to modern instrumentation and the addition of missing/ inconsistent dynamics and articulations. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in A2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTubaTimpaniStrings.

Full Orchestra - Level 4 - Digital Download SKU: A0.1377034 Composed by Edward Elgar. Arranged by Marcus Martin. 20th Century,March,Patriotic,Praise and Worship. 99 pages. Cornelius Edition (uk) #961638. Published by Cornelius Edition (uk) (A0.1377034). This famous march, regularly performed at u.k. 'The Last Night of the Proms' was composed in 1901. The words 'Land of Hope and Glory' were added to the trio section in 1902 by A C Benson. This section is traditionally associated with USA high school and college graduation ceremonies. This version is for full symphony orchestra.  2 Piccolos, 2 Oboes, 2 Clarinets, 2 Bassoons,  4 horns, 2 Trumpets (or Cornets) 3 Trombones, Tuba, Organ, Harp, Percussion and Strings.  However 2nd Piccolo, 3rd and 4th Horns, Harp and Organ are all 'ad lib' and in general the arrangement is effective with the omission of some of the other wind and brass at the conductor's discretion. A full score and all parts are included with alternative Bb parts for Clarinet and Trumpet.