Full Orchestra - Digital Download

SKU: A0.1112703

Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703).

Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodía gregoriana del Te Deum – himno de acción de gracias – alternando la melodía del Tonus Solemnis y del Tonus Simplex. La melodía gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodía gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.

Full Orchestra - Level 3 - Digital Download

SKU: A0.968617

Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 86 pages. Lawrence H Underwood #6666657. Published by Lawrence H Underwood (A0.968617).

Eight original quartets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions.

All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.

Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass.

Check out all of the volumes in this series:  Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!

Full Orchestra - Level 3 - Digital Download

SKU: A0.968581

Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 44 pages. Lawrence H Underwood #6666571. Published by Lawrence H Underwood (A0.968581).

8 all-new,original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions.

All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.

Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass.

Check out all of the volumes in this series:  Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!

Full Orchestra - Level 3 - Digital Download

SKU: A0.968562

Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 36 pages. Lawrence H Underwood #6666527. Published by Lawrence H Underwood (A0.968562).

8 original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions.

All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.

Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass.

Check out all of the volumes in this series:  Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!

Full Orchestra - Level 3 - Digital Download

SKU: A0.968599

Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 59 pages. Lawrence H Underwood #6666615. Published by Lawrence H Underwood (A0.968599).

Eight original trios – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions.

All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.

Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass.

Check out all of the volumes in this series:  Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!

Full Orchestra - Level 3 - Digital Download

SKU: A0.750913

Composed by Rowland H. Prichard (1830). Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and parts. 39 pages. BJE Music #4832615. Published by BJE Music (A0.750913).

A straightforward arrangement for Orchestra, Concert Band or a mixed ensemble with flexible instrumentation: woodwind, brass, piano or organ and strings.

The original tune (Hyfrydol) by Rowland H. Prichard was composed in 1830. The Descant part can be played on Flute, Clarinet or Trumpet during the last verse.

This setting was designed to work with a full orchestra down to a small church group of various combinations and should work with a few instruments and a keyboard.

The MP3 was recorded with NotePerformer…

Full Orchestra - Level 5 - Digital Download

SKU: A0.517889

Composed by Claude Debussy/Robert Orledge. 20th Century,Classical,Multicultural,World. Score and parts. 64 pages. Musik Fabrik Music Publishing #128613. Published by Musik Fabrik Music Publishing (A0.517889).

Debussy's unfinished Chinese Ballet was projected for première in London, but was never finished. The work was complete and orchestrated by the Debussy Scholar Robert Orledge and recorded in 2016 for the Paris City of LIghts Festival in the United Kingdom. Scored for large orchestra (3(pic)2EH2BsCl3(CBN)/4331/timp/5perc/cel/hp/pno/strings), mixed chorus and narrator, the ballet is suitable for both theatrical and concert performances. This item is the full score. The orchestral parts are available from the publisher on rental.

Full Orchestra - Digital Download

SKU: A0.750717

Composed by VRUECHTEN. Arranged by Brendan Elliget. Christian,Praise & Worship,Sacred. Score and parts. 33 pages. BJE Music #3481745. Published by BJE Music (A0.750717).

A straightforward but useful arrangement for orchestra or mixed ensemble with flexible instrumentation: Woodwind, Brass, Percussion, Piano or Keyboards/Organ and Strings. The tune, VRUECHTEN, is especially appropriate for Easter Sunday. The Descant part can be played on Flute, Clarinet or Trumpet during the 3rd verse.

This setting was designed for a small ensemble to a full orchestra. A church group of various combinations and should work well with a few instruments and a keyboard (Organ/Piano). If you use this arrangement, please let me know how it goes! The MP3 was recorded with NotePerformer.

Grade = 3 Duration = 2.55 mins.

Full Orchestra - Level 5 - Digital Download

SKU: A0.1439545

Composed by Wolfgang Amadeus Mozart. Arranged by poon. Classical. 41 pages. Poon #1019555. Published by poon (A0.1439545).

Mozart - Great Mass Große Messe  Mass in C minor, K.427/417a I. Kyrie - Original For 4 voices, mixed chorus(SATB), Orchestra Full Score and Parts.

Full Orchestra - Level 4 - Digital Download

SKU: A0.1086971

Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fabrik Music Publishing #691161. Published by Musik Fabrik Music Publishing (A0.1086971).

Scored for baritone (or counter-tenor) soloist, mixed chorus and orchestra (2222/2200/timp/2perc/hp/cel/mand/strings). Fêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy in November, 1913. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice of 1912 entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres (1884). The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.. This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle joyeuse (1904). Following Laloy’s scenario, the masqueraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.

Full Orchestra - Digital Download

SKU: A0.617902

Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Children,Classical,Praise & Worship,Spiritual,Traditional. Score and parts. 3 pages. Amphibia Cultural Legacy #227053. Published by Amphibia Cultural Legacy (A0.617902).

Amphibia Cultural Legacy has created a stunning orchestral cover of Tena Koe, originally written by Love to Sing. This remix features additional instruments, elevating the song to new heights and giving it a fresh sound that will captivate listeners. With its soaring melodies and intricate arrangements, this rendition of Tena Koe is a true masterpiece.

Amphibia Cultural Legacy's version of Tena Koe is an absolute feast for the senses, from the opening notes to the final crescendo. The lush instrumentation creates a rich tapestry of sound that envelops the listener in its warmth and beauty. Whether you're a fan of classical music or appreciate great music when you hear it, this remixed version of Tena Koe will leave you breathless.

Full Orchestra - Digital Download

SKU: A0.762921

By Barbie. By Amphibia Cultural Legacy. Broadway,Children,Classical,Contest,Festival,Film/TV,Musical/Show. Score and Parts. 4 pages. Amphibia Cultural Legacy #370625. Published by Amphibia Cultural Legacy (A0.762921).

Amphibia Cultural Legacy has brought a new life to the popular tune by Derek from Barbie in the 12 Dancing Princesses. The team skillfully remixed the cover with additional instruments and sounds, transforming it into an enchanting piece that will captivate audiences of all ages. This fresh take on the song highlights Amphibia Cultural Legacy’s talent for creating unique musical arrangements while staying true to the original melody.

The remix of Derek's Tune features a blend of different musical styles, including classical and contemporary elements. The infusion of strings, woodwinds, and percussion creates a vibrant sound that perfectly complements the uplifting melody. With each note exquisitely executed by talented musicians, this rendition of Derek's Tune will energize and inspire listeners.

Full Orchestra - Level 4 - Digital Download

SKU: A0.1464081

By David Bowie. By David Bowie. Arranged by Kevin Riley. 20th Century,Pop. 42 pages. Kevin Riley #1042792. Published by Kevin Riley (A0.1464081).

Life on Mars? is a song by the English singer-songwriter David Bowie, first released on his 1971 album Hunky Dory. Bowie wrote the song as a parody of Frank Sinatra's My Way. Life on Mars? was recorded on 6 August 1971 at Trident Studios in London, and was co-produced by Bowie and Ken Scott. Bowie's backing band consisted of guitarist and string arranger Mick Ronson, bassist Trevor Bolder, drummer Mick Woodmansey and Strawbs member Rick Wakeman on piano. Life on Mars? is primarily a glam rock ballad, with elements of cabaret and art rock; it has a complex structure that includes chord changes throughout. The lyrics are about a girl who goes to a cinema to escape reality, and include surreal images that reflect optimism and the effects of Hollywood.

At the height of Bowie's fame as Ziggy Stardust, RCA Records issued Life on Mars? as a single on 22 June 1973 in the United Kingdom, where it peaked at number three. To promote the single, photographer Mick Rockfilmed a video that shows Bowie in make-up and a turquoise suit singing the song against a white backdrop. Bowie frequently performed Life on Mars? during his concerts and the song has appeared on numerous compilation albums. Scott remixed the song in 2003 and 2016, the latter being a stripped down mix.

Life on Mars? is considered by commentators as one of Bowie's greatest songs, and one of the best songs of all time. Critics have praised Bowie's vocal performance and growth as a songwriter. The song's title was given to the British television series Life on Mars, and films and other television programmes have included Life on Mars?. Artists including Barbra Streisand, and Nine Inch Nails members Trent Reznor and Atticus Ross, have recorded cover versions of the song; and following Bowie's death in 2016, Life on Mars? was frequently chosen as a tribute to the artist.

Full Orchestra - Digital Download

SKU: A0.1112762

Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762).

Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodía gregoriana del Te Deum – himno de acción de gracias – alternando la melodía del Tonus Solemnis y del Tonus Simplex. La melodía gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodía gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.